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Author: Kevin E Carlson
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
Lauren and her friends visit an amusement park, Hydro World, located in the Mojave Desert on its opening day. The park is advanced beyond anything Lauren could have imagined-state of the art in a technology that allowed its builders to create whole enclosed ecosystems, mimicking a natural world lost to environmental decay. Then the Jade Fall happens, an enormous green meteor makes landfall, exploding into blinding emerald light. When the light fades, Lauren has survived, and so has Hydro World, but as she looks around, only two of her friends, Bobby and Lisa, are there-everyone else has vanished. Lauren and her friends meet more survivors, and it seems only a fraction of parkgoers survived the Jade Fall. Lauren attempts to lead the survivors out of Hydro World, assisted by the park's central computer, which goes by the name Leviathan. Soon they find the world around them has been altered-often in seemingly impossible ways. Hydro World has become a place where water can burn, gravity can change, and more. In the gloom of the desolate park, new life begins to assert itself. Some are benignly beautiful, but others are unspeakable abominations with too many eyes and too many mouths. Worse for Lauren, she slowly becomes aware of her own impossible changes to her body, developing frightening powers which she tries to keep hidden from her fellow survivors-at first. With extreme power the others lack, she balances on the edge of survival and becoming yet another of Hydro World's monsters. "I'm afraid of the things I can hear, the things I can do. And most of all, I'm afraid that when I'm in the moment doing those things, I'm not afraid at all. I'm afraid that I love it."
Author: Kevin E Carlson
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
Get Book Here
Book Description
Lauren and her friends visit an amusement park, Hydro World, located in the Mojave Desert on its opening day. The park is advanced beyond anything Lauren could have imagined-state of the art in a technology that allowed its builders to create whole enclosed ecosystems, mimicking a natural world lost to environmental decay. Then the Jade Fall happens, an enormous green meteor makes landfall, exploding into blinding emerald light. When the light fades, Lauren has survived, and so has Hydro World, but as she looks around, only two of her friends, Bobby and Lisa, are there-everyone else has vanished. Lauren and her friends meet more survivors, and it seems only a fraction of parkgoers survived the Jade Fall. Lauren attempts to lead the survivors out of Hydro World, assisted by the park's central computer, which goes by the name Leviathan. Soon they find the world around them has been altered-often in seemingly impossible ways. Hydro World has become a place where water can burn, gravity can change, and more. In the gloom of the desolate park, new life begins to assert itself. Some are benignly beautiful, but others are unspeakable abominations with too many eyes and too many mouths. Worse for Lauren, she slowly becomes aware of her own impossible changes to her body, developing frightening powers which she tries to keep hidden from her fellow survivors-at first. With extreme power the others lack, she balances on the edge of survival and becoming yet another of Hydro World's monsters. "I'm afraid of the things I can hear, the things I can do. And most of all, I'm afraid that when I'm in the moment doing those things, I'm not afraid at all. I'm afraid that I love it."
Author: G. A. Rosso
Publisher: Bucknell University Press
ISBN: 9780838752401
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
"While William Blake's The Four Zoas may be fascinating to Blake scholars, it presents formidable obstacles to even the most ardent Romanticist, let alone interested critics or the general reader. Blake's Prophetic Workshop attempts to clear some of these obstacles by studying the work from a variety of critical perspectives. It assumes some familiarity with Blake's prophecies, but is cast between the introductory and advanced levels of the two previous books published on the poem." "Although the major reading strategy is close textual analysis, the poem is marked by various cultural and social contexts that need elucidation. Chapters alternate between sketching these contexts and traditions and providing detailed readings within these contexts. The first chapters give a reception history of the work and set it within the tradition of the eighteenth-century "long poem," namely Thomson's Seasons, Pope's An Essay on Man, and Young's Night Thoughts, texts that Blake critiques as Newtonian substitutions of Miltonic prophecy. Chapter three tests these assertions by reading the poem's creation narratives in terms of Anglican-Dissenting apologetics. The final chapters sift the cultural contexts that shape Blake's use of biblical typology and scrutinize several continental philosophies of history, and how they encroach on The Four Zoas, as well as situate the poem in the apocalyptic moment of the 1790s." "While a pluralist approach is followed, author George Anthony Rosso, Jr., subscribes to a fundamentally historical theory that places The Four Zoas in the broad and eclectic tradition of English poetic prophecy. Aware of recent critiques of "the prophetic," Rosso pursues his theory with flexibility and tolerance for other viewpoints." "An appendix provides a useful commentary on the relations between the text and certain designs, drawings, and sketches in the manuscript. Its aim is to show that Blake repeats key images in various frames to provide a sense of context and development, and that the drawings expose what the narrative represses, often in graphic sexual detail. Rosso presents a Blake who is both deadly serious and disarmingly ironic about the relevance of prophecy in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Beth Newman
Publisher: Ohio University Press
ISBN: 0821415484
Category : Assertiveness (Psychology) in literature
Languages : en
Pages : 209
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Book Description
Through a consideration of fiction by Charlotte Brontë, Charles Dickens, George Eliot, and Henry James, Newman shifts the inquiry toward the observed in the experience of being seen. In the process she reopens the question of the gaze and its relation to subjectivity."--Jacket.
Author: Allon White
Publisher: Taylor & Francis
ISBN: 1003821839
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Originally published in 1981, this book examines why and how textual difficulty became a norm of modernist literature and questions how we can begin to account for the forms of obscurity and difficulty which developed in the late 19th Century and which became so important to modernism. The author argues that the decline of realism entailed the growth of ‘symptomatic’ or ‘subtextual’ reading which tended to treat fiction as compromised autobiography. This kind of reading left the author dangerously isolated and exposed in the midst of a newly sophisticated public. Within this general cultural perspective, the book traces the private anxieties that led George Meredith, Joseph Conrad and Henry James to conceal themselves within their complex and resistant fictions. It discusses opacity in the texts themselves – embarrassment and shame in Meredith; ‘engimas’ in Conrad; and the fear of vulgarity and knowledge in Henry James.
