The Two Prima Donnas

The Two Prima Donnas PDF Author: George A. Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 264

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The Two Prima Donnas

The Two Prima Donnas PDF Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 218

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The Two Prima Donnas

The Two Prima Donnas PDF Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 203

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The Two Prima Donnas

The Two Prima Donnas PDF Author: HardPress
Publisher: Hardpress Publishing
ISBN: 9781313030755
Category :
Languages : en
Pages : 218

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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Two Prima Donnas (Classic Reprint)

The Two Prima Donnas (Classic Reprint) PDF Author: George Augustus Sala
Publisher: Forgotten Books
ISBN: 9781333624798
Category :
Languages : en
Pages : 218

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Excerpt from The Two Prima Donnas Victoria to be in the third year of her reign, and, comely matron as she is now, scarcely then a mother. Throw a dart at Time for once, and make him recede to eighteen hundred and forty. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Two Prima Donnas

The Two Prima Donnas PDF Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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The Two Prima Donnas

The Two Prima Donnas PDF Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 59

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The Two Prima Donnas, and the Dumb Door Porter. (A Tale Imitated from the Russian of Tourguenieff.).

The Two Prima Donnas, and the Dumb Door Porter. (A Tale Imitated from the Russian of Tourguenieff.). PDF Author: George Augustus Henry Fairfield SALA
Publisher:
ISBN:
Category :
Languages : en
Pages : 264

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The Prima Donna's Husband

The Prima Donna's Husband PDF Author: Boisgobey
Publisher:
ISBN:
Category :
Languages : en
Pages : 156

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Changing the Score

Changing the Score PDF Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237

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Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.