Author: Thomas Campion
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 72
Book Description
Third Booke of Ayres
Author: Thomas Campion
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 72
Book Description
Author:
Publisher: BoD – Books on Demand
ISBN: 3368721925
Category :
Languages : en
Pages : 466
Book Description
Publisher: BoD – Books on Demand
ISBN: 3368721925
Category :
Languages : en
Pages : 466
Book Description
A Dictionary of Musical Terms
Author: John Stainer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 470
Book Description
English Ayres
Author: Joan Swanekamp
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description
Product information not available.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description
Product information not available.
Stainer and Barrett's Dictionary of Musical Terms
Author: William Alexander Barrett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Parry to Finzi
Author: Trevor Hold
Publisher: Boydell Press
ISBN: 9781843831747
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.
Publisher: Boydell Press
ISBN: 9781843831747
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
"Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index"--Jacket.
Manuscript Inscriptions in Early English Printed Music
Author: David Greer
Publisher: Routledge
ISBN: 1317101073
Category : Music
Languages : en
Pages : 259
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Publisher: Routledge
ISBN: 1317101073
Category : Music
Languages : en
Pages : 259
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Songs Included in Michael Cavendish's Booke of Ayres and Madrigalles, 1598
Author: Michael Cavendish
Publisher:
ISBN:
Category : Ayres
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Ayres
Languages : en
Pages : 56
Book Description
Music in Elizabethan Court Politics
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
The English Ayre
Author: Peter Warlock
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152
Book Description