The unembarrassed muse : the popular arts in America PDF Download
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Author: R. B. Nye
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: R. B. Nye
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Russel Blaine Nye
Publisher:
ISBN:
Category :
Languages : en
Pages : 497
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Author: Russel Blaine Nye
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 497
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Book Description
Author: Russell Nye
Publisher:
ISBN:
Category :
Languages : en
Pages : 497
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Book Description
Author: Robert W. Rydell
Publisher: University of Chicago Press
ISBN: 0226732347
Category : History
Languages : en
Pages : 222
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Book Description
When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.
Author: David L. Minter
Publisher: Cambridge University Press
ISBN: 9780521467490
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
This book interweaves a wide selection of the novels of the late nineteenth and early twentieth centuries with a series of cultural events ranging from Buffalo Bill's Wild West Show to the "Southern Renaissance" of the 1930s.
Author: John G. Cawelti
Publisher: University of Chicago Press
ISBN: 0226098672
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
A study of the popular plot formulas, and chief practitioners, of the detective and crime story, western, and social melodrama, assessing their artistic and cultural significance.
Author: Jean-Paul Gabilliet
Publisher: Univ. Press of Mississippi
ISBN: 1628469994
Category : Literary Criticism
Languages : en
Pages : 571
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Book Description
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Author: Richard M. Hurst
Publisher: Scarecrow Press
ISBN: 081085886X
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Republic Studios: Between Poverty Row and the Majors documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio and addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne.
Author: Kathleen E.R. Smith
Publisher: University Press of Kentucky
ISBN: 0813185386
Category : History
Languages : en
Pages : 412
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Book Description
After Pearl Harbor, Tin Pan Alley songwriters rushed to write the Great American War Song—an "Over There" for World War II. The most popular songs, however, continued to be romantic ballads, escapist tunes, or novelty songs. To remedy the situation, the federal government created the National Wartime Music Committee, an advisory group of the Office of War Information (OWI), which outlined "proper" war songs, along with tips on how and what to write. The music business also formed its own Music War Committee to promote war songs. Neither group succeeded. The OWI hoped that Tin Pan Alley could be converted from manufacturing love songs to manufacturing war songs just as automobile plants had retooled to assemble planes and tanks. But the OWI failed to comprehend the large extent by which the war effort would be defined by advertisers and merchandisers. Selling merchandise was the first priority of Tin Pan Alley, and the OWI never swayed them from this course. Kathleen E.R. Smith concludes the government's fears of faltering morale did not materialize. Americans did not need such war songs as "Goodbye, Mama, I'm Off To Yokohama", "There Are No Wings On a Foxhole", or even "The Sun Will Soon Be Setting On The Land Of The Rising Sun" to convince them to support the war. The crusade for a "proper" war song was misguided from the beginning, and the music business, then and now, continues to make huge profits selling love—not war—songs.
