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Author: Roger D. Woodard
Publisher: Cambridge University Press
ISBN: 1107028116
Category : Foreign Language Study
Languages : en
Pages : 389
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Book Description
This book argues that when the Greeks first began to use the alphabet, they viewed themselves as participants in a performance phenomenon.
Author: Roger D. Woodard
Publisher: Cambridge University Press
ISBN: 1107028116
Category : Foreign Language Study
Languages : en
Pages : 389
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Book Description
This book argues that when the Greeks first began to use the alphabet, they viewed themselves as participants in a performance phenomenon.
Author: University Roger Woodard
Publisher:
ISBN: 9781107731905
Category : Greek language
Languages : en
Pages : 390
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Book Description
This book argues that when the Greeks first began to use the alphabet, they viewed themselves as participants in a performance phenomenon.
Author: Roger D. Woodard
Publisher:
ISBN: 9781139235693
Category : Greek language
Languages : en
Pages :
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Book Description
Author: Robert Parker
Publisher: Oxford University Press
ISBN: 0198859945
Category : History
Languages : en
Pages : 369
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Book Description
The Early Greek Alphabets brings a range of perspectives to bear in revisiting the legacy of Anne Jeffrey's work on archaic Greek scripts. The research extends the scope of Jeffrey's research, by considering the fortunes of the Greek alphabet in Etruria, in southern Italy, and on coins.
Author: Sara Chiarini
Publisher: BRILL
ISBN: 9004371206
Category : Literary Criticism
Languages : en
Pages : 557
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Book Description
As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.
Author: Bruce Louden
Publisher: Routledge
ISBN: 0429828047
Category : History
Languages : en
Pages : 370
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Book Description
Since the nineteenth-century rediscovery of the Gilgamesh epic, we have known that the Bible imports narratives from outside of Israelite culture, refiguring them for its own audience. Only more recently, however, has come the realization that Greek culture is also a prominent source of biblical narratives. Greek Myth and the Bible argues that classical mythological literature and the biblical texts were composed in a dialogic relationship. Louden examines a variety of Greek myths from a range of sources, analyzing parallels between biblical episodes and Hesiod, Euripides, Argonautic myth, selections from Ovid’s Metamorphoses, and Homeric epic. This fascinating volume offers a starting point for debate and discussion of these cultural and literary exchanges and adaptations in the wider Mediterranean world and will be an invaluable resource to students of the Hebrew Bible and the influence of Greek myth.
Author: Roger D. Woodard
Publisher: Cambridge University Press
ISBN: 1009221582
Category : History
Languages : en
Pages : 331
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Book Description
This volume examines the phenomena of ancient Greek prophecy and divination. With contributions from a distinguished, international cast of scholars, it offers fresh perspectives and interpretations of key aspects of these practices. Considering issues such as comparativism, ethnography, cognitive function, orality, and intertextuality, the volume demonstrates their relevance to the elucidation of Greek prophetic practices. The volume also shows how multi- and inter-disciplinary approaches can be applied to a range of topics, from an examination of the very inception of Greek divination, explored within the frame of more archaic cult ideas, through emic elaboration of divinatory practice in Archaic and Classical periods, to consideration of intentional manipulation of prophecy, as depicted in Hellenistic and Imperial Roman sources. Collectively, the essays deepen our understanding of ancient Greek prophecy by offering insights into divinition astéhknē, the centrality or marginality of Delphi and the Pythic priestess, prophetic ambiguity, and cognition, including cognitive dissonance.
Author: Deborah Tarn Steiner
Publisher: Cambridge University Press
ISBN: 1108916147
Category : History
Languages : en
Pages : 785
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Book Description
Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.
Author: Bernardo Ballesteros
Publisher: Oxford University Press
ISBN: 0198924615
Category : Literary Criticism
Languages : en
Pages : 484
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Book Description
In early Greek and Near Eastern myth and religion, the gods govern the cosmos. In narrative poetry, they are frequently portrayed through scenes of divine assembly. Did Homer and early Greek poets inherit this feature from their more ancient neighbours? And what can comparison tell us besides? This book is the first to chart divine assembly scenes in ancient Babylonian and early Greek epic. It asks why similarities between the two corpora exist, and exploits those similarities to enhance understanding of Mesopotamian and early Greek literature and religion. The book discusses Sumerian narrative poems, the Akkadian works Atra-ḫasīs, Anzû, Enūma eliš, Erra and Išum and the Epic of Gilgameš; Homer's Iliad, the Odyssey, Hesiod's Theogony and some Homeric Hymns. It studies poetic technique and probes further comparisons with Sanskrit, Old Norse, Polynesian, and Aztec mythology. It argues that Greek speakers are unlikely to have inherited the divine assembly from the Near East. Still, one can posit a long-term process of oral contact and communication fostered by common poetic structures and religious affinities. In a second part pursuing a mythological and religious comparison, the book concentrates on ideas about the cosmos and humankind, and on power dynamics within the pantheon as well as between gods and mortals. A focus on the head of the pantheon and on concepts of divine prerogatives illuminates culture-specific differences which can be related to historical socio-political discourses. The book develops a systematic approach to questions of cross-cultural literary comparison in the ancient world.
Author:
Publisher: BRILL
ISBN: 9004430571
Category : Literary Criticism
Languages : en
Pages : 717
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Book Description
This book aims to offer a unified historical treatment of all that is usually understood as “ancient scholarship” or “ancient philology” and is the first modern work to cover a period from the beginnings to the fall of Byzantium after John Edwin Sandys’ work published between 1903-1908. The field “ancient scholarship” includes the exegesis of Greek authors, the editing of their texts, orderly collections of materials useful for exegetical purposes – such as lexeis, onomatologies, collections of antiquarian materials et similia –, the study of grammar, reflection on language, and everything that can be linked to this sphere, that is to say literature and the instruments for interpreting it. If it is hard today to imagine such a work being undertaken by a single scholar, it is worth underlining the benefits offered by a volume with multiple expert voices in a field so complex and multiform. The book is based on the four historiographical chapters of Brill's Companion to Ancient Greek Scholarship (2015), which have been enlarged, updated and rethought.
