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Author: Valerie Sanders
Publisher: Cambridge University Press
ISBN: 9781107412651
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Examining Victorian middle-class fatherhood from the fathers' own perspective, Valerie Sanders dismantles the persistent stereotype of the nineteenth-century paterfamilias by focusing on the intimate family lives of influential public men. Beginning with Prince Albert as a high-profile patriarchal role-model, and comparing the parallel case histories of prominent Victorians such as Dickens, Darwin, Huxley and Gladstone, the book explores the strains on men in public life as they managed their private relationship with their children and found a language for the expression of their pleasure, grief and anxiety as fathers. In a context of cultural uncertainty about the legal rights and moral responsibilities of fatherhood, the study draws on a wealth of unpublished journals and letters to show how conscientious Victorian fathers in effect invented a meaningful domestic role for themselves which has been little understood.
Author: Valerie Sanders
Publisher: Cambridge University Press
ISBN: 9781107412651
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Examining Victorian middle-class fatherhood from the fathers' own perspective, Valerie Sanders dismantles the persistent stereotype of the nineteenth-century paterfamilias by focusing on the intimate family lives of influential public men. Beginning with Prince Albert as a high-profile patriarchal role-model, and comparing the parallel case histories of prominent Victorians such as Dickens, Darwin, Huxley and Gladstone, the book explores the strains on men in public life as they managed their private relationship with their children and found a language for the expression of their pleasure, grief and anxiety as fathers. In a context of cultural uncertainty about the legal rights and moral responsibilities of fatherhood, the study draws on a wealth of unpublished journals and letters to show how conscientious Victorian fathers in effect invented a meaningful domestic role for themselves which has been little understood.
Author: Julie-Marie Strange
Publisher: Cambridge University Press
ISBN: 1107084873
Category : Family & Relationships
Languages : en
Pages : 245
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Book Description
A pioneering study of Victorian and Edwardian fatherhood, investigating what being, and having, a father meant to working-class people. Based on working-class autobiography, the book challenges dominant assumptions about absent or 'feckless' fathers, and reintegrates the paternal figure within the emotional life of families. Locating autobiography within broader social and cultural commentary, Julie-Marie Strange considers material culture, everyday practice, obligation, duty and comedy as sites for the development and expression of complex emotional lives. Emphasising the importance of separating men as husbands from men as fathers, Strange explores how emotional ties were formed between fathers and their children, the models of fatherhood available to working-class men, and the ways in which fathers interacted with children inside and outside the home. She explodes the myth that working-class interiorities are inaccessible or unrecoverable, and locates life stories in the context of other sources, including social surveys, visual culture and popular fiction.
Author: Natalie McKnight
Publisher: Cambridge Scholars Publishing
ISBN: 1443833118
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This book examines the changing roles of fathers in the nineteenth century as seen in the lives and fiction of Victorian authors. Fatherhood underwent unprecedented change during this period. The Industrial Revolution moved work out of the home for many men, diminishing contact between fathers and their children. Yet fatherhood continued to be seen as the ultimate expression of masculinity, and being involved with the lives of one’s children was essential to being a good father. Conflicting and frustrating expectations of fathers and the growing disillusionment with other paternal authorities such as church and state yielded memorable portrayals of fathers from the best novelists of the age. The essays in this volume explore how Victorian authors (the Brontës, Dickens, Gaskell, Trollope, Eliot, Hardy, and Elizabeth Sewall and Mary Augusta Ward) responded to these tensions in their lives and in their fiction. The stern Victorian father cliché persisted, but it was countered by imaginative, involved, albeit faulty fathers and surrogate fathers. This volume poses fathering questions that are still relevant today: What does it mean to be a good father? And, with distrust in patriarchal authorities continuing to increase, are there any sources of authority left that one can trust?
Author: Helena Gurfinkel
Publisher: Rowman & Littlefield
ISBN: 1611476380
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy traces the representations of outlaw fathers, or queer patriarchs, and their relationships with their queer sons, in a particular literary tradition: mid-to-late-Victorian and twentieth-century British fiction and memoir. Specifically, I look at such representations in Anthony Trollope’s Doctor Thorne (1858) and The Prime Minister (1875-76) (while also drawing on An Autobiography (1883) and The Duke’s Children (1880)); Samuel Butler’s The Way of All Flesh (published in 1901), Henry James’s “The Lesson of the Master” (1888), J. R. Ackerley’s My Father and Myself (written in the 1930s and published in 1968), E. M. Forster’s “Little Imber” (1961) (with an occasional detour into The Longest Journey (1907), Howards End (1909), and Maurice (published in 1971)), and Alan Hollinghurst’s The Spell (1998). In the coda, I consider the implications of including transgender, transnational female-to-male fathers of color in the ranks of queer patriarchy and discuss two contemporary novels, Jackie Kay’s Trumpet (1998, Scotland) and Patricia Powell’s The Pagoda (1998, Jamaica and the United States), as well as—briefly—an episode an episode of the television show The L-Word (2008) and the documentary U-People (2007). The term “queer patriarchy” has two components. The first one is a non-traditional, primarily—but not exclusively—non-heterosexual, pervasively present, and culturally important, paternal subjectivity. The second one is the bond between such queer paternal figures and their sons, biological and non-biological. This study pays attention primarily to the relationship between psyche, language, and ideology, but it will join a larger conversation about the changing roles of men in general and fathers in particular, which is taking place outside of the field of literary studies.
