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Author: Michael Praetorius
Publisher: OUP USA
ISBN: 9780195145632
Category : Music
Languages : en
Pages : 304
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Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Michael Praetorius
Publisher: OUP USA
ISBN: 9780195145632
Category : Music
Languages : en
Pages : 304
Get Book Here
Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Quentin Faulkner
Publisher: Lulu.com
ISBN: 160962050X
Category : Music
Languages : en
Pages : 343
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Book Description
Michael Praetorius (1571-1621) was a musician, organist, and Kapellmeister. His three-volume Syntagma musicum (Musical Encyclopedia, 1614-1619) was the first comprehensive treatment of music in the German language. This publication is the first English translation of Volume II, Parts III-V, specifically on the organ, which Praetorius declares "a perfect (indeed one might also say 'most perfect') musical instrument ... which ... takes pride of place above all other musical instruments, most of which can be incorporated into this single instrument." This work includes "A precise description of ancient and modern organs, their manual and pedal keyboards, bellows, stoplists, and various kinds of stops, as well as how to tune regals and harpsichords easily and precisely; and what to consider when accepting a [newly built] organ, together with with an appended detailed table ... " This edition shows the German original on the left and the English translation on the facing right-hand pages.
Author: Michael Praetorius
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Author: Michael Praetorius
Publisher: Oxford : Clarendon Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
Syntagma Musicum is a book by the German musicologist Michael Praetorius, published in Wittenberg and Wolfenbüttel in three parts between 1614 and 1620. It is one of the most commonly used research sources for the music theory of the seventeenth century. The second work De Organographia illustrates and describes musical instruments and their use; becoming a valuable resource for the research and reconstruction of early instruments.
Author: Michael Praetorius
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 0
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Book Description
Author: Michael Praetorius
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 104
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Book Description
Author: Michael Praetorius
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 458
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Book Description
Author: Michael Praetorius
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 140
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Book Description
Author: Michael Praetorius
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 140
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Book Description
Author: Michael Praetorius
Publisher: Oxford University Press
ISBN: 0199722528
Category : Music
Languages : en
Pages : 296
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Book Description
Michael Praetorius (1571-1621) was one of the most versatile, wide-ranging, and prolific German composers of the seventeenth century. Also important as a theorist, his Syntagma Musicum, penned around 1619, was originally planned in four parts. He completed only three, with the first discussing the place of music in the church, while Volume II focused on musical instruments. Volume III deals with terminology, theoretical issues, and performance practice. More than any other source from this period, Volume III provides the most thorough coverage of performance practice issues of the late sixteenth and early seventeenth centuries. It offers detailed commentary about the performance of particular pieces of music, including many of Praetorius's own, as well as those by Lassus, Gabrieli, Monteverdi, and Schütz. Throughout, Praetorius offers immensely practical insights on numerous topics such as the definition and classification of vocal forms, the names and characteristics of instruments, arrangement of large-scale works for multiple choirs, description of ligatures, use of proportions, time signatures, transposition, teaching the Italian manner of singing, the types of ornamentation used in Italy in the first two decades of the seventeenth century-and much more. Praetorius is the most often quoted and excerpted writer on performance practice. In this translation, musicologist and early music practitioner Jeffery T. Kite-Powell worked with notoriously difficult syntax to produce a definitive English edition of this important work. For modern scholars, this volume is the preeminent source of contemporary information on performance practice for the late Renaissance and early Baroque periods. This essential resource will enable performers to recreate the music of the period in a historically informed manner.
