The Technique of Special Effects in Television PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Technique of Special Effects in Television PDF full book. Access full book title The Technique of Special Effects in Television by Bernard Wilkie. Download full books in PDF and EPUB format.
Author: Bernard Wilkie
Publisher: Butterworth-Heinemann
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Bernard Wilkie
Publisher: Butterworth-Heinemann
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Richard Rickitt
Publisher: Virgin Books Limited
ISBN: 9781852278007
Category : Cinematography
Languages : en
Pages : 318
Get Book Here
Book Description
We've all sat spellbound in our seats at the cinema and thought, How did they do that? as another stunning special effect unfolds in front of us. These effects are the product of a whole range of movie-making techniques and visual trickery that make us believe in the exploding spaceships in Star Wars or talking animals in Babe.
Author: Bernard Wilkie
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 400
Get Book Here
Book Description
OUVRAGE TECHNIQUE TRAITANT DE TOUS LES EFFETS SPECIAUX POSSIBLES.
Author: Eran Dinur
Publisher: Taylor & Francis
ISBN: 1317353188
Category : Art
Languages : en
Pages : 207
Get Book Here
Book Description
The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
Author: Richard J. Radke
Publisher: Cambridge University Press
ISBN: 0521766877
Category : Business & Economics
Languages : en
Pages : 409
Get Book Here
Book Description
This book explores the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. It describes classical computer vision algorithms and recent developments, features more than 200 original images, and contains in-depth interviews with Hollywood visual effects artists that tie the mathematical concepts to real-world filmmaking.
Author: Michele Pierson
Publisher: Columbia University Press
ISBN: 0231500807
Category : Performing Arts
Languages : en
Pages : 243
Get Book Here
Book Description
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
Author: Shilo T. McClean
Publisher: MIT Press
ISBN: 0262304198
Category : Performing Arts
Languages : en
Pages : 318
Get Book Here
Book Description
How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.
Author: Joseph Gilland
Publisher: CRC Press
ISBN: 1136137262
Category : Animation (Cinematography)
Languages : en
Pages : 324
Get Book Here
Book Description
Create amazing animated effects such as fiery blazes, rippling water, and magical transformations. Animation guru Joseph Gilland breaks down the world of special effects animation with clear step-by-step diagrams and explanations on how to create the amazing and compelling images you see on the big screen. 'Elemental Magic' is jam-packed with rich, original illustrations from the author himself which help explain and illuminate the technique, philosophy, and approach behind classical hand drawn animated effects and how to apply these skills to your digital projects.
Author: Micheal J. McAlister
Publisher: Lone Eagle Publishing Company, LLC
ISBN:
Category : Performing Arts
Languages : en
Pages : 172
Get Book Here
Book Description
Provides a comprehensive listing of hundreds of effects terms with concise explanations understandable to the layman.
Author: Raymond Fielding
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 436
Get Book Here
Book Description
