Author: Leonard Bruce Darling
Publisher:
ISBN:
Category : Mandala (Buddhism)
Languages : en
Pages : 338

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Author: Leonard Bruce Darling
Publisher:
ISBN:
Category : Buddhist painting
Languages : en
Pages : 1056

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Author: Royall Tyler
Publisher: Columbia University Press
ISBN: 0231534760
Category : Religion
Languages : en
Pages : 301

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Book Description
In this annotated translation and study of an early fourteenth-century Japanese devotional picture scroll set, Royall Tyler illuminates the complex relationships between medieval Japanese religion and politics, text, and art. The Kasuga Gongen genki ("The Miracles of the Kasuga Deity") mingles text and painting on silk to tell the tale of miraculous events at the Kasuga shrine in Nara, a site favored by the dominant Fujiwara clan for centuries. The work's values are aristocratic, but the text sheds light on the syncretic nature of the era's religious practices, allowing Tyler to collapse the distinction between high and low forms of medieval Japanese religion. Tyler provides a detailed examination of the scrolls, the shrine, and their history and political role. He also elucidates the scrolls' relationship to literary genre and religious practice, including the interaction between Shintoism and Buddhism. His copious annotations describe the work's historical context, as well as its religious and cultural influences. This study is essential for scholars of religion, art historians, and cultural historians alike.

Author: D. Max Moerman
Publisher: BRILL
ISBN: 168417399X
Category : Religion
Languages : en
Pages : 335

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"Although located far from the populated centers of traditional Japan, the three Kumano shrines occupied a central position in the Japanese religious landscape. For centuries Kumano was the most visited pilgrimage site in Japan and attracted devotees from across the boundaries of sect (Buddhist, Daoist, Shinto), class, and gender. It was also a major institutional center, commanding networks of affiliated shrines, extensive landholdings, and its own army, and a site of production, generating agricultural products and symbolic capital in the form of spiritual values. Kumano was thus both a real place and a utopia: a non-place of paradise or enlightenment. It was a location in which cultural ideals—about death, salvation, gender, and authority—were represented, contested, and even at times inverted. This book encompasses both the real and the ideal, both the historical and the ideological, Kumano. It studies Kumano not only as a site of practice, a stage for the performance of asceticism and pilgrimage, but also as a place of the imagination, a topic of literary and artistic representation. Kumano was not unique in combining Buddhism with native traditions, for redefining death and its conquest, for expressing the relationship between religious and political authority, and for articulating the religious position of women. By studying Kumano’s particular religious landscape, we can better understand the larger, common religious landscape of premodern Japan."

Author: Christopher Queen
Publisher: Routledge
ISBN: 1136830332
Category : Social Science
Languages : en
Pages : 369

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This is the first scholarly treatment of the emergence of American Buddhist Studies as a significant research field. Until now, few investigators have turned their attention to the interpretive challenge posed by the presence of all the traditional lineages of Asian Buddhism in a consciously multicultural society. Nor have scholars considered the place of their own contributions as writers, teachers, and practising Buddhists in this unfolding saga. In thirteen chapters and a critical introduction to the field, the book treats issues such as Asian American Buddhist identity, the new Buddhism, Buddhism and American culture, and the scholar's place in American Buddhist Studies. The volume offers complete lists of dissertations and theses on American Buddhism and North American dissertations and theses on topics related to Buddhism since 1892.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 516

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Author: Laura Warantz Allen
Publisher:
ISBN:
Category : Narrative painting
Languages : en
Pages : 552

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Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 174

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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 894

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Author: Elizabeth ten Grotenhuis
Publisher: University of Hawaii Press
ISBN: 9780824820817
Category : Design
Languages : en
Pages : 260

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The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements.