Author: Andrew Wilton
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
The Swagger Portrait
Author: Andrew Wilton
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
Guilhermina Suggia: Cellist
Author: Anita Mercier
Publisher: Routledge
ISBN: 1351564765
Category : Music
Languages : en
Pages : 184
Book Description
Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Jos asimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.
Publisher: Routledge
ISBN: 1351564765
Category : Music
Languages : en
Pages : 184
Book Description
Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Jos asimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.
Exhibitionist
Author: Richard Dorment
Publisher: Bitter Lemon Press
ISBN: 1908524685
Category : Art
Languages : en
Pages : 560
Book Description
100 sumptuously produced essays by Britain’s leading art critic, US born, Richard Dorment. They cover exhibitions of historic and contemporary art world-wide, interpreting and critiquing many of the most important shows of the last 30 years. They offer, in a highly accessible form, the fundamental elements of a history of art, and a beguiling review of recent cultural trends.
Publisher: Bitter Lemon Press
ISBN: 1908524685
Category : Art
Languages : en
Pages : 560
Book Description
100 sumptuously produced essays by Britain’s leading art critic, US born, Richard Dorment. They cover exhibitions of historic and contemporary art world-wide, interpreting and critiquing many of the most important shows of the last 30 years. They offer, in a highly accessible form, the fundamental elements of a history of art, and a beguiling review of recent cultural trends.
Pompeo Batoni
Author: Edgar Peters Bowron
Publisher: Yale University Press
ISBN: 9780300126808
Category : Art
Languages : en
Pages : 252
Book Description
Inventive storytelling: the early subject pictures -- Batoni's British patrons and the grand tour -- Painter of princes and prince of painters -- Restorer of the Roman school: final years and reception -- Drawings, working methods, and studio practices.
Publisher: Yale University Press
ISBN: 9780300126808
Category : Art
Languages : en
Pages : 252
Book Description
Inventive storytelling: the early subject pictures -- Batoni's British patrons and the grand tour -- Painter of princes and prince of painters -- Restorer of the Roman school: final years and reception -- Drawings, working methods, and studio practices.
The Philosophy Chamber
Author: Ethan W. Lasser
Publisher: Yale University Press
ISBN: 030022592X
Category : Art
Languages : en
Pages : 313
Book Description
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The Hunterian, University of Glasgow, Scotland, in 2018."
Publisher: Yale University Press
ISBN: 030022592X
Category : Art
Languages : en
Pages : 313
Book Description
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The Hunterian, University of Glasgow, Scotland, in 2018."
Art and Fashion
Author: Alice Mackrell
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780713488739
Category : Design
Languages : en
Pages : 180
Book Description
"Takes a detailed look at the flow of ideas between the twin worlds of art and fashion, chronicling their close relationship. It charts a history of ideas highlighting key moments, from the Renaissance to the present day, when art and fashion interacted and influenced each other... This close synergy between art and fashion has continued into the 21st century, with artists working with themes that explore clothes and the body, and top fashion designers feted in lavish museum exhibitions."-- Back cover.
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780713488739
Category : Design
Languages : en
Pages : 180
Book Description
"Takes a detailed look at the flow of ideas between the twin worlds of art and fashion, chronicling their close relationship. It charts a history of ideas highlighting key moments, from the Renaissance to the present day, when art and fashion interacted and influenced each other... This close synergy between art and fashion has continued into the 21st century, with artists working with themes that explore clothes and the body, and top fashion designers feted in lavish museum exhibitions."-- Back cover.
The Fundamentals of Drawing Portraits
Author: Barrington Barber
Publisher: Arcturus Publishing
ISBN: 1848588615
Category : Art
Languages : en
Pages : 461
Book Description
This book is essential for everyone who wants to improve their drawing skills. Written by teacher and established artist Barrington Barber, it contains a wealth of know-how and practical advice, supported by over 300 original illustrations. Guidance is given on how to overcome common difficulties without imposing a particular style or approach. The aim throughout is to help you discover your artistic purpose while giving you the technical skills necessary if you are to produce work you will be proud to call your own. As a complement to the book's essentially skills based core, you will find feature spreads on artists who have been major influences on the development of portraiture, and plenty of scope for incorporating their innovative ideas in your own drawings. The Fundamentals of Drawing Portraits presents an inspirational approach to all aspects of the subject, ensuring that you will remain enthused from beginning to end and regularly revisit its pages for advice and encouragement.
