The Theory and Practice of Tone Relations PDF Download
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Author: Percy Goetschius
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 200
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Book Description
Author: Percy Goetschius
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 200
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Book Description
Author: Adolf Bernhard Marx
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 594
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Book Description
Author: Leon Stein
Publisher: Alfred Music
ISBN: 9781457400940
Category : Music
Languages : en
Pages : 324
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Book Description
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Author: Percy Goetschius
Publisher: Franklin Classics
ISBN: 9780342472420
Category :
Languages : en
Pages : 210
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Iowa. State Board of Regents
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 536
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Book Description
Author: Salem Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: Smith College
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 284
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Book Description
Author: British Museum
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1180
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Book Description
Author: North Carolina. Department of Public Instruction
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 960
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Book Description
Author: Lorenzo Bianconi
Publisher: University of Chicago Press
ISBN: 0226045927
Category : Music
Languages : en
Pages : 516
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Book Description
The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.
