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Author: Patricia Howard
Publisher: Cambridge University Press
ISBN: 9780521283564
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
This book is designed to introduce the non-specialist music lover to Britten's opera, The Turn of the Screw. The opening chapters by Vivien Jones and Patricia Howard deal with the literary source of the opera Oames's novella), the structure of the libretto, and the technique by which a short story was transformed into an opera. The central chapter, on the musical style and structures of the opera, includes an account of the composition process deduced from early sketches of the work by John Evans, an analysis of the unique form of the opera with a more detailed examination of the last scene by Patricia Howard, and an account of the significance and effect of the orchestration by Christopher Palmer. Finally, Patricia Howard traces the stage history of the work, from its initial reception in Venice in 1954, through some seminal reinterpretations in the 1960s to its present established position in the repertoire. The book is generously illustrated and there is also a bibliography and discography.
Author: Patricia Howard
Publisher: Cambridge University Press
ISBN: 9780521283564
Category : Biography & Autobiography
Languages : en
Pages : 184
Get Book Here
Book Description
This book is designed to introduce the non-specialist music lover to Britten's opera, The Turn of the Screw. The opening chapters by Vivien Jones and Patricia Howard deal with the literary source of the opera Oames's novella), the structure of the libretto, and the technique by which a short story was transformed into an opera. The central chapter, on the musical style and structures of the opera, includes an account of the composition process deduced from early sketches of the work by John Evans, an analysis of the unique form of the opera with a more detailed examination of the last scene by Patricia Howard, and an account of the significance and effect of the orchestration by Christopher Palmer. Finally, Patricia Howard traces the stage history of the work, from its initial reception in Venice in 1954, through some seminal reinterpretations in the 1960s to its present established position in the repertoire. The book is generously illustrated and there is also a bibliography and discography.
Author: Benjamin Britten
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 52
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Book Description
Author: John Bridcut
Publisher:
ISBN: 9780571228409
Category : Composers
Languages : en
Pages : 334
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Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Author: Henry James
Publisher: Hesperus Press
ISBN: 1780940807
Category : Fiction
Languages : en
Pages : 128
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Book Description
In this small masterpiece of unrequited love, Henry James, as in his greatest novels, depicts a moral consciousness torn between emotional impulses and the demands of society. Working in a post office in Mayfair, a young woman is exposed to the cryptic but alluring correspondence of the social elite, and in particular, to lines written by the dashing Captain Everard. As she memorizes the messages he telegraphs, she becomes increasingly attracted to the life described to her, fixated by scandal and gossip a world apart from her ordinary existence.
Author: Benjamin Britten
Publisher:
ISBN:
Category :
Languages : de
Pages : 318
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Book Description
Author: Paul Francis Kildea
Publisher: Penguin Global
ISBN: 9781846142321
Category : Biography
Languages : en
Pages : 0
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Book Description
Benjamin Britten was Britain's greatest twentieth-century composer - and in the eyes of many, the greatest since Purcell (a figure who often inspired him) 300 years earlier. Britten broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes(1945) and Billy Budd(1951) and The Turn of the Screw(1954) he composed arguably the last operas - from any composer in any country - that have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him very suspect to the authorities in the years during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. One of the strengths of Kildea's book is the way it traces the development of this relationship - its frailties and anxieties as well as its centrality to them both - and portrays their life together. For Britten, that life was increasingly lived in and around Aldeburgh, whose atmosphere and personalities form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was in terms of his friendships and the lives of some of those around him. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, and always in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years.
Author: Philip Rupprecht
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370
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Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Author: Danielle Simon
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 62
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The governess in Benjamin Britten's and Henry James' "The Turn of the Screw."
Author: Benjamin Britten
Publisher: Oxford University Press, USA
ISBN: 9780198167143
Category : Music
Languages : en
Pages : 480
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Book Description
Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on Soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.