Author: Melissa Shields Jenkins
Publisher: Routledge
ISBN: 1317136306
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
During a period when the idea of fatherhood was in flux and individual fathers sought to regain a cohesive collective identity, debates related to a father’s authority were negotiated and resolved through competing documents. Melissa Shields Jenkins analyzes the evolution of patriarchal authority in nineteenth-century culture, drawing from extra-literary and non-narrative source material as well as from novels. Arguing that Victorian novelists reinvent patriarchy by recourse to conduct books, biography, religious manuals, political speeches, and professional writing in the fields of history and science, Jenkins offers interdisciplinary case studies of Elizabeth Gaskell, George Meredith, William Makepeace Thackeray, George Eliot, Samuel Butler, and Thomas Hardy. Jenkins’s book contributes to our understanding of the part played by fathers in the Victorian cultural imagination, and sheds new light on the structures underlying the Victorian novel.
Author: Susan Walton
Publisher: Routledge
ISBN: 1351156020
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
Beginning with the premise that women's perceptions of manliness are crucial to its construction, The author focuses on the life and writings of Charlotte Yonge as a prism for understanding the formulation of masculinities in the Victorian period. Yonge was a prolific writer whose bestselling fiction and extensive journalism enjoyed a wide readership. The author situates Yonge's work in the context of her family connections with the army, showing that an interlocking of worldly and spiritual warfare was fundamental to Yonge's outlook. For Yonge, all good Christians are soldiers, and Walton argues persuasively that the medievalised discourse of sanctified violence executed by upright moral men that is often connected with late nineteenth-century Imperialism began earlier in the century, and that Yonge's work was one major strand that gave it substance. Of significance, Yonge also endorsed missionary work, which she viewed as an extension of a father's duties in the neighborhood and which was closely allied to a vigorous promotion of refashioned Tory paternalism. The author's study is rich in historical context, including Yonge's connections with the Tractarians, the effects of industrialization, and Britain's Imperial enterprises. Informed by extensive archival scholarship, Walton offers important insights into the contradictory messages about manhood current in the mid-nineteenth century through the works of a major but undervalued Victorian author.
Author: Adrienne E. Gavin
Publisher: Springer
ISBN: 3319782266
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.
Author: Kyriaki Hadjiafxendi
Publisher: Routledge
ISBN: 1317158652
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.
Author: Peter Merchant
Publisher: Routledge
ISBN: 1317151208
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
The figure of the child and the imaginative and emotional capacities associated with children have always been sites of lively contestation for readers and critics of Dickens. In Dickens and the Imagined Child, leading scholars explore the function of the child and childhood within Dickens’s imagination and reflect on the cultural resonance of his engagement with this topic. Part I of the collection examines the Dickensian child as both characteristic type and particular example, proposing a typology of the Dickensian child that is followed by discussions of specific children in Oliver Twist, Dombey and Son, and Bleak House. Part II focuses on the relationship between childhood and memory, by examining the various ways in which the child’s-eye view was reabsorbed into Dickens’s mature sensibility. The essays in Part III focus upon reading and writing as particularly significant aspects of childhood experience; from Dickens’s childhood reading of tales of adventure, they move to discussion of the child readers in his novels and finally to a consideration of his own early writings alongside those that his children contributed to the Gad’s Hill Gazette. The collection therefore builds a picture of the remembered experiences of childhood being realised anew, both by Dickens and through his inspiring example, in the imaginative creations that they came to inform. While the protagonist of David Copperfield-that 'favourite child' among Dickens’s novels-comes to think of his childhood self as something which he 'left behind upon the road of life', for Dickens himself, leafing continually through his own back pages, there can be no putting away of childish things.
Author: Kevin A. Morrison
Publisher: Springer
ISBN: 3319728113
Category : History
Languages : en
Pages : 122
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Book Description
This book explores the theory and practice of Victorian liberal parenting by focusing on the life and writings of John Morley, one of Britain’s premier intellectuals and politicians. Reading Morley’s published works—much of which explicitly or implicitly addresses this relationship—with and against other writings of the period, and in the context of formative circumstances in his own life, it explores how living one’s life as a liberal extended to parenting. Although Victorian liberalism is currently undergoing reappraisal by scholars in the disciplines of literature and history, only a handful of studies have addressed its implications for intimate personal relations. None have considered the relationship of parent and child. Four of the chapters document how John Morley was parented and how he defined himself as a parent, based on newly available archival materials. Two other chapters analyze his many writings on or concerned with parenting and parenthood.
