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Author: Lori Wilde
Publisher: Epiphany Orchards Press
ISBN:
Category : Fiction
Languages : en
Pages : 333
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Book Description
Get ready for one wild road trip in this sizzling enemies-to-lovers action/adventure romantic comedy! When Maddie Cooper's impulsive twin Cassie disappears on a botched FBI art theft sting, the intense former Olympian storms onto the scene, ready to tear through anyone necessary to bring her sister home. That includes bulldozing her way into working the case with agent David Marshall—the arrogant, by-the-books G-man who sees adrenaline junkie Maddie as nothing more than a meddling sister likely to destroy his investigation. Maddie usually keeps her killer body, and guarded heart locked down tight, with no time for egotistical federal agents. Meanwhile, David thinks this protective sister has no business crashing his hunt into the dangerous criminal underworld Cassie's gotten lost in. But as the unwilling partners traverse the backroads and seedy hideouts searching for Cassie and the purloined masterpieces, sparks as volatile as nitroglycerin ignite between them. Forced to rely on each other with lives at stake, resisting the attraction proves harder than making a clean getaway. Can Maddie bring her reckless twin home without killing the maddening agent first? And will love bloom between two very different people who ignite passion in each other?
Author: Lori Wilde
Publisher: Epiphany Orchards Press
ISBN:
Category : Fiction
Languages : en
Pages : 333
Get Book Here
Book Description
Get ready for one wild road trip in this sizzling enemies-to-lovers action/adventure romantic comedy! When Maddie Cooper's impulsive twin Cassie disappears on a botched FBI art theft sting, the intense former Olympian storms onto the scene, ready to tear through anyone necessary to bring her sister home. That includes bulldozing her way into working the case with agent David Marshall—the arrogant, by-the-books G-man who sees adrenaline junkie Maddie as nothing more than a meddling sister likely to destroy his investigation. Maddie usually keeps her killer body, and guarded heart locked down tight, with no time for egotistical federal agents. Meanwhile, David thinks this protective sister has no business crashing his hunt into the dangerous criminal underworld Cassie's gotten lost in. But as the unwilling partners traverse the backroads and seedy hideouts searching for Cassie and the purloined masterpieces, sparks as volatile as nitroglycerin ignite between them. Forced to rely on each other with lives at stake, resisting the attraction proves harder than making a clean getaway. Can Maddie bring her reckless twin home without killing the maddening agent first? And will love bloom between two very different people who ignite passion in each other?
Author: Charlie Keil
Publisher: Rutgers University Press
ISBN: 0813573572
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
Author: Patrick Keating
Publisher: Rutgers University Press
ISBN: 0813563518
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
How does a film come to look the way it does? And what influence does the look of a film have on our reaction to it? The role of cinematography, as both a science and an art, is often forgotten in the chatter about acting, directing, and budgets. The successful cinematographer must have a keen creative eye, as well as expert knowledge about the constantly expanding array of new camera, film, and lighting technologies. Without these skills at a director’s disposal, most movies quickly fade from memory. Cinematography focuses on the highlights of this art and provides the first comprehensive overview of how the field has rapidly evolved, from the early silent film era to the digital imagery of today. The essays in this volume introduce us to the visual conventions of the Hollywood style, explaining how these first arose and how they have subsequently been challenged by alternative aesthetics. In order to frame this fascinating history, the contributors employ a series of questions about technology (how did new technology shape cinematography?), authorship (can a cinematographer develop styles and themes over the course of a career?), and classicism (how should cinematographers use new technology in light of past practice?). Taking us from the hand-cranked cameras of the silent era to the digital devices used today, the collection of original essays explores how the art of cinematography has been influenced not only by technological advances, but also by trends in the movie industry, from the rise of big-budget blockbusters to the spread of indie films. The book also reveals the people behind the camera, profiling numerous acclaimed cinematographers from James Wong Howe to Roger Deakins. Lavishly illustrated with over 50 indelible images from landmark films, Cinematography offers a provocative behind-the-scenes look at the profession and a stirring celebration of the art form. Anyone who reads this history will come away with a fresh eye for what appears on the screen because of what happens behind it.
Author: Mark Thomas McGee
Publisher: McFarland
ISBN: 9780786411146
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
William Castle, for instance, was a master promoter. In one scheme involving The Tingler, Vincent Price warns in the movie that "the only way to stop the monster is to scream. That's the signal to the projectionist to throw the switch. Under ten or twelve seats were some electric motors, war surplus things that Castle got a bargain on. The motors vibrated the seat, in the hope of scaring a scream out of someone. Just in case it didn't Castle planted someone in the audience to get the screams rolling." This book is about flamboyant promotion, the con artist side of the movie world--everything the ballyhoo boys did to separate the customer from the price of a movie ticket--Emergo, HypnoVista, 3-D, Wide Screen, Cinemagic, Duo-Vision, Dynamation, Smell-O-Vision, plenty more. Supporting the text are 107 photos and illustrations, some never-before-published, and a filmography.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 420
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Book Description
Author: Daniel Morgan
Publisher: Univ of California Press
ISBN: 0520273311
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
“Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard ‘thinks’ in, of, and through cinema. Drawing on his extensive knowledge of French culture, politics and theory, Morgan skillfully illustrates the complex relations between history, aesthetics, and nature in the director’s later works. Defying criticism of Godard’s alleged retreat from politics, this book provides compelling, detailed, and erudite analyses of his later films and illuminates the auteur’s political and aesthetic response to the so-called ‘death of cinema.’”— Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive. “Daniel Morgan charts a sensible route into the impenetrable Jean-Luc Godard. Posing clear yet insistent questions, he burrows to the center of both parts of this book’s formidable title, finding in late Godard an aesthetic fusion that generates the light and heat of a trenchant and powerful political critique. Anyone who feels drawn or licensed to write about Godard should read Morgan before setting out.”—Dudley Andrew, author of What Cinema Is! “Daniel Morgan's Late Godard and the Possibilities of Cinema signals a major breakthrough in the international study of the cinema of Jean-Luc Godard. Reconciling the filmmaker's peculiarly Romantic sense of aesthetics —to which the book pays scrupulous, material attention—with the thorny political histories that Godard's cinema has always probed, Morgan gives us new, compelling, synthetic tools with which to understand an artist who is at once the most cryptic and the most sensuous of all living filmmakers.”—Adrian Martin, Monash University, co-editor of lolajournal.com
Author: Thomas Babington Macaulay Baron Macaulay
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
The Kenya Gazette is an official publication of the government of the Republic of Kenya. It contains notices of new legislation, notices required to be published by law or policy as well as other announcements that are published for general public information. It is published every week, usually on Friday, with occasional releases of special or supplementary editions within the week.
Author: Thomas Aquinas
Publisher: Hackett Publishing
ISBN: 1603846751
Category : Philosophy
Languages : en
Pages : 1152
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Book Description
Includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.
Author: Walter Mirisch
Publisher: Univ of Wisconsin Press
ISBN: 0299226433
Category : Biography & Autobiography
Languages : en
Pages : 502
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Book Description
This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association