Author: William M. Greenslade
Publisher: Cambridge University Press
ISBN: 0521416655
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
An exploration of the impact of degeneration theories on British culture and fiction.
Author: Douglas Tallack
Publisher: Rowman & Littlefield
ISBN: 9780389206668
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
PMThis is a sequel to the successful ^IModern Literary Theory by Jefferson and Robey (Barnes & Noble). While the latter concentrates on expounding theory without embarking on its application, Tallack and his Critical Theory group take three literary texts and show how different literary theories can be used in practice in the analysis of real texts. The three texts are^R In the Cage by Henry James, St Mawr by D. H. Lawrence, and Heart of Darkness by Joseph Conrad. The branches of theory applied to them are Structuralism (Narrative Theory and Character Theory), Psychoanalytic Theory, Feminism, Linguistics, and Reader Response Theory, Deconstruction and Marxis
Author: Richard A. Lanham
Publisher: Paul Dry Books
ISBN: 1589882555
Category : Language Arts & Disciplines
Languages : en
Pages : 222
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Book Description
“A necessary manual for those interested in the perpetuation, and the possibilities, of good English prose.”—Harper’s Magazine “[Lanham’s] style is notable for its audacity, liveliness, and grace.”—The Times Literary Supplement “The most applicably provocative book on the subject of prose style available. Imperative reading for all teachers and students of writing.”—Choice This humorous and accessible classic on style calls for the return of wordplay and delight to writing instruction. Richard Lanham argues that many tomes on writing, with their trio of platitudes—clarity, plainness, sincerity—lie “upon the spirit like wet cardboard.” "People seldom write to be clear. They have designs on their fellow men. Pure prose is as rare as pure virtue, and for the same reasons…The Books [Lanham’s term for misguided composition textbooks], written for a man and world yet unfallen, depict a ludicrous process like this: 'I have an idea. I want to present this gift to my fellow man. I fix this thought clearly in mind. I follow the rules. Out comes a prose that gift-wraps thought in transparent paper.' If this sounds like a travesty, it’s because it is one. Yet it dominates prose instruction in America."—from Chapter 1
Author: Anthony Grafton
Publisher: Cambridge University Press
ISBN: 1316679411
Category : Language Arts & Disciplines
Languages : en
Pages : 401
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Book Description
In this collection of richly documented case studies, experts in many textual traditions examine the ways in which important texts were preserved, explicated, corrected, and used for a variety of purposes. The authors describe the multiple ways in which scholars in different cultures have addressed some of the same tasks, revealing both radical differences and striking similarities in textual practices across space, time and linguistic borders. This volume shows how much is learned when historians of scholarship, like contemporary historians of science, focus on earlier scholars' practices, and when Western scholarly traditions are treated as part of a much larger, cross-cultural inquiry.
Author: Laurence Lampert
Publisher: Yale University Press
ISBN: 9780300065107
Category : Philosophy
Languages : en
Pages : 500
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Book Description
This major work by Laurence Lampert provides a new interpretation of modern philosophy by developing Nietzsche's view that genuine philosophers set out to determine the direction of culture through their ideas and that they conceal the radical nature of their thought by their esoteric style. From this Nietzschean perspective, Francis Bacon and René Descartes can be considered the founders of modernity. Lampert argues that Bacon's positive claims for science aimed to destroy the dominance of Christianity. Descartes continued Bacon's radical program while providing it with the mathematical physics required for its success. Far from being solely an epistemological and metaphysical thinker, says Lampert, Descartes was a master writer whose comic ridicule helped bring down the Church to which he paid lip service. Both Bacon and Descartes used the Platonic art of dissimulation to achieve their ends by making their revolutionary aims appear compatible with Christianity. Once we recognize Bacon and Descartes as legislators of modern times in a specifically Nietzschean sense, we can also see Nietzsche in a new way--as the first thinker to have understood modern times and transcended it in a postmodern worldview. According to Lampert, Nietzsche provides a new foundation for culture, a joyous science that reveals the grandeur and purposeless play of the cosmic whole and yet avoids enervating despair or destructive, dogmatic belief.
Author: Karen Zumhagen-Yekplé
Publisher: University of Chicago Press
ISBN: 022667715X
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Is the point of philosophy to transmit beliefs about the world, or can it sometimes have higher ambitions? In this bold study, Karen Zumhagen-Yekplé makes a critical contribution to the “resolute” program of Wittgenstein scholarship, revealing his Tractatus Logico-Philosophicus as a complex, mock-theoretical puzzle designed to engage readers in the therapeutic self-clarification Wittgenstein saw as the true work of philosophy. Seen in this light, Wittgenstein resembles his modernist contemporaries more than might first appear. Like the literary innovators of his time, Wittgenstein believed in the productive power of difficulty, in varieties of spiritual experience, in the importance of age-old questions about life’s meaning, and in the possibility of transfigurative shifts toward the right way of seeing the world. In a series of absorbing chapters, Zumhagen-Yekplé shows how Kafka, Woolf, Joyce, and Coetzee set their readers on a path toward a new way of being. Offering a new perspective on Wittgenstein as philosophical modernist, and on the lives and afterlives of his indirect teaching, A Different Order of Difficulty is a compelling addition to studies in both literature and philosophy.
