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Author: Fred Schrott
Publisher: iUniverse
ISBN: 1491739177
Category : Poetry
Languages : en
Pages : 303
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Book Description
A collection of unique bad boy poetry, The Transitive Nightfall of Diamonds is sure to send the reader into a cerebral tizzyjust keeping up is half the battle and all of the fun! The proverbial, "Long-time listener and first-time caller" takes readers on a journey of sight and sound, that both titillates and tantalizes the auditory senses. The poems can only be described as a psychedelic stew of various addictions meets whining divorcee, meets mental health, meets mid-life crisis, meets renewed youth, meets reality check, meets recovery. Quite simply, its a compendium of everyday problems for everyday people with a couple of solutions thrown in for good measure. In 2006, while contemplating divorce from his wife of thirteen years, author Fred Schrott left his home to travel around the southwest and Northern California in his Coachmen trailer. He was urged to start journaling by his marriage counselor but normal writing seemed a bit boring, so the author decided to purge his brain in poetic form. His goal right from the beginning for The Transitive Nightfall of Diamonds was to communicate with anyone and everyone through observation and humor. Dont Hate the Player Hey, dont hate the player. Get your hate on the game. Im the same old bad boy with just a different name. Seventeen long years ago everything was all the same, but then the crazy traveling sent me to the zoo again...
Author: Fred Schrott
Publisher: iUniverse
ISBN: 1491739177
Category : Poetry
Languages : en
Pages : 303
Get Book Here
Book Description
A collection of unique bad boy poetry, The Transitive Nightfall of Diamonds is sure to send the reader into a cerebral tizzyjust keeping up is half the battle and all of the fun! The proverbial, "Long-time listener and first-time caller" takes readers on a journey of sight and sound, that both titillates and tantalizes the auditory senses. The poems can only be described as a psychedelic stew of various addictions meets whining divorcee, meets mental health, meets mid-life crisis, meets renewed youth, meets reality check, meets recovery. Quite simply, its a compendium of everyday problems for everyday people with a couple of solutions thrown in for good measure. In 2006, while contemplating divorce from his wife of thirteen years, author Fred Schrott left his home to travel around the southwest and Northern California in his Coachmen trailer. He was urged to start journaling by his marriage counselor but normal writing seemed a bit boring, so the author decided to purge his brain in poetic form. His goal right from the beginning for The Transitive Nightfall of Diamonds was to communicate with anyone and everyone through observation and humor. Dont Hate the Player Hey, dont hate the player. Get your hate on the game. Im the same old bad boy with just a different name. Seventeen long years ago everything was all the same, but then the crazy traveling sent me to the zoo again...
Author: Nicholas Cook
Publisher: University of Michigan Press
ISBN: 0472051776
Category : Music
Languages : en
Pages : 398
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Book Description
Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture
Author: David G. Dodd
Publisher: Simon and Schuster
ISBN: 1501123327
Category : Music
Languages : en
Pages : 512
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Book Description
Additional edition statement from dust jacket.
Author: Nicholas Meriwether
Publisher: Cambridge Scholars Publishing
ISBN: 1527568520
Category : Social Science
Languages : en
Pages : 299
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Book Description
All Graceful Instruments: The Contexts of the Grateful Dead Phenomenon gathers thirteen representative essays from a wide array of fields into an interdisciplinary anthology that reveals the depth and extent of this fascinating, variegated cultural phenomenon. Contributors use the techniques of literary criticism, musicology, sociology, philosophy, business theory, and more to explore the meaning and significance of the music of the Grateful Dead, the implications of their artistic and commercial success, and the social dimensions of their following, the Deadheads. For scholars and students of American history and culture, this book makes a convincing case for why the Grateful Dead phenomenon is worthy of academic attention and what that study can offer. By focusing a wide array of critical approaches on a single, discrete subject, All Graceful Instruments provides a refreshing approach to interdisciplinary studies that should appeal to a wide audience.
Author: Brent Wood
Publisher: Routledge
ISBN: 0429582218
Category : Music
Languages : en
Pages : 327
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Book Description
The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group’s live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia’s musical craftsmanship and the Grateful Dead’s collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche’s Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse’s Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead’s avid listeners.
Author: John Rudolph Covach
Publisher: Oxford University Press, USA
ISBN: 0195100050
Category : Rock music
Languages : en
Pages : 238
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Book Description
Each of the essays in this serious study and analysis of rock music is written by one of musicology's best young scholars. The essays cover bands like The Grateful Dead, Yes, K.D. Lang, Jimi Hendrix and The Beach Boys.
Author: Jen Jones
Publisher: Edward Elgar Publishing
ISBN: 1800884206
Category : Business & Economics
Languages : en
Pages : 273
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Book Description
Drawing on the philosophy of existentialism, this thought-provoking Research Agenda questions and encourages deeper ethical thinking about organizational practices during this time of existential crisis. Rather than relying on prescriptive normative ethical theories, it advocates for ethical concerns to be addressed through intersubjective encounters.
Author: Richard Elliott
Publisher: Bloomsbury Publishing USA
ISBN: 1501324551
Category : Music
Languages : en
Pages : 153
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Book Description
In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
Author: Sarah Hill
Publisher: Bloomsbury Publishing USA
ISBN: 1628924217
Category : Music
Languages : en
Pages : 373
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Book Description
San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city – and more widely in American culture – right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later. The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews. For more information, read Sarah Hill's blog posts here: http://blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s http://blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/ http://blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/
Author: Peter Richardson
Publisher: Macmillan
ISBN: 1250010624
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
For almost three decades, the Grateful Dead was America's most popular touring band. No Simple Highway is the first book to ask the simple question of why—and attempt to answer it. Drawing on new research, interviews, and a fresh supply of material from the Grateful Dead archives, author Peter Richardson vividly recounts the Dead's colorful history, adding new insight into everything from the Acid Tests to the band's formation of their own record label to their massive late career success, while probing the riddle of the Dead's vast and durable appeal. Arguing that the band successfully tapped three powerful utopian ideals—for ecstasy, mobility, and community—it also shows how the Dead's lived experience with these ideals struck deep chords with two generations of American youth and continues today. Routinely caricatured by the mainstream media, the Grateful Dead are often portrayed as grizzled hippy throwbacks with a cult following of burned-out stoners. No Simple Highway corrects that impression, revealing them to be one of the most popular, versatile, and resilient music ensembles in the second half of the twentieth century. The band's history has been well-documented by insiders, but its unique and sustained appeal has yet to be explored fully. At last, this legendary American musical institution is given the serious and entertaining examination it richly deserves.
