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Author: Robert Rankin White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
Author: Robert Rankin White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
Author: Dean A. Porter
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
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Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Author:
Publisher:
ISBN: 9780935037784
Category : Painters
Languages : en
Pages : 125
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Book Description
Author: Mary Carroll Nelson
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 184
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Book Description
"The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.
Author: Mabel Dodge Luhan
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 174
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Book Description
Contains an essay about the artists in Taos, New Mexico: brief biographies, portraits, and samples of their work. [Luhan often invited artists and writers to Taos.].
Author: Julie Schimmel
Publisher: University of New Mexico Press
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
The only book-length study of the initiator of the Taos art colony.
Author: Charles C. Eldredge
Publisher: Abbeville Press
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Traces the history of the art of New Mexico and examines the works of Hispanic and Indian artists of the region.
Author: David L. Witt
Publisher:
ISBN: 9781878610171
Category : Architecture
Languages : en
Pages : 120
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Book Description
"This study focuses on those artists who created a substantial body of work in Taos between the mid-1940s and the early 1960s. Sixty or more artists who identified themselves as modernists, or as being influenced by modernism in art, lived in Taos during this period. A representative group of them are featured in this book"--Page 3.
Author: Joan Marter
Publisher: Yale University Press
ISBN: 0300208421
Category : Art
Languages : en
Pages : 217
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Book Description
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author: Robert W. Larson
Publisher: University of Oklahoma Press
ISBN: 0806189010
Category : Biography & Autobiography
Languages : en
Pages : 383
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Book Description
Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.
