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Author: Katarzyna Fazan
Publisher: Cambridge University Press
ISBN: 1108752756
Category : Drama
Languages : en
Pages : 754
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Book Description
Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.
Author: Katarzyna Fazan
Publisher: Cambridge University Press
ISBN: 1108752756
Category : Drama
Languages : en
Pages : 754
Get Book Here
Book Description
Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.
Author: Paul Allain
Publisher: Taylor & Francis
ISBN: 9789057021053
Category : Drama
Languages : en
Pages : 212
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Book Description
The author gives a detailed study of the Gardzienice Theatre Association. Analysing their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.
Author: Dariusz Kosiński
Publisher:
ISBN: 9781906499068
Category : Poland
Languages : en
Pages : 406
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Book Description
Author: Kathleen Cioffi
Publisher: Routledge
ISBN: 1134374453
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene. It traces the development of the alternative theatre movement from its origins, in the 1950s, through to its decline in the late 1980s.
Author: Katarzyna Fazan
Publisher:
ISBN: 9781108700870
Category : DRAMA
Languages : en
Pages :
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Book Description
"There is no such thing as one Polish culture. Even understood in the most broad and simple sense, that is, as a collection of all the cultural achievements made by Poles together, one immediately faces problems with understanding the concepts of 'Polishness' and 'cultural achievement' themselves. The historical, geographical, legal, ethnic, religious, and linguistic changes - and differences - create such a diversity that it is impossible to find one commonality through which one homogeneous sense or meaning can be teased out. Even though schooling - for example - reproduces such simplifying, patriotic models, it does not mean they translate into a consistent interpretation. Lastly, every narrative within cultural studies reveals and names as much as it covers and conceals; this is because it cannot be constructed without emphasizing certain facts while silencing others. The 'one culture', then, breaks up into a multitude of cultures. The monologue of the centrally-defined discourse of Polishness passes into a polyphony of peripheries, into a dialogue of subcultures of borderlands, into a chorus of those who are to be silenced by the homogeneous centre"--
Author: Albert Poland
Publisher:
ISBN: 9781733934510
Category : Actors
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 274
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Book Description
Author: Roman Szydłowski
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 224
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Book Description
Author: Kazimierz Braun
Publisher: Edwin Mellen Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 578
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Book Description
Based partly on a Kent State U. Open Theatre conference in 1983 which brought together writers, directors, and critics who had been integral to the New York theatre scene of the 1960s and 1970s, this study analyzes the creative shifts of that period. After profiling the American playwright-director before 1960, Gardner (playwriting, American drama, Ohio Wesleyan U.) traces how the Vietnam War, other social issues, and increased funding cued decentralization and experimentation in dramatic styles (e.g., in regional and off-off Broadway theatre), and the emergence of the new playwright-director. Some 90 pages are devoted to appendices listing playwright-directed productions and biographical data on selected playwright-directors. c. Book News Inc.
Author: Grzegorz Niziolek
Publisher: Bloomsbury Publishing
ISBN: 1350039675
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski's Poor Theatre and Kantor's Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others' suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of 'wrong seeing' enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
