The Unauthorized X-Men PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Unauthorized X-Men PDF full book. Access full book title The Unauthorized X-Men by Len Wein. Download full books in PDF and EPUB format.
Author: Len Wein
Publisher: BenBella Books, Inc.
ISBN: 1932100741
Category : Literary Criticism
Languages : en
Pages : 226
Get Book
Book Description
These essays show just why these mutants have such astonishing endurance and staying power. Contributors trace the series' evolution, challenge its metaphors and draw from its truths about human nature and society. From real mutant subcultures in our world to the reality of racism and heterosexism that are not so different from that of the X-Men, The Unauthorized X-Men takes on the intersection between fiction and truth in a volume perfect the long-time comic readers, cartoon fans and movie goers alike.
Author: Len Wein
Publisher: BenBella Books, Inc.
ISBN: 1932100741
Category : Literary Criticism
Languages : en
Pages : 226
Get Book
Book Description
These essays show just why these mutants have such astonishing endurance and staying power. Contributors trace the series' evolution, challenge its metaphors and draw from its truths about human nature and society. From real mutant subcultures in our world to the reality of racism and heterosexism that are not so different from that of the X-Men, The Unauthorized X-Men takes on the intersection between fiction and truth in a volume perfect the long-time comic readers, cartoon fans and movie goers alike.
Author: Steven A. Roman
Publisher: iBooks
ISBN: 9780743400190
Category : Fiction
Languages : en
Pages : 388
Get Book
Book Description
Doctor Doom has taken over the Earth whilst the X-Men were in another dimension. Their return finds them having to take on an armour-clad madman with the whole world against them and one of their deadliest enemies on Doom's side.
Author: Claudia Bucciferro
Publisher: Rowman & Littlefield
ISBN: 1442265345
Category : Performing Arts
Languages : en
Pages : 265
Get Book
Book Description
Originally appearing as a comic book in the 1960s, X-Men has been a cultural touchpoint for decades. Since the release of the first film in 2000, the series has enjoyed an even greater transnational presence. With each successive film, the franchise has secured its place within global popular culture, becoming one of the most profitable and complex superhero series to date. While much of the research that has been published on the X-Men focuses on the comics, the movies constitute their own cultural text and deserve special attention. In The X-Men Films: A Cultural Analysis, Claudia Bucciferro has assembled a collection of essays that draw from work in communication, cultural studies, and media studies. With contributions from a diverse group of scholars, the chapters analyze issues that include gender, sexuality, disability, class, and race. The contributors pose intriguing questions about the franchise, such as: What do “mutants” really represent? What role do women and people of color play in the narratives? Why does it matter that Professor X is disabled? Why is Mystique often shown naked? What facilitated Wolverine’s rise to prominence? And how do topics regarding identity, trauma, and bioethics, figure in the stories? Exploring issues relevant for a multicultural world and connecting thematic elements from the films to political debates and social struggles, the book seeks to make a thoughtful contribution to the scholarship of popular culture. The X-Men Films will appeal to media scholars and students, as well as to anyone interested in the X-Men series.
Author: Joseph J. Darowski
Publisher: McFarland
ISBN: 0786472197
Category : Literary Criticism
Languages : en
Pages : 249
Get Book
Book Description
The X-Men comic book franchise is one of the most popular of all time and one of the most intriguing for critical analysis. With storylines that often contain overt social messages within its "mutant metaphor," X-Men is often credited with having more depth than the average superhero property. In this collection, each essay examines a specific era of the X-Men franchise in relationship to contemporary social concerns. The essays are arranged chronologically, from an analysis of popular science at the time of the first X-Men comic book in 1963 to an interpretation of a storyline in light of rhetoric of President Obama's first presidential campaign. Topics ranging from Communism to celebrity culture to school violence are addressed by scholars who provide new insights into one of America's most significant popular culture products.
Author: Joseph J. Darowski
Publisher: Rowman & Littlefield
ISBN: 1442232080
Category : Literary Criticism
Languages : en
Pages : 243
Get Book
Book Description
First appearing in 1963, The Uncanny X-Men had a rough start, lasting until 1970 when the comic book was canceled due to low sales. Following a relaunch in 1975, however, it found new popularity thanks to intricate scripting by Chris Claremont and the artwork of John Byrne. Within a few years, The Uncanny X-Men was one of Marvel Comics’ best-selling series and over the decades it became one of the most successful and popular franchises in comic book history. Spin-off titles, mini-series, multimedia adaptations, and a massively expanded cast of characters followed. One of the reasons for the success of X-Men is its powerful “mutant metaphor,” which enhances the stories with cultural significance and the exploration of themes such as societal prejudice and discrimination. In X-Men and the Mutant Metaphor: Race and Gender in the Comic Books, Joseph J. Darowski thoroughly analyzes The Uncanny X-Men, providing its historical background and dividing the long-running series into distinct eras. Each chapter examines the creators and general plot lines, followed by a closer analysis of the principal characters and key stories. The final chapter explores the literal use of race and gender rather than the metaphorical or thematic ways such issues have been addressed. This analysis includes insights gained from interviews with several comic book creators, and dozens of illustrations from the comic book series. Of particular significance are statistics that track the race and gender of every X-Men hero, villain, and supporting character. By delving into the historical background of the series and closely examining characters and stories, X-Men and the Mutant Metaphor illuminates an important popular culture phenomenon.
Author: Annika Hagley
Publisher: Routledge
ISBN: 0429885156
Category : Literary Criticism
Languages : en
Pages : 243
Get Book
Book Description
This book examines the dominant popular culture convention of the superhero, situated within the most significant global event of the last 20 years. Exploring the explosion of the superhero genre post-9/11, it sheds fresh light on the manner in which American society has processed and continues to process the trauma from the terrorist attacks. Beginning with the development of Batman in comics, television, and film, the authors offer studies of popular films including Iron Man, Captain America, The X-Men, Black Panther, and Wonder Woman, revealing the ways in which these texts meditate upon the events and aftermath of 9/11 and challenge the dominant hyper-patriotic narrative that emerged in response to the attacks. A study of the superhero genre’s capacity to unpack complex global interplays that question America’s foreign policy actions and the white, militarized masculinity that has characterized major discourses following 9/11, this volume explores the engagement of superhero films with issues of authority, patriotism, war, morals, race, gender, surveillance, the military industrial complex, and American political and social identities. As such, it will appeal to scholars and students of cultural and media studies, film studies, sociology, politics, and American studies.
![Icons of the American Comic Book [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/LxnOEAAAQBAJ?fife=w80-h100)
Author: Randy Duncan
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 1022
Get Book
Book Description
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
Author: Victoria Aarons
Publisher: Springer Nature
ISBN: 3030334287
Category : Literary Criticism
Languages : en
Pages : 828
Get Book
Book Description
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Author: Kristine Kathryn Rusch
Publisher: Random House Worlds
ISBN: 0345464907
Category : Fiction
Languages : en
Pages : 247
Get Book
Book Description
A novelization of the major motion picture! Outcasts from society, the X-MEN are genetic mutants, born with superhuman powers, who harness their special abilities for the greater good. But the human race they fight to protect rejects and fears—even hates—them. Not all mutants seek to protect mankind. One terrorist group—led by the supremely powerful Magneto—seeks to strike first. Battling against prejudice and agents of intolerance, the X-MEN must establish a peaceful coexistence between mutant and mankind or they will surely perish . . .
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
Get Book
Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
