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Author: William F. Friedman
Publisher: Cambridge University Press
ISBN: 9780521141390
Category : Language Arts & Disciplines
Languages : en
Pages : 340
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Book Description
The authors address theories, which, through the identification of hidden codes, call the authorship of Shakespeare's plays into question.
Author: William F. Friedman
Publisher: Cambridge University Press
ISBN: 9780521141390
Category : Language Arts & Disciplines
Languages : en
Pages : 340
Get Book Here
Book Description
The authors address theories, which, through the identification of hidden codes, call the authorship of Shakespeare's plays into question.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 610
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Book Description
Author:
Publisher:
ISBN: 0198117353
Category :
Languages : en
Pages : 573
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Book Description
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Category : American literature
Languages : en
Pages : 692
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Book Description
Author: William J. Le Moyne
Publisher:
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Category : Acting
Languages : en
Pages : 162
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Book Description
Author: Albert Cohn
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
Author: Samuel Mathewson Baylis
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Birmingham Public Libraries. Shakespeare Memorial Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
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Book Description
Author:
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Category : Libraries
Languages : en
Pages : 762
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Book Description
Author: Alan Galey
Publisher: Cambridge University Press
ISBN: 1316061264
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
