Author: Anne Ferry
Publisher: Stanford University Press
ISBN: 9780804735179
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
The first six chapters are distinguished according to the nature of the question a reader might ask about the poem, which the title purports to answer. Who gives the title? Who has the title? Who "says" the poem? Who "hears" the poem? What genre does the poem belong to? What is the poem "about"?
The Title to the Poem
Author: Anne Ferry
Publisher: Stanford University Press
ISBN: 9780804735179
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
The first six chapters are distinguished according to the nature of the question a reader might ask about the poem, which the title purports to answer. Who gives the title? Who has the title? Who "says" the poem? Who "hears" the poem? What genre does the poem belong to? What is the poem "about"?
Publisher: Stanford University Press
ISBN: 9780804735179
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
The first six chapters are distinguished according to the nature of the question a reader might ask about the poem, which the title purports to answer. Who gives the title? Who has the title? Who "says" the poem? Who "hears" the poem? What genre does the poem belong to? What is the poem "about"?
Dancing After Hours
Author: Andre Dubus
Publisher: Vintage
ISBN: 0307801918
Category : Fiction
Languages : en
Pages : 258
Book Description
A New York Times Notable Book of the Year From a genuine hero of the American short story comes a luminous collection that reveals the seams of hurt, courage, and tenderness that run through the bedrock of contemporary American life. In these fourteen stories, Dubus depicts ordinary men and women confronting injury and loneliness, the lack of love and the terror of actually having it. Out of his characters' struggles and small failures--and their unexpected moments of redemption--Dubus creates fiction that bears comparison to the short story's greatest creators--Chekhov, Raymond Carver, Flannery O'Connor.
Publisher: Vintage
ISBN: 0307801918
Category : Fiction
Languages : en
Pages : 258
Book Description
A New York Times Notable Book of the Year From a genuine hero of the American short story comes a luminous collection that reveals the seams of hurt, courage, and tenderness that run through the bedrock of contemporary American life. In these fourteen stories, Dubus depicts ordinary men and women confronting injury and loneliness, the lack of love and the terror of actually having it. Out of his characters' struggles and small failures--and their unexpected moments of redemption--Dubus creates fiction that bears comparison to the short story's greatest creators--Chekhov, Raymond Carver, Flannery O'Connor.
This is a Poem that Heals Fish
Author: Jean-Pierre Siméon
Publisher: Enchanted Lion Books
ISBN: 9781592700677
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
After his mother, hurrying to her tuba lesson, tells him that a poem will cure his pet fish's boredom, a little boy tries to find out what a poem is by asking friends, neighbors, and other members of his family.
Publisher: Enchanted Lion Books
ISBN: 9781592700677
Category : Juvenile Nonfiction
Languages : en
Pages : 52
Book Description
After his mother, hurrying to her tuba lesson, tells him that a poem will cure his pet fish's boredom, a little boy tries to find out what a poem is by asking friends, neighbors, and other members of his family.
Tula
Author: Chris Santiago
Publisher: Milkweed Editions
ISBN: 1571319549
Category : Poetry
Languages : en
Pages : 112
Book Description
A debut poetry collection exploring themes of family and identity while examining the experiences of a second-generation Filipino immigrant in America. Tula: a ruined Toltec capital; a Russian city known for its accordions; Tagalog for “poem.” Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago’s debut collection of poems—selected by A. Van Jordan as the winner of the 2016 Lindquist & Vennum Prize for Poetry—begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience. Tula: Santiago reveals to readers a distant land devastated by war. Tula: its music beckons in rhythms, time signatures, and lullabies. Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language? Inspired by the experiences of the second-generation immigrant who does not fully acquire the language of his parents, Tula paints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in Saint Paul—while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife. Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves, Tula introduces a major new literary talent. Praise for Tula “A book that both transports us and transforms us.” —Viet Thanh Nguyen “A debut collection that is a spare, elegant engagement with language. . . . Santiago’s struggles with identity are well-explored, but his linguistic savvy and precision truly stand out.” —Publishers Weekly “Santiago seems to recognize that words will always hold power, even as their meanings evolve. Through everything, Tula delves into these nuances of language: how it is suppressed, how it is weaponized, how it loves, how it informs, and how it is often as fleeting as a birdsong. Tula is therefore a celebration of the ephemeral and the permanent, a lovely testament to the beauty of contradiction.” —Chicago Review of Books
Publisher: Milkweed Editions
ISBN: 1571319549
Category : Poetry
Languages : en
Pages : 112
Book Description
A debut poetry collection exploring themes of family and identity while examining the experiences of a second-generation Filipino immigrant in America. Tula: a ruined Toltec capital; a Russian city known for its accordions; Tagalog for “poem.” Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago’s debut collection of poems—selected by A. Van Jordan as the winner of the 2016 Lindquist & Vennum Prize for Poetry—begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience. Tula: Santiago reveals to readers a distant land devastated by war. Tula: its music beckons in rhythms, time signatures, and lullabies. Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language? Inspired by the experiences of the second-generation immigrant who does not fully acquire the language of his parents, Tula paints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in Saint Paul—while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife. Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves, Tula introduces a major new literary talent. Praise for Tula “A book that both transports us and transforms us.” —Viet Thanh Nguyen “A debut collection that is a spare, elegant engagement with language. . . . Santiago’s struggles with identity are well-explored, but his linguistic savvy and precision truly stand out.” —Publishers Weekly “Santiago seems to recognize that words will always hold power, even as their meanings evolve. Through everything, Tula delves into these nuances of language: how it is suppressed, how it is weaponized, how it loves, how it informs, and how it is often as fleeting as a birdsong. Tula is therefore a celebration of the ephemeral and the permanent, a lovely testament to the beauty of contradiction.” —Chicago Review of Books
Some Say the Lark
Author: Jennifer Chang
Publisher: Alice James Books
ISBN: 1938584716
Category : Poetry
Languages : en
Pages : 121
Book Description
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
Publisher: Alice James Books
ISBN: 1938584716
Category : Poetry
Languages : en
Pages : 121
Book Description
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
Good Bones
Author: Maggie Smith
Publisher: Tupelo Press
ISBN: 1946482420
Category : Poetry
Languages : en
Pages : 96
Book Description
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu
Publisher: Tupelo Press
ISBN: 1946482420
Category : Poetry
Languages : en
Pages : 96
Book Description
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu
Can I Touch Your Hair?
