Author: Matthew Harp Allen
Publisher: CRC Press
ISBN: 1000779343
Category : Art
Languages : en
Pages : 534
Book Description
This book is a study of the Bharata Natyam dance genre "padam" focusing on its patrons and composers and its formal structure, texts, and music. It examines the "rewriting" of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music. The control over the representation of the arts is a subject that should resonate with scholars working in a wide variety of genres and across many countries. The study is diachronic (historical) and also synchronic (examining padams’ organizational structure as a system). Importantly, the text includes 30 Tamil language songs, minutely translated and annotated together with a documentation of their performance history in the 20th century. Classical and modern music composers and performers, ethnomusicologists, librettists, singers, choreographers, art historians, dancers, dance scholars, and dance teachers will find them useful in giving students a deep contextual understanding of Bharata Natyam. The book will find an enthusiastic readership with dance teachers who are actively training Bharata Natyam students. It will also attract a scholarly audience as an anthropological and historical study of an artistic form which has a high profile in South Asia and has become prominent in the growing fields of ethnomusicology, dance ethnography and "world dance."
The Tamil Padam
Author: Matthew Harp Allen
Publisher: CRC Press
ISBN: 1000779343
Category : Art
Languages : en
Pages : 534
Book Description
This book is a study of the Bharata Natyam dance genre "padam" focusing on its patrons and composers and its formal structure, texts, and music. It examines the "rewriting" of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music. The control over the representation of the arts is a subject that should resonate with scholars working in a wide variety of genres and across many countries. The study is diachronic (historical) and also synchronic (examining padams’ organizational structure as a system). Importantly, the text includes 30 Tamil language songs, minutely translated and annotated together with a documentation of their performance history in the 20th century. Classical and modern music composers and performers, ethnomusicologists, librettists, singers, choreographers, art historians, dancers, dance scholars, and dance teachers will find them useful in giving students a deep contextual understanding of Bharata Natyam. The book will find an enthusiastic readership with dance teachers who are actively training Bharata Natyam students. It will also attract a scholarly audience as an anthropological and historical study of an artistic form which has a high profile in South Asia and has become prominent in the growing fields of ethnomusicology, dance ethnography and "world dance."
Publisher: CRC Press
ISBN: 1000779343
Category : Art
Languages : en
Pages : 534
Book Description
This book is a study of the Bharata Natyam dance genre "padam" focusing on its patrons and composers and its formal structure, texts, and music. It examines the "rewriting" of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music. The control over the representation of the arts is a subject that should resonate with scholars working in a wide variety of genres and across many countries. The study is diachronic (historical) and also synchronic (examining padams’ organizational structure as a system). Importantly, the text includes 30 Tamil language songs, minutely translated and annotated together with a documentation of their performance history in the 20th century. Classical and modern music composers and performers, ethnomusicologists, librettists, singers, choreographers, art historians, dancers, dance scholars, and dance teachers will find them useful in giving students a deep contextual understanding of Bharata Natyam. The book will find an enthusiastic readership with dance teachers who are actively training Bharata Natyam students. It will also attract a scholarly audience as an anthropological and historical study of an artistic form which has a high profile in South Asia and has become prominent in the growing fields of ethnomusicology, dance ethnography and "world dance."
The Liturgy in Tamil
Author: Reformed Church in America
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Celluloid Classicism
Author: Hari Krishnan
Publisher: Wesleyan University Press
ISBN: 0819578886
Category : Performing Arts
Languages : en
Pages : 337
Book Description
Received a special citation from The de la Torre Bueno© First Book Award Committee of the Dance Studies Association (2020). The book has been hailed as "an invaluable addition to the scholarship on Bharatanatyam." Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.
Publisher: Wesleyan University Press
ISBN: 0819578886
Category : Performing Arts
Languages : en
Pages : 337
Book Description
Received a special citation from The de la Torre Bueno© First Book Award Committee of the Dance Studies Association (2020). The book has been hailed as "an invaluable addition to the scholarship on Bharatanatyam." Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.
THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 44
Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 23-12-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 44 VOLUME NUMBER: Vol. XVI. No. 51 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-39 ARTICLE: James And Proust AUTHOR: Dr. A. V. Rao KEYWORDS: English Literature, compendium Document ID: INL-1951 (J-D) Vol-II (26)
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 44
Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 23-12-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 44 VOLUME NUMBER: Vol. XVI. No. 51 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-39 ARTICLE: James And Proust AUTHOR: Dr. A. V. Rao KEYWORDS: English Literature, compendium Document ID: INL-1951 (J-D) Vol-II (26)
A Handbook of the Ordinary Dialect of the Tamil Language: First lessons in Tamil
Author: George Uglow Pope
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 226
Book Description
A Catalogue of the Tamil Books in the Library of the British Museum
Author: British Museum. Department of Oriental Printed Books and Manuscripts
Publisher:
ISBN:
Category : Tamil imprints
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Tamil imprints
Languages : en
Pages : 312
Book Description
Religion Against the Self : An Ethnography of Tamil Rituals
Author: Isabelle Nabokov Assistant Professor of Anthropology Princeton University
Publisher: Oxford University Press, USA
ISBN: 0198027354
Category : Social Science
Languages : en
Pages : 250
Book Description
In this comprehensive analysis of South Indian village Hinduism, Isabelle Nabokov shows that a wide spectrum of Tamil rituals effects transformations of identity through similar processual and symbolic operations. She reveals that such operations may lead participants to adopt personalities which are at odds with themselves.
Publisher: Oxford University Press, USA
ISBN: 0198027354
Category : Social Science
Languages : en
Pages : 250
Book Description
In this comprehensive analysis of South Indian village Hinduism, Isabelle Nabokov shows that a wide spectrum of Tamil rituals effects transformations of identity through similar processual and symbolic operations. She reveals that such operations may lead participants to adopt personalities which are at odds with themselves.
Onscreen/Offscreen
Author: Constantine V. Nakassis
Publisher: University of Toronto Press
ISBN: 1487541805
Category : Social Science
Languages : en
Pages : 302
Book Description
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
Publisher: University of Toronto Press
ISBN: 1487541805
Category : Social Science
Languages : en
Pages : 302
Book Description
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
Me My Friends and an Aunty
Author: Jagadish Nadanalli
Publisher: Notion Press
ISBN: 9383808802
Category : Fiction
Languages : en
Pages : 564
Book Description
Publisher: Notion Press
ISBN: 9383808802
Category : Fiction
Languages : en
Pages : 564
Book Description
Tamil Cinema in the Twenty-First Century
Author: Selvaraj Velayutham
Publisher: Routledge
ISBN: 042952076X
Category : Education
Languages : en
Pages : 229
Book Description
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.
Publisher: Routledge
ISBN: 042952076X
Category : Education
Languages : en
Pages : 229
Book Description
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.