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Author: Kaaron Warren
Publisher: Serpent's Tail
ISBN: 1800812051
Category : Fiction
Languages : en
Pages : 353
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Book Description
'Wholly unique and deeply compelling' - ESQUIRE 'Hauntingly creepy' - ERIN KELLY 'A heartfelt and chilling gothic tragedy' - CHRIS WHITAKER People come to visit my home and I love to show them around. It's not the original house of course. That was destroyed the day my entire family died. But I don't think their ghosts know the difference. Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died there, both before and after the disaster. Her sister, murdered a hundred miles away. The soldier, broken by war. Death follows Pera, and she welcomes it in as an old friend. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House. As Pera shows a young family around her home on the last haunted house tour of the season, an unexpected group of men arrive. One she recognises, but the others are strangers. But she knows their type all too well. Dangerous men, who will hurt the family without a second thought, and who will keep an old woman alive only so long as she is useful. But as she begins to show them around her home and reveal its secrets, the dangerous men will learn that she is far from helpless. After all, death seems to follow her wherever she goes... Sinister and lyrical, The Underhistory is a haunting tale of loss, self-preservation and the darkness beneath.
Author: Kaaron Warren
Publisher: Serpent's Tail
ISBN: 1800812051
Category : Fiction
Languages : en
Pages : 353
Get Book Here
Book Description
'Wholly unique and deeply compelling' - ESQUIRE 'Hauntingly creepy' - ERIN KELLY 'A heartfelt and chilling gothic tragedy' - CHRIS WHITAKER People come to visit my home and I love to show them around. It's not the original house of course. That was destroyed the day my entire family died. But I don't think their ghosts know the difference. Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died there, both before and after the disaster. Her sister, murdered a hundred miles away. The soldier, broken by war. Death follows Pera, and she welcomes it in as an old friend. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House. As Pera shows a young family around her home on the last haunted house tour of the season, an unexpected group of men arrive. One she recognises, but the others are strangers. But she knows their type all too well. Dangerous men, who will hurt the family without a second thought, and who will keep an old woman alive only so long as she is useful. But as she begins to show them around her home and reveal its secrets, the dangerous men will learn that she is far from helpless. After all, death seems to follow her wherever she goes... Sinister and lyrical, The Underhistory is a haunting tale of loss, self-preservation and the darkness beneath.
Author: Pamela Erens
Publisher:
ISBN: 9781931336048
Category : Buddhist monasteries
Languages : en
Pages : 0
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Book Description
"Winner of the Ironweed Press Fiction Prize."
Author: Susan Cahill
Publisher: Univ of Wisconsin Press
ISBN: 0299238237
Category : Nature
Languages : en
Pages : 154
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Book Description
This collection of articles relates to a research area currently developing in the Humanities, which calls for philosophical and historical approaches to questions of sustainable development and waste management. The title of the issue reflects the central questions raised by all contributors: how are waste and abundance represented, how may we conceptualize these representations, and what ethical problems do they raise? Particular attention is paid to the cultural and moral factors that condition our attitudes to waste and the ways in which literature addresses the problematic relationship that binds production, consumption and waste to social and political systems.
Author: Rachel Redhead
Publisher: Lulu.com
ISBN: 1291703977
Category : Fiction
Languages : en
Pages : 200
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Book Description
Beware the things that go bump in the night... This collection of short stories is about many of the creatures of evil, and near-evil, from vampires to mummies, from zombies to liches, this book asks one interesting question, what is it like to become one of their number, because they might just be recruiting and they're not asking permission...
Author: Samuel Chase Coale
Publisher:
ISBN: 0817359508
Category :
Languages : en
Pages : 271
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Book Description
Author: Philipp Wolf
Publisher: Routledge
ISBN: 1000587797
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
This book offers the first systematic study of death in the later novels of Don DeLillo. It focuses on Underworld to The Silence, along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels, which mark the development of one of the most philosophical and prestigious novelists writing in English. Death, in its close relation to time, temporality and transience, has been an ongoing subject or motif in Don DeLillo’s oeuvre. His later work is shot through with the cultural and sociopsychological symptoms and responses death elicits. His "reflection on dying" revolves around defensive mechanisms and destruction fantasies, immortalism and cryonics, covert and overt surrogates, consumerism and media, and the mortification of the body. His characters give themselves to mourning and are afflicted with psychosis, depression and the looming of emptiness. Yet writing about death also means facing the ambiguity and failing representability of "death." The book considers DeLillo’s use of language in which temporality and something like "death" may become manifest. It deals with the transfiguration of time and death into art, with apocalypse as a central and recurring subject, and, as a kind of antithesis, epiphany. The study eventually proposes some reflections on the meaning of death in an age fully contingent on media and technology and dominated by financial capitalism and consumerism. Despite all the distractions, death remains a sinister presence, which has beset the minds not only of DeLillo’s protagonists.
