Author: Eric Bentley
Publisher: Hal Leonard Corporation
ISBN: 9781557832795
Category : Performing Arts
Languages : en
Pages : 500
Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
The Theory of the Modern Stage
Author: Eric Bentley
Publisher: Hal Leonard Corporation
ISBN: 9781557832795
Category : Performing Arts
Languages : en
Pages : 500
Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Publisher: Hal Leonard Corporation
ISBN: 9781557832795
Category : Performing Arts
Languages : en
Pages : 500
Book Description
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
The Theory of the Modern Stage. An Introduction to Modern Theatre and Drama. Edited by Eric Bentley
Author: Eric Russell BENTLEY
Publisher:
ISBN:
Category :
Languages : en
Pages : 493
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 493
Book Description
Stephen Sondheim and the Reinvention of the American Musical
Author: Robert L. McLaughlin
Publisher: Univ. Press of Mississippi
ISBN: 1496808568
Category : Performing Arts
Languages : en
Pages : 284
Book Description
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Publisher: Univ. Press of Mississippi
ISBN: 1496808568
Category : Performing Arts
Languages : en
Pages : 284
Book Description
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Performing the Unstageable
Author: Karen Quigley
Publisher: Bloomsbury Publishing
ISBN: 1350055468
Category : Performing Arts
Languages : en
Pages : 273
Book Description
From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage.
Publisher: Bloomsbury Publishing
ISBN: 1350055468
Category : Performing Arts
Languages : en
Pages : 273
Book Description
From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageable: Success, Imagination, Failure examines this phenomenon of what the theatre cannot do or has not been able to do at various points in its history. The book explores four principal areas to which unstageability most frequently pertains: stage directions, adaptations, violence and ghosts. Karen Quigley incorporates a wide range of case studies of both historical and contemporary theatrical productions including the Wooster Group's exploration of Hamlet via the structural frame of John Gielgud's 1964 filmed production, Elevator Repair Service's eight-hour staging of Fitzgerald's The Great Gatsby and a selection of impossible stage directions drawn from works by such playwrights as Eugene O'Neill, Philip Glass, Caryl Churchill, Sarah Kane and Alistair McDowall. Placing theatre history and performance analysis in such a context, Performing the Unstageable values what is not possible, and investigates the tricky underside of theatre's most fundamental function to bring things to the place of showing: the stage.
Theatre in Theory 1900-2000
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1405140445
Category : Performing Arts
Languages : en
Pages : 610
Book Description
Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century’s most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the field Wide-ranging and broadly constructed, this text has both interdisciplinary and global appeal Includes a thematic index, section introductions, and supporting commentary Helps students, teachers, and practitioners to think critically about the nature of theatre
Publisher: John Wiley & Sons
ISBN: 1405140445
Category : Performing Arts
Languages : en
Pages : 610
Book Description
Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century’s most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the field Wide-ranging and broadly constructed, this text has both interdisciplinary and global appeal Includes a thematic index, section introductions, and supporting commentary Helps students, teachers, and practitioners to think critically about the nature of theatre
The Theory of the modern Stage : an introduction to modern theatre and drama
Author: Eric Bentley
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 0
Book Description
A Dictionary of Cultural and Critical Theory
Author: Michael Payne
Publisher: John Wiley & Sons
ISBN: 1118438817
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Publisher: John Wiley & Sons
ISBN: 1118438817
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
Before I Am Hanged
Author: Onookome Okome
Publisher: Africa World Press
ISBN: 9780865437456
Category : Dissenters in literature
Languages : en
Pages : 254
Book Description
This is an extensive study of Kenule Saro-Wiwa, the Ogoni Minority and Human Rights activist who was judicially murdered in 1995. Questions of nationhood, ethnic minority and power politics in Nigeria are discussed in a collection of essays that examine the corpus of his literary and political ideas, pointing out the direction of his thought and the enduring contribution that Sara-Wiwa made to Nigeria's literary and political arenas.
