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Author: Walter E. Houghton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Walter E. Houghton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Walter E. Houghton
Publisher: Yale University Press
ISBN: 0300194285
Category : History
Languages : en
Pages : 487
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ôIt is now forty years,ö Walter Houghton writes, ôsince Lytton Strachey decided that we knew too much about the Victorian era to view its culture as a whole.öá Recently the tide has turned and the Victorians have been the subject of sympathetic ôperiod pieces,ö critical and biographical works, and extensive studies of their age, but the Victorian mind itself remains blurred for usùa bundle of various and often paradoxical ideas and attitudes.á Mr. Houghton explores these ideas and attitudes, studies their interrelationships, and traces their simultaneous existence to the general character of the age.á His inquiry is the more important because it demonstrates that to look into the Victorian mind is to see some of the primary sources of the modern mind.
Author: Walter Edwards Houghton
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Category : Great Britain
Languages : en
Pages : 467
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Author: Walter E. Houghton
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: W. E. Houghton
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Category :
Languages : en
Pages :
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Author: Walter Edwards Houghton
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Category :
Languages : en
Pages :
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Author: Mabel Driscoll Bailey
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Category :
Languages : en
Pages :
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Author: Walter E. Houghton
Publisher: Yale University Press
ISBN: 9780300001228
Category : History
Languages : en
Pages : 486
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Book Description
DIV“It is now forty years,” Walter Houghton writes, “since Lytton Strachey decided that we knew too much about the Victorian era to view its culture as a whole.” Recently the tide has turned and the Victorians have been the subject of sympathetic “period pieces,” critical and biographical works, and extensive studies of their age, but the Victorian mind itself remains blurred for us—a bundle of various and often paradoxical ideas and attitudes. Mr. Houghton explores these ideas and attitudes, studies their interrelationships, and traces their simultaneous existence to the general character of the age. His inquiry is the more important because it demonstrates that to look into the Victorian mind is to see some of the primary sources of the modern mind. /div
Author: Charles Capper
Publisher: Oxford University Press
ISBN: 0199889635
Category : History
Languages : en
Pages : 688
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Book Description
Filled with dramatic, ironic, and sometimes tragic turns, this superb biography captures the story of one of America's most extraordinary figures, producing at once the best life of Fuller ever written, and one of the great biographies in American history. In Volume II, Charles Capper illuminates Fuller's "public years," focusing on her struggles to establish her identity as an influential intellectual woman in the Romantic Age. He brings to life Fuller's dramatic mixture of inward struggles, intimate social life, and deep engagements with the movements of her time. He describes how Fuller struggled to reconcile high avant-garde cultural ideals and Romantic critical methods with democratic social and political commitments, and how she strove to articulate a cosmopolitan vision for her nation's culture and politics. Capper also offers fresh and often startlingly new treatments of Fuller's friendships with Ralph Waldo Emerson, Thomas Carlyle, and Giuseppe Mazzini, in addition to many others.
Author: Michael Baker
Publisher: Routledge
ISBN: 1317399102
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
