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Author: Ian Kennedy Martin
Publisher: Lulu.com
ISBN: 1471684644
Category : Fiction
Languages : en
Pages : 187
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Book Description
In the first of the three Sweeney novels written by the creator of the TV series, Detective Inspector Jack Regan, expert at evading the proper channels, insolent and insubordinate to his superiors, exercises his usual trump card of cases solved with successful convictions. When he is ordered to London airport to pick up Lieutenant Ewing of the San Francisco and to cooperate with him in finding a police killer believed to be in London, Regan, pursuing a line of his own, finds the American an embarrassment and soon the two men are engulfed in a dangerous clash of personalities. The Lieutenant shoots first and asks questions - if at all - afterwards. Regan finds himself involved in a case that grows into something much more violent and sinister than he had envisaged. This is the first of the three novels, 'Regan', 'The Manhattan File', and 'The Deal of the Century', published at the time of the original series.
Author: Ian Kennedy Martin
Publisher: Lulu.com
ISBN: 1471684644
Category : Fiction
Languages : en
Pages : 187
Get Book Here
Book Description
In the first of the three Sweeney novels written by the creator of the TV series, Detective Inspector Jack Regan, expert at evading the proper channels, insolent and insubordinate to his superiors, exercises his usual trump card of cases solved with successful convictions. When he is ordered to London airport to pick up Lieutenant Ewing of the San Francisco and to cooperate with him in finding a police killer believed to be in London, Regan, pursuing a line of his own, finds the American an embarrassment and soon the two men are engulfed in a dangerous clash of personalities. The Lieutenant shoots first and asks questions - if at all - afterwards. Regan finds himself involved in a case that grows into something much more violent and sinister than he had envisaged. This is the first of the three novels, 'Regan', 'The Manhattan File', and 'The Deal of the Century', published at the time of the original series.
Author: Pat Gilbert
Publisher: Aurum
ISBN: 1845136608
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
The Sweeney broke the mould for British cop shows. Until it was broadcast, they’d been rather stolid, sometimes quaint, dramas like Dixon of Dock Green, Z-Cars and Softly, Softly about policemen – or even bobbies: not cops. They were about upholding the law: not breaking it: about smart blue uniforms, not kipper ties and long hair. They were about preventing or punishing violence – not about inflicting it with pleasure on villains. Then, in 1975, The Sweeney burst onto commercial television. Based on the notoriously corrupt activities of Scotland Yard’s Flying Squad, it followed two dishevelled, uncouth detectives, Regan and Carter, played by John Thaw and Dennis Waterman, who hurtled around unsalubrious parts of London in a battered Ford Granada roughing up anyone who failed to spill the beans quickly enough. Where Dixon of Dock Green would bid his viewers “Goodnight all1”, with a cheery salute, this pair snarled “Shut it!” at toe-rags who spoke out of turn and “Put ‘em away, love” at gangsters’ molls whose boudoirs they’d burst in on. Philip Glenister’s Gene Hunt in Life on Mars is both parody and homage. Now Pat Gilbert has written the book on this cult cop show, interviewing dozens of people who made it happen, from screenwriters to stuntmen. It’s an essential companion to one of the DVD box sets.
Author: Frank Leishman
Publisher: Routledge
ISBN: 1135995591
Category : History
Languages : en
Pages : 177
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Book Description
Focusing on the interplay between policing realities, public perception and media reflections, this text provides an accessible account of the relationship between policing and the media.
Author: Lez Cooke
Publisher: Manchester University Press
ISBN: 1847795889
Category : Art
Languages : en
Pages : 214
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Book Description
This is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes Z Cars, The Italian Job, Kelly’s Heroes, The Sweeney, Reilly – Ace of Spies and Edge of Darkness. With a career spanning six decades Troy Kennedy Martin has seen the rise and fall of the television dramatist, making his debut in the era of studio-based television drama in the late 1950s prior to the transition to filmed drama (for which he argued in a famous manifesto) as the television play was gradually replaced by popular series and serials, for which Kennedy Martin did some of his best work. Drawing on original interviews with Kennedy Martin and his collaborators, the book provides a comprehensive analysis of the film and television career of one of Britain’s leading screenwriters. Also included is a chapter examining Kennedy Martin’s significant contribution to innovative and experimental television drama - his 1964 ‘Nats Go Home’ polemic and the six-part serial, Diary of a Young Man, plus his 1986 MacTaggart Lecture which anticipated recent developments in television style and technology. Written in an easily accessible style, this book will appeal to anyone with an interest in television drama, screenwriting, and the history of British television over the last fifty years.
Author: Lez Cooke
Publisher: Bloomsbury Publishing
ISBN: 1844578968
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors. Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapter that explores the renaissance in the quality, variety and social ambition of television drama in Britain since 2002. Comprehensive and accessible, this book will be of value to anyone interested in the rich history of British television and modern drama.
Author: Jim Daems
Publisher: McFarland
ISBN: 1476640696
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
A staple of television since the early years of the BBC, British crime drama first crossed the Atlantic on public broadcasting stations and specialty cable channels, and later through streaming services. Often engaging with domestic anxieties about the government's power (or lack thereof), and with larger issues of social justice like gender equality, racism, and homophobia, it has constantly evolved to reflect social and cultural changes while adapting U.S. and Nordic noir influences in a way that retains its characteristically British elements. This collection examines the continuing appeal of British crime drama from The Sweeney through Sherlock, Marcella, and Happy Valley. Individual essays focus on male melodrama, nostalgia, definitions of community, gender and LGBTQ representation, and neoliberalism. The persistence of the English murder, as each chapter of this collection reveals, points to the complexity of British crime drama's engagement with social, political, and cultural issues. It is precisely the mix of British stereotypes, coupled with a willingness to engage with broader global social and political issues, that makes British crime drama such a successful cultural export.
Author: Ben Lamb
Publisher: Manchester University Press
ISBN: 1526125870
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
You’re nicked is the first comprehensive study of television police series in the UK. It shows how British television’s most popular genre has developed stylistically, politically and philosophically from 1955 to the present. Each chapter focuses on a particular decade, investigating how the most-watched series represent the inner workings of the police station, the civilian life of criminals and the private lives of police officers. This new methodological approach unearths the complex ideology underpinning each series and discerns the key insights the genre can provide into the breakdown of the post-war settlement. A must-have for scholars and students of British history, television, sociology and criminology, the book will also be of interest to crime-drama enthusiasts worldwide.
Author: Paul Elliott
Publisher: Liverpool University Press
ISBN: 1800347391
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).
Author: Ian Kennedy Martin
Publisher: Holt McDougal
ISBN:
Category : Murder
Languages : en
Pages : 188
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Book Description
Author: Steve Chibnall
Publisher: Routledge
ISBN: 1134702698
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.
