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Author: Jane Turner
Publisher: Routledge
ISBN: 1351995987
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude. This book takes a genealogical account of Third Theatre as a concept and a practice that draws attention to the historical Third Theatre Encounters that have taken place across Europe and Latin America since the 1970s. The work of renowned Third Theatre groups and organisations, such as LUME (Brazil), Grupo Cultural Yuyachkani (Peru), Triangle Theatre (UK) and Nordisk Teaterlaboratorium – NTL (Denmark), are explored to reveal how a multifarious poetics of Third Theatre is manifest through these artists’ approaches to performer training, dramaturgy and cultural action. Three critical pillars – unconditional hospitality, artisanal craft and (re)enchantment – are employed in order to illuminate the shared ethos of the Third Theatre community and its exemplification as a mode of cultural performance. This informative text will be of great use to students and scholars of drama and theatre studies, and its dedicated section on performer training exercises offers the reader pathways into an experiential engagement with Third Theatre craft.
Author: Jane Turner
Publisher: Routledge
ISBN: 1351995987
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude. This book takes a genealogical account of Third Theatre as a concept and a practice that draws attention to the historical Third Theatre Encounters that have taken place across Europe and Latin America since the 1970s. The work of renowned Third Theatre groups and organisations, such as LUME (Brazil), Grupo Cultural Yuyachkani (Peru), Triangle Theatre (UK) and Nordisk Teaterlaboratorium – NTL (Denmark), are explored to reveal how a multifarious poetics of Third Theatre is manifest through these artists’ approaches to performer training, dramaturgy and cultural action. Three critical pillars – unconditional hospitality, artisanal craft and (re)enchantment – are employed in order to illuminate the shared ethos of the Third Theatre community and its exemplification as a mode of cultural performance. This informative text will be of great use to students and scholars of drama and theatre studies, and its dedicated section on performer training exercises offers the reader pathways into an experiential engagement with Third Theatre craft.
Author: Robert Sanford Brustein
Publisher: New York : Knopf
ISBN:
Category : Theater
Languages : en
Pages : 330
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Book Description
Author: Badal Sarkar
Publisher:
ISBN:
Category : Experimental theater
Languages : en
Pages : 90
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Book Description
Author: Robert Brustein
Publisher: Jonathan Cape
ISBN: 9780224618540
Category : Theater
Languages : en
Pages : 294
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Book Description
Author: Ian Watson
Publisher: Routledge
ISBN: 1134797540
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
Author: Badal Sarkar
Publisher: Seagull Books Pvt Ltd
ISBN: 9788170462156
Category : Theater
Languages : en
Pages : 206
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Book Description
Perhaps no other theatre personality has had such a deep and pervasive influence on theatre practice and theory in post-independence India as Badal Sircar. As a writer of proscenium plays in the 1960s, all of which have been widely produced by leading directors in several Indian languages; as the pioneer of non-proscenium political theatre in the 1970s; as the mentor of countless directors and theatre activists who have carried his ideas to far corners of the country, his work is an integral part of contemporary Indian theatre history. Badal Sircar has over the years written and expounded on his key concepts such as free theatre, humanity in theatre, masks in theatre, and the term with which he is most closely identified, the Third Theatre. This volume brings together for the first time his seminal writings in both Bengali and English, written over three decades, between 1972 to 1992, an invaluable opportunity for cultural scholars and theatre lovers to familiarize themselves with this most influential of practitioners as he delves deep into the evolution of his theoretical stances and analyses his own milestone productions. Written with the same honesty and directness for which his theatre is renowned, these writings reflect a cultural landscape representative of a historical period prior to the watershed of liberalization. Born in 1925, Badal Sircar has been the recipient of several national awards and honours including the Sangeet Natak Akademi Award, Padma Shree, Kalidas Samman, Jawaharlal Nehru Fellowship, and Sangeet Natak Akademi Fellowship.
Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
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Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Author: Third Theatre (Theater group)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Bronislaw Joseph Sammler
Publisher: Taylor & Francis
ISBN: 0240804929
Category : Costume
Languages : en
Pages : 293
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ian Watson
Publisher: Routledge
ISBN: 1134797559
Category : Art
Languages : en
Pages : 233
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Book Description
Eugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
