The Tapestry of Popular Songs in 16th- and 17th Century China PDF Download
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Author: Kathryn A. Lowry
Publisher: BRILL
ISBN: 9004145869
Category : Music
Languages : en
Pages : 446
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Book Description
This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.
Author: Kathryn A. Lowry
Publisher: BRILL
ISBN: 9004145869
Category : Music
Languages : en
Pages : 446
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Book Description
This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.
Author: Jennifer Eichman
Publisher: BRILL
ISBN: 9004308458
Category : Religion
Languages : en
Pages : 438
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Book Description
Through a detailed analysis of epistolary writing, A Late Sixteenth-Century Chinese Buddhist Fellowship: Spiritual Ambitions, Intellectual Debates, and Epistolary Connections brings to life the Buddhist discourse of a network of lay disciples who debated the value of Chan versus Pure Land, sudden versus gradual enlightenment, adherence to Buddhist precepts, and animal welfare. By highlighting the differences between their mentor, the monk Zhuhong 袾宏 (1535-1615), and his nemesis, the Yangming Confucian Zhou Rudeng 周汝登 (1547-1629), this work confronts long-held scholarly views of Confucian dominance to conclude that many classically educated, elite men found Buddhist practices a far more attractive option. Their intellectual debates, self-cultivation practices, and interpersonal relations helped shape the contours of late sixteenth-century Buddhist culture.
Author: Rhiannon Mathias
Publisher: Routledge
ISBN: 0429575041
Category : Music
Languages : en
Pages : 486
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Book Description
The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.
Author: Chun Mei
Publisher: BRILL
ISBN: 9004195939
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West. This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China.
Author:
Publisher: BRILL
ISBN: 9004340629
Category : Social Science
Languages : en
Pages : 228
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Book Description
The contributors to Wanton Women in Late-Imperial Chinese Literature: Models, Genres, Subversions and Traditions draw attention to ‘wanton woman’ themes across time as they were portrayed in court history (McMahon), fiction (Stevenson), drama (Lam, Wu), and songs and ballads (Ôki, Epstein, McLaren). Looking back, the essays challenge us with views of sexual transgression that are more heterogeneous than modern popular focus on Pan Jinlian would suggest. Central among the many insights to be found is that despite gender performance in Chinese history being overwhelmingly determined by the needs of patriarchal authority, men and women in the late imperial period discovered diverse ways in which to reflect on how men constantly sought their own bearings in reference to women.
Author: Rachel A. Harris
Publisher: University Rochester Press
ISBN: 1580464432
Category : History
Languages : en
Pages : 312
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Book Description
Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.
Author: Scott W. Gregory
Publisher: Cornell University Press
ISBN: 1501769200
Category : History
Languages : en
Pages : 159
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Book Description
Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era. Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.
Author: Florence Bretelle-Establet
Publisher: Springer Science & Business Media
ISBN: 9048136768
Category : Science
Languages : en
Pages : 464
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Book Description
How do Documents Become Sources? Perspectives from Asia and Science Florence Bretelle-Establet From Documents to Sources in Historiography The present volume develops a specific type of critical analysis of the written documents that have become historians’ sources. For reasons that will be explained later, the history of science in Asia has been taken as a framework. However, the issue addressed is general in scope. It emerged from reflections on a problem that may seem common to historians: why, among the huge mass of written documents available to historians, some have been well studied while others have been dismissed or ignored? The question of historical sources and their (unequal) use in historiography is not new. Which documents have been used and favored as historical sources by historians has been a key historiographical issue that has occupied a large space in the historical production of the last four decades, in France at least.
Author: Sharron Gu
Publisher: Cambria Press
ISBN: 1604976047
Category : History
Languages : en
Pages : 430
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Book Description
This is an original interdisciplinary study of Chinese law, its language, and political institution. Evolving within a complex literary framework over thousands of years, Chinese language has lost its conceptual distinctiveness to its multilevel and overlapping meanings and connotations. Chinese law has become inflated with contrary rulings and exceptions. This mass of rules requires an extra-lingual (legal) authority to redefine boundaries and specify applications. This book follows and continues the author's, The Boundaries of Meaning and the Formation of Law (McGill University Press) by illustrating how language shapes the formation, application, and administration of law in various cultural environments. Law and Politics in Modern China is an important book for those interested in Chinese history, culture, law, and politics. It also provides refreshing insights about the way that law continues to function after its language matures and creates contradictions and loopholes within its system of rules--one of the most important issues facing Western legal administration in the immediate future.
Author: Yasushi OKI
Publisher: BRILL
ISBN: 9004192441
Category : Poetry
Languages : en
Pages : 614
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Book Description
Mountain Songs is a collection of folk songs edited by the famous writer Feng Menglong (1574-1646). By this innovative work - mainly written in the Suzhou dialect - he aimed to revitalize poetry through the power of popular songs. This collection is very significant to the understanding of the characters of the mobile society of Jiangnan and the vitality of its intellectual world. The songs deal with the lives of common people: women, often prostitutes, boatmen, peasants, hunters, fishers and paddlers. Their spirit is far from the orthodox moral intents that Zhu Xi advocated for interpreting the Shijing, and their language is often vulgar and full of crude expressions or salacious double meanings and contains allusions to sexual and erotic behaviour.