Author: Philipp Wolf
Publisher: Rodopi
ISBN: 9789042015289
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Contemporary studies of memory focus either on the psychology of remembering, on its archives and media, or on the traditional ars memoriae. The general cultural framework with its social and material factors is largely neglected, despite the obvious impact on both collective and individual mnemonic mentality. But, as in the first half of the seventeenth century or the later twentieth century, the literary and political invocation of religious, collective or national memory occurs most of all in times of historical rupture, and attendant changes of a radical technological and cultural nature. Appeals to the power of memory are not only indicative of the anxiety about the loss of its binding or absolving character. They are already symptomatic of a deep crisis of cultural memory in itself, resulting from an erosion of firm spatial, temporal and historical references along with an increasing tendency towards reflexivity, which calls the apparently self-evident facts of past and present into question. The continuity of remembering, however, as this study argues, presupposes the permanence and recurrence of social and material relations, of representative or symbolic persons, objects and events, in which it can inscribe itself. But owing to the shift in historical consciousness from (typological) past to progressive future and novelty and under the impress of industrial production and modern media (mobility and communications), the Western subject has to cope constantly with new empirical situations, symbolic values and historical or current information whose origin and evolution - indeed, the very memory of them - remain alien to personal identity and memory. The promise of redemption and salvation, still inherent in seventeenth-century collective memory, loses credibility. The study includes a wide range of authors from Donne to Pope, Tennyson to George Eliot and Walter Pater, W.B. Yeats to Don DeLillo and covers the whole period from early modern England to postmodernism. It can thus also be read as a brief history of Western memory and its continuing crises.
Author: Paul Levine
Publisher: Bloomsbury Publishing
ISBN: 1137267666
Category : History
Languages : en
Pages : 312
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Book Description
The period from 1945 to the present day may not constitute an American century, but it can be seen as the American Moment: the time when, for good or ill, the United States became the predominant political, military, economic and cultural power in the world. This revised and updated new edition introduces the historic and tumultuous developments in American politics, foreign policy, society and culture during this period. It includes coverage of key recent events, such as the: - 2008 election of Barack Obama - global recession - protracted war in Iraq and Afghanistan - rise of the internet - transformation of American Society and Culture - challenges of new immigration and multi-culturalism - changing global status of the US in the new millennium. Examining the American Moment in a global context, the authors emphasise the interaction between politics, society and culture. America Since 1945 encourages an awareness of how central currents in art, literature, film, theatre, intellectual history and media have developed alongside an understanding of political, economic and social change.
Author: Allen Feldman
Publisher: University of Chicago Press
ISBN: 022627747X
Category : Social Science
Languages : en
Pages : 429
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Book Description
In this jarring look at contemporary warfare and political visuality, renowned anthropologist of violence Allen Feldman provocatively argues that contemporary sovereign power mobilizes asymmetric, clandestine, and ultimately unending war as a will to truth. Whether responding to the fantasy of weapons of mass destruction or an existential threat to civilization, Western political sovereignty seeks to align justice, humanitarian right, and democracy with technocratic violence and visual dominance. Connecting Guantánamo tribunals to the South African Truth and Reconciliation Commission, American counterfeit killings in Afghanistan to the Baader-Meinhof paintings of Gerhard Richter, and the video erasure of Rodney King to lynching photography and political animality, among other scenes of terror, Feldman contests sovereignty’s claims to transcendental right —whether humanitarian, neoliberal, or democratic—by showing how dogmatic truth is crafted and terror indemnified by the prosecutorial media and materiality of war. Excavating a scenography of trials—formal or covert, orchestrated or improvised, criminalizing or criminal—Feldman shows how the will to truth disappears into the very violence it interrogates. He maps the sensory inscriptions and erasures of war, highlighting war as a media that severs factuality from actuality to render violence just. He proposes that war promotes an anesthesiology that interdicts the witness of a sensory and affective commons that has the capacity to speak truth to war. Feldman uses layered deconstructive description to decelerate the ballistical tempo of war to salvage the embodied actualities and material histories that war reduces to the ashes of collateral damage, the automatism of drones, and the opacities of black sites. The result is a penetrating work that marries critical visual theory, political philosophy, anthropology, and media archeology into a trenchant dissection of emerging forms of sovereignty and state power that war now makes possible.
Author: T. R. Napper
Publisher: Titan Books (US, CA)
ISBN: 1803368160
Category : Fiction
Languages : en
Pages : 352
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Book Description
A cartel enforcer across South-east Asia must escape a world of paranoia and violence to save his family in this cerebral and multi-layered cyberpunk science fiction novel, from the award-winning author of 36 Streets. Perfect for fans of William Gibson's The Peripheral and Five Minds by Guy Morpuss. Your name is Endel ‘Endgame’ Ebbinghaus. It is Saturday, 3 September, 2101. You’re head of security for Mister Long, boss of the Macau Syndicate, a drug cartel. Your memories are being wiped and re-written. You keep this log because you’re hard pressed to remember what day it is. But today is a special day, mate. This is your last day on the job.” ‘Endgame’ is a violent man, the perfect enforcer. But Endel is also a father and husband, haunted by the memories of his estranged family, and the life they once had. Endel wants them back, and he wants out. But life in the syndicate isn’t one you can simply leave. Endgame is a violent man. Or is he? In a world where memory manipulation is the weapon of choice for the powerful, Endel can’t tell friends and enemies apart anymore, can’t be sure if he’s a person or a tool. Trapped in a taut, twisting nightmare, Endel must find a way to escape the labyrinth they’ve made of his mind, and take revenge.
