The Theatre of Max Reinhardt PDF Download
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Author: Huntly Carter
Publisher:
ISBN:
Category : Jewish theatrical producers and directors
Languages : en
Pages : 380
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Book Description
A survey of the process of Max Reinhardt's directorial development as it has influenced the theater of today. The author reviews the forces that made for playhouse progress at the time of Mr. Reinhardt's entry into the profession. Considers the German influences on Mr. Reinhardt's individual development, the effects of this development as reflected in his aims, and his conceptions of drama, the stage, the player, and theater organization. The author analyzes the influence of Gordon Craig's "On the Art of the Theatre" on Reinhardt, in the context of his subsequent technical experiments in service to the demands of specific productions.
Author: Huntly Carter
Publisher:
ISBN:
Category : Jewish theatrical producers and directors
Languages : en
Pages : 380
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Book Description
A survey of the process of Max Reinhardt's directorial development as it has influenced the theater of today. The author reviews the forces that made for playhouse progress at the time of Mr. Reinhardt's entry into the profession. Considers the German influences on Mr. Reinhardt's individual development, the effects of this development as reflected in his aims, and his conceptions of drama, the stage, the player, and theater organization. The author analyzes the influence of Gordon Craig's "On the Art of the Theatre" on Reinhardt, in the context of his subsequent technical experiments in service to the demands of specific productions.
Author: Huntly Carter
Publisher: Forgotten Books
ISBN: 9781333747626
Category : Music
Languages : en
Pages : 346
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Book Description
Excerpt from The Theatre of Max Reinhardt His principal aim has been throughout to bring the spectator Into the action of the drama and to make him live the actor's part in the tiny world formed by the theatre, as he lives his own part in the greater social world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Huntly Carter
Publisher: Theclassics.Us
ISBN: 9781230329536
Category :
Languages : en
Pages : 82
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ..."the time." The vehemence of life which Moliere put into his valets was in Moliere himself and of his time, or it would not have appeared as vehemence of life. You cannot copy the vehemence of life of one age and make it appear the vehemence of life of your age. It is sheer stupidity to say you can. An idea of the formation and working of the Moliere stage may be gathered from the following passage taken from Karl Mantzius' notable work: --"Whether this development of stage decoration has been a reform of dramatic art, and whether we may be certain that the modern theatre, with all its perfection in the way of picturesque effects, ingenious mechanisms, and magnificent light, idealises the ideal stage, is a great question. Who knows whether we shall not some day prefer to return to a stage which affords the best conditions for seeing and hearing the art of the author naked and undisguised rather than to go on developing a decorative scenery which seems more calculated to throw a veil over the defects of both...." It was during the Italian age of complicated scenery that the stage took the shape which it has nowadays. "It was no longer a projecting platform surrounded by the audience on three sides. It was a separate space, an enormous square box, the first wall of which had been removed, and in the inside of which the plays were presented to the spectators like pictures against a background.... France soon adopted the Italian system, which supplanted both the French platform stage and le decor simultane; even plays which seemed written and calculated for the latter form of stage were now performed with the simple, regular, and invariably recurring scenes: 'a street, ' 'a public place, ' or 'a classical colonnade' and...
Author: Huntly Carter
Publisher:
ISBN: 9780742692039
Category :
Languages : en
Pages : 332
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Book Description
Author: Oliver M. Sayler
Publisher:
ISBN: 9781258890698
Category :
Languages : en
Pages : 606
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Book Description
This is a new release of the original 1924 edition.
Author: Oliver M. Sayler
Publisher: New York : Brentano's
ISBN:
Category : Theater
Languages : en
Pages : 614
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Book Description
Author: Siegfried Jacobsohn
Publisher: Legare Street Press
ISBN: 9781017718096
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Oliver Martin Sayler
Publisher:
ISBN:
Category :
Languages : en
Pages : 381
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Book Description
Author: Oliver Martin Sayler
Publisher:
ISBN:
Category :
Languages : en
Pages : 381
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Book Description
Author: John L. Styan
Publisher: Cambridge University Press
ISBN: 9780521295048
Category : Drama
Languages : en
Pages : 188
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Book Description
Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.
