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Author: Joseph Luzzi
Publisher: Macmillan
ISBN: 0374298696
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
A child of Italian immigrants and scholar of Italian literature paints an intimate portrait that blends together history and the unusual to show how his 'two Italies' join and clash in unexpected ways.
Author: Joseph Luzzi
Publisher: Macmillan
ISBN: 0374298696
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
A child of Italian immigrants and scholar of Italian literature paints an intimate portrait that blends together history and the unusual to show how his 'two Italies' join and clash in unexpected ways.
Author: David Abulafia
Publisher: Cambridge University Press
ISBN: 9780521023061
Category : Business & Economics
Languages : en
Pages : 336
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Book Description
A study of the economic development in twelfth-century Italy of Sicily and the maritime ports.
Author: Joseph Luzzi
Publisher: Yale University Press
ISBN: 0300151780
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.
Author: Luigi Barzini
Publisher: Simon and Schuster
ISBN: 0684825007
Category : History
Languages : en
Pages : 388
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Book Description
Examines the character and history of the Italian people.
Author: Joseph Luzzi
Publisher: William Collins
ISBN: 9780008100667
Category : Autobiography
Languages : en
Pages : 0
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Book Description
A story of love and grief. 'I became a widower and a father on the same day' says Joseph Luzzi. His book tells how Dante's 'The Divine Comedy' helped him to endure his grief, raise their infant daughter, and rediscover love. On a cold November morning, Joseph Luzzi, a Dante professor, found himself racing to hospital - his wife, eight-and-a-half months pregnant, had been in a horrible car accident. In one terrible instant, Luzzi became both a widower and a first-time father. Adrift and grieving, Luzzi found himself sharing Dante's dark wood with an intimacy that years of reading had never shown him: the words became a wise companion through the Inferno of his grief, his healing, and ultimately his rediscovered love.
Author: Mark Rotella
Publisher: North Point Press
ISBN: 1429966068
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
An effortlessly artful blend of travel book, memoir, and affectionate portrait of a people Calabria is the toe of the boot that is Italy—a rugged peninsula where grapevines and fig and olive trees cling to the mountainsides during the scorching summers while the sea crashes against the cliffs on both coasts. Calabria is also a seedbed of Italian American culture; in North America, more people of Italian heritage trace their roots to Calabria than to almost any other region in Italy. Mark Rotella's Stolen Figs is a marvelous evocation of Calabria and Calabrians, whose way of life is largely untouched by the commerce that has made Tuscany and Umbria into international tourist redoubts. A grandson of Calabrian immigrants, Rotella persuades his father to visit the region for the first time in thirty years; once there, he meets Giuseppe, a postcard photographer who becomes his guide to all things Calabrian. As they travel around the region, Giuseppe initiates Rotella—and the reader—into its secrets: how to make soppressata and 'nduja, where to find hidden chapels and grottoes, and, of course, how to steal a fig without actually committing a crime. Stolen Figs is a model travelogue—at once charming and wise, and full of the earthy and unpretentious sense of life that, now as ever, characterizes Calabria and its people.
Author: Fernand Braudel
Publisher: Europa Editions
ISBN: 1609455355
Category : History
Languages : en
Pages : 197
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Book Description
From the author of Memory and the Mediterranean, a comprehensive history of the Italian city states from 1450 to 1650. In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, “Italy” exerted enormous influence over all of Europe and throughout the Mediterranean. Its cultural, economic, and political dominance is utterly astonishing and unique in world history. Viewing the Italy?the many Italies?of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the acclaimed French historian, Fernand Braudel, achieves here. He brings to life the two extraordinary centuries that span the Renaissance, Mannerism, and the Baroque and analyzes the complex interaction between art, science, politics, and commerce during Italy’s extraordinary cultural flowering.
Author: Millicent Marcus
Publisher: Princeton University Press
ISBN: 0691209472
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
Author: Frances Mayes
Publisher: Random House Digital, Inc.
ISBN: 0767929829
Category : Travel
Languages : en
Pages : 322
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Book Description
A recipe-complemented work continues the author's tribute to the region of Tuscany and its people, tracing the course of a year during which she renovated a thirteenth-century house in the mountains above Cortona.
Author: David Gilmour
Publisher: Macmillan + ORM
ISBN: 1466801549
Category : History
Languages : en
Pages : 670
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Book Description
One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.
