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Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 355
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Book Description
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 355
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Book Description
Author: David Buckton
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art objects
Languages : en
Pages : 366
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Book Description
Presents 47 art objects from Classical and Early Medieval, Byzantine, Islamic, and Western origins, with essays.
Author: Ettore Vio
Publisher:
ISBN: 9781878351586
Category : Architecture
Languages : en
Pages : 0
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Book Description
No church in the West quite compares to St. Mark's in Venice, with its distinctive merging of aspects Eastern and Western, of church and state, of symbolic form and liturgical function. This book introduces readers to an extraordinary building through a combination of authoritative text and spectacular photographs. Each of three general sections ("History and Society," "Architecture and Sculpture," "Mosaics and the Treasury") contains general essays augmented by brief focused discussion of specific objects or themes. More than 250 images provide a rare at details ranging from the tessellated floor through the tombs, marbles, altarpieces, mosaics, sculptures, and treasury objects.
Author: David M. Perry
Publisher: Penn State Press
ISBN: 0271066830
Category : History
Languages : en
Pages : 341
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Book Description
In Sacred Plunder, David Perry argues that plundered relics, and narratives about them, played a central role in shaping the memorial legacy of the Fourth Crusade and the development of Venice’s civic identity in the thirteenth century. After the Fourth Crusade ended in 1204, the disputes over the memory and meaning of the conquest began. Many crusaders faced accusations of impiety, sacrilege, violence, and theft. In their own defense, they produced hagiographical narratives about the movement of relics—a medieval genre called translatio—that restated their own versions of events and shaped the memory of the crusade. The recipients of relics commissioned these unique texts in order to exempt both the objects and the people involved with their theft from broader scrutiny or criticism. Perry further demonstrates how these narratives became a focal point for cultural transformation and an argument for the creation of the new Venetian empire as the city moved from an era of mercantile expansion to one of imperial conquest in the thirteenth century.
Author: Patricia Fortini Brown
Publisher: Yale University Press
ISBN: 0300067003
Category : History
Languages : en
Pages : 388
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Book Description
Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
Author: Penny Howell Jolly
Publisher: Univ of California Press
ISBN: 0520318226
Category : Art
Languages : en
Pages : 224
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Author: Jean Michel Massing
Publisher: Yale University Press
ISBN: 0300051670
Category : History
Languages : en
Pages : 684
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Book Description
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Author: Marlia Mundell Mango
Publisher: Routledge
ISBN: 135195377X
Category : Religion
Languages : en
Pages : 348
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Book Description
The 28 papers examine questions relating to the extent and nature of Byzantine trade from Late Antiquity into the Middle Ages. The Byzantine state was the only political entity of the Mediterranean to survive Antiquity and thus offers a theoretical standard against which to measure diachronic and regional changes in trading practices within the area and beyond. To complement previous extensive work on late antique long-distance trade within the Mediterranean (based on the grain supply, amphorae and fine ware circulation), the papers concentrate on local and international trade. The emphasis is on recently uncovered or studied archaeological evidence relating to key topics. These include local retail organisation within the city, some regional markets within the empire, the production and/or circulation patterns of particular goods (metalware, ivory and bone, glass, pottery), and objects of international trade, both exports such as wine and glass, imports such as materia medica, and the lack of importation of, for example, Sasanian pottery. In particular, new work relating to specific regions of Byzantium's international trade is highlighted: in Britain, the Levant, the Red Sea, the Black Sea and China. Papers of the 38th Spring Symposium of Byzantine Studies, held in 2004 at Oxford under the auspices of the Committee for Byzantine Studies.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Konrad Adriaan Ottenheym
Publisher: BRILL
ISBN: 9004446621
Category : Architecture
Languages : en
Pages : 456
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Book Description
In early modern times scholars and architects investigated age-old buildings in order to look for useful sources of inspiration. They too, occasionally misinterpreted younger buildings as proofs of majestic Roman or other ancient glory, such as the buildings of the Carolingian, Ottonian and Stauffer emperors. But even if the correct age of a certain building was known, buildings from c. 800–1200 were sometimes regarded as ‘Antique’ architecture, since the concept of ‘Antiquity’ was far more stretched than our modern periodisation allows. This was a Europe-wide phenomenon. The results are rather diverse in style, but they all share an intellectual and artistic strategy: a conscious revival of an ‘ancient’ architecture — whatever the date and origin of these models. Contributors: Barbara Arciszewska, Lex Bosman, Ian Campbell, Eliana Carrara, Bianca de Divitiis, Krista De Jonge, Emanuela Ferretti, Emanuela Garofalo, Stefaan Grieten, Hubertus Günther, Stephan Hoppe, Sanne Maekelberg, Kristoffer Neville, Marco Rosario Nobile, Konrad Ottenheym, Stefano Piazza, and Richard Schofield.