Author: Irene Latham
Publisher: Lerner Digital ™
ISBN: 1541589491
Category : Juvenile Nonfiction
Languages : en
Pages : 44
Book Description
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
Publisher: Lerner Digital ™
ISBN: 1541589491
Category : Juvenile Nonfiction
Languages : en
Pages : 44
Book Description
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
Postcolonial Love Poem
Author: Natalie Diaz
Publisher: Graywolf Press
ISBN: 1644451131
Category : Poetry
Languages : en
Pages : 117
Book Description
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Publisher: Graywolf Press
ISBN: 1644451131
Category : Poetry
Languages : en
Pages : 117
Book Description
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
A Rock Can Be . . .
Author: Laura Purdie Salas
Publisher: Millbrook Press TM
ISBN: 1728466296
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! A rock is a rock, part of cliff, road or sea. But now can you guess what else it can be? A rock can be a...dinosaur bone, stepping-stone, hopscotch marker, fire sparker. Find out about the many roles a rock can play in this poetic exploration of rocks around the world. Laura Purdie Salas's lyrical, rhyming text and Violeta Dabija's glowing illustrations make simple yet profound observations about seemingly ordinary objects and encourage readers to suggest "what else it can be!" Using metaphors for a leaf (tree topper / rain stopper), a rock (hopscotch marker / fire sparker), and water (thirst quencher / kid drencher), these insightful picture books creatively highlight a variety of roles and relationships in nature.
Publisher: Millbrook Press TM
ISBN: 1728466296
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! A rock is a rock, part of cliff, road or sea. But now can you guess what else it can be? A rock can be a...dinosaur bone, stepping-stone, hopscotch marker, fire sparker. Find out about the many roles a rock can play in this poetic exploration of rocks around the world. Laura Purdie Salas's lyrical, rhyming text and Violeta Dabija's glowing illustrations make simple yet profound observations about seemingly ordinary objects and encourage readers to suggest "what else it can be!" Using metaphors for a leaf (tree topper / rain stopper), a rock (hopscotch marker / fire sparker), and water (thirst quencher / kid drencher), these insightful picture books creatively highlight a variety of roles and relationships in nature.
Next Word, Better Word
Author: Stephen Dobyns
Publisher: Macmillan + ORM
ISBN: 023011878X
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This accessible writer's guide provides a helpful framework for creating poetry and navigates contemporary concerns and practices. Stephen Dobyns, author of the classic book on the beauty of poetry, Best Words, Best Order, moves into new terrain in this remarkable book. Bringing years of experience to bear on issues such as subject matter, the mechanics of poetry, and the revision process, Dobyns explores the complex relationship between writers and their work. From Philip Larkin to Pablo Neruda to William Butler Yeats, every chapter reveals useful lessons in these renowned poets' work. Both enlightening and encouraging, Next Word, Better Word demystifies a subtle art form and shows writers how to overcome obstacles in the creative process.
Publisher: Macmillan + ORM
ISBN: 023011878X
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Book Description
This accessible writer's guide provides a helpful framework for creating poetry and navigates contemporary concerns and practices. Stephen Dobyns, author of the classic book on the beauty of poetry, Best Words, Best Order, moves into new terrain in this remarkable book. Bringing years of experience to bear on issues such as subject matter, the mechanics of poetry, and the revision process, Dobyns explores the complex relationship between writers and their work. From Philip Larkin to Pablo Neruda to William Butler Yeats, every chapter reveals useful lessons in these renowned poets' work. Both enlightening and encouraging, Next Word, Better Word demystifies a subtle art form and shows writers how to overcome obstacles in the creative process.