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Author:
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ISBN:
Category :
Languages : en
Pages : 462
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: David R. Bellhouse
Publisher: University of Toronto Press
ISBN: 1487545045
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
A product of the Scottish Enlightenment, William Playfair (1759–1823) worked as a statistician, economist, engineer, banker, land speculator, scam artist, and political propagandist. It has been claimed – erroneously – that Playfair was a spy for the British government and ran a forging operation to print the paper money of the French Revolution. The Flawed Genius of William Playfair offers a complete account of Playfair’s life, richly contextualized in the economic, political, and cultural history of the French Revolution and Napoleonic Wars. The book explores the many peaks and troughs of Playfair’s career, ranging from moderate prosperity to bankruptcy and imprisonment. Through careful analysis, David R. Bellhouse shows that Playfair was neither a spy nor a forger, but perhaps briefly a one-time courier for a government minister. Bellhouse pieces together as complete a picture as possible of the forging operations supported by the British government and illuminates Playfair’s lasting contributions in economics and statistics, where he is known as the father of statistical graphics. Disputing the misinformation about the man, The Flawed Genius of William Playfair highlights that the truth about Playfair’s life is often more intriguing than the fictions that surround him.
Author: Chelsea Phillips
Publisher: Rutgers University Press
ISBN: 1644532506
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.
Author: John Nichols
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 934
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Author: Brianna E. Robertson-Kirkland
Publisher: Routledge
ISBN: 100053684X
Category : History
Languages : en
Pages : 272
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Book Description
Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.
Author: Oskar Cox Jensen
Publisher: Oxford University Press
ISBN: 0192540467
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation. He was an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author of novels, historical works, polemical pamphlets, and guides to musical education. This collection of essays illuminates the social and cultural conditions that made such a varied career possible, offering fresh insights into previously unexplored aspects of late Georgian culture, society, and politics. Tracing the transitions in the cultural economy from an eighteenth-century system of miscellany to a nineteenth-century regime of specialisation, Charles Dibdin and Late Georgian Culture illustrates the variety of Dibdin's cultural output as characteristic of late eighteenth-century entertainment, while also addressing the challenge mounted by a growing preoccupation with specialisation in the early nineteenth century. The chapters, written by some of the leading experts in their individual disciplines, examine Dibdin's extraordinarily wide-ranging career, spanning cultural spaces from the theatres at Drury Lane and Covent Garden, through Ranelagh Gardens, Sadler's Wells, and the Royal Circus, to singing on board ships and in elegant Regency parlours; from broadside ballads and graphic satires, to newspaper journalism, mezzotint etchings, painting, and decorative pottery. Together they demonstrate connections between forms of cultural production that have often been treated as distinct, and provide a model for a more integrated approach to the fabric of late Georgian cultural production.
Author: Colin Brown
Publisher: Amberley Publishing Limited
ISBN: 1445666510
Category : Biography & Autobiography
Languages : en
Pages : 489
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Book Description
Lover of George, the Prince of Wales and mother of Queen Victoria's favourite prime minister, Viscountess Melbourne was the most important hostess of the Regency period. It was entirely in character that on her deathbed Elizabeth urged her daughter Emily to be faithful, not to her husband - but to her lover!
Author: Geoffrey Alan Cranfield
Publisher: Routledge
ISBN: 1317872533
Category : History
Languages : en
Pages : 269
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Book Description
First published in 1978.This book surveys the history of the Press as a whole in relation to the development of society - beginning with the introduction of the art of printing into England in 1476.
Author: Sarah Burdett
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Author: David Worrall
Publisher: Cambridge University Press
ISBN: 1107043603
Category : Drama
Languages : en
Pages : 315
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Book Description
Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.