Publisher: Africa World Press
ISBN: 9780865437456
Category : Dissenters in literature
Languages : en
Pages : 254
Book Description
This is an extensive study of Kenule Saro-Wiwa, the Ogoni Minority and Human Rights activist who was judicially murdered in 1995. Questions of nationhood, ethnic minority and power politics in Nigeria are discussed in a collection of essays that examine the corpus of his literary and political ideas, pointing out the direction of his thought and the enduring contribution that Sara-Wiwa made to Nigeria's literary and political arenas.
JOHN WHITING:: THE AGONY OF THE ABSURD
Author: Dr. Apeksha
Publisher: Kripa Drishti Publications
ISBN: 9390847052
Category : Antiques & Collectibles
Languages : en
Pages :
Book Description
This book is a complete and comprehensive projection of John Whiting as an absurdist playwright. It is a round and unvarnished story of a prodigious playwright who within a short span of his life, did much to outshine his contemporaries. His journey was not limited to stage and theatre. He also wrote for the films, television and even radio. The journey began with The Conditions of Agreement in 1946 and ended with The Devils in 1961. In between he wrote many landmark plays through which one can trace the evolutionary trajectory of a legend in the making who was a confluence of mind and mystery, love and revenge, sentimentality and blood lust. His plays are replete with sin and sleaze, callousness and collusion. This was because in Whiting, one also comes across the diminution of norms owning to ethical elasticity and dispensability of principles. In his plays the pathology of power is matched by the ethos of human failings as is exemplified by the rise and fall of Grandier in The Devils. Here the banality of power fails to keep distance between pretense and principles. Bereft of the romance of renewal and predictability, many of his plays end up on disjointed note in the best tradition of the theatre of the absurd. The playwright's obsession with pre-mediated violence creates a disconnect between storyline and characterization. In practically every plays of Whiting creates a heady cocktail of fear, violence, loathing and paranoia and yet they make for a compelling reading. This book is a summary of my findings regarding John Whiting with terse comments on his qualities as an absurdist playwright. It has been my endeavor to assess him both as a literary figure and a playwright, wedded to the absurdist tradition.
Publisher: Kripa Drishti Publications
ISBN: 9390847052
Category : Antiques & Collectibles
Languages : en
Pages :
Book Description
This book is a complete and comprehensive projection of John Whiting as an absurdist playwright. It is a round and unvarnished story of a prodigious playwright who within a short span of his life, did much to outshine his contemporaries. His journey was not limited to stage and theatre. He also wrote for the films, television and even radio. The journey began with The Conditions of Agreement in 1946 and ended with The Devils in 1961. In between he wrote many landmark plays through which one can trace the evolutionary trajectory of a legend in the making who was a confluence of mind and mystery, love and revenge, sentimentality and blood lust. His plays are replete with sin and sleaze, callousness and collusion. This was because in Whiting, one also comes across the diminution of norms owning to ethical elasticity and dispensability of principles. In his plays the pathology of power is matched by the ethos of human failings as is exemplified by the rise and fall of Grandier in The Devils. Here the banality of power fails to keep distance between pretense and principles. Bereft of the romance of renewal and predictability, many of his plays end up on disjointed note in the best tradition of the theatre of the absurd. The playwright's obsession with pre-mediated violence creates a disconnect between storyline and characterization. In practically every plays of Whiting creates a heady cocktail of fear, violence, loathing and paranoia and yet they make for a compelling reading. This book is a summary of my findings regarding John Whiting with terse comments on his qualities as an absurdist playwright. It has been my endeavor to assess him both as a literary figure and a playwright, wedded to the absurdist tradition.
Susan Glaspell
Author: Bárbara Ozieblo Rajkowska
Publisher: UNC Press Books
ISBN: 9780807848685
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Celebrates the life and work of Susan Glaspell who won the Pulitzer Prize for drama in 1931 and who is recognized for her groundbreaking feminist dramas.
Publisher: UNC Press Books
ISBN: 9780807848685
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Celebrates the life and work of Susan Glaspell who won the Pulitzer Prize for drama in 1931 and who is recognized for her groundbreaking feminist dramas.