Publisher: Arcturus Publishing
ISBN: 1848588615
Category : Art
Languages : en
Pages : 461
Book Description
This book is essential for everyone who wants to improve their drawing skills. Written by teacher and established artist Barrington Barber, it contains a wealth of know-how and practical advice, supported by over 300 original illustrations. Guidance is given on how to overcome common difficulties without imposing a particular style or approach. The aim throughout is to help you discover your artistic purpose while giving you the technical skills necessary if you are to produce work you will be proud to call your own. As a complement to the book's essentially skills based core, you will find feature spreads on artists who have been major influences on the development of portraiture, and plenty of scope for incorporating their innovative ideas in your own drawings. The Fundamentals of Drawing Portraits presents an inspirational approach to all aspects of the subject, ensuring that you will remain enthused from beginning to end and regularly revisit its pages for advice and encouragement.
Picture World
Author: Rachel Teukolsky
Publisher: Oxford University Press
ISBN: 0192603566
Category : Literary Criticism
Languages : en
Pages : 481
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Publisher: Oxford University Press
ISBN: 0192603566
Category : Literary Criticism
Languages : en
Pages : 481
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Camera Indica
Author: Christopher Pinney
Publisher: Reaktion Books
ISBN: 1780231520
Category : Social Science
Languages : en
Pages : 329
Book Description
A wedding couple gazes resolutely at viewers from the wings of a butterfly; a portrait surrounded by rose petals commemorates a recently deceased boy. These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica. Studying photographic practice in India, Pinney traces photography's various purposes and goals from colonial through postcolonial times. He identifies three key periods in Indian portraiture: the use of photography under British rule as a quantifiable instrument of measurement, the later role of portraiture in moral instruction, and the current visual popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Lavishly illustrated, Pinney's account of the change from depiction to invention uncovers fascinating links between these evocative images and the society and history from which they emerge.
Publisher: Reaktion Books
ISBN: 1780231520
Category : Social Science
Languages : en
Pages : 329
Book Description
A wedding couple gazes resolutely at viewers from the wings of a butterfly; a portrait surrounded by rose petals commemorates a recently deceased boy. These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica. Studying photographic practice in India, Pinney traces photography's various purposes and goals from colonial through postcolonial times. He identifies three key periods in Indian portraiture: the use of photography under British rule as a quantifiable instrument of measurement, the later role of portraiture in moral instruction, and the current visual popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Lavishly illustrated, Pinney's account of the change from depiction to invention uncovers fascinating links between these evocative images and the society and history from which they emerge.
Byron, Sully, and the Power of Portraiture
Author: John Clubbe
Publisher: Routledge
ISBN: 1351162144
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sully's Byron has never before been the subject of scholarly study. Beginning with his discovery of the portrait in 1999 and a 200-year narrative of the portrait's provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries. Receiving most attention are Thomas Lawrence and Sully, his American counterpart. The author gives the fullest account to date of Sully's career and his relation to English influences and to figures prominent in the early-nineteenth-century American imagination, among them, Washington, Fanny Kemble, Lafayette, Joseph Bonaparte, and Nicholas Biddle. Byron is discussed as an icon of the young American Republic whose Jubilee year coincided with Sully's initial work on the poet's portrait. Later chapters offer a close reading of the portrait, arguing that Sully has given a visual interpretation truly worthy of his celebrated, controversial, and famously handsome subject.
Publisher: Routledge
ISBN: 1351162144
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sully's Byron has never before been the subject of scholarly study. Beginning with his discovery of the portrait in 1999 and a 200-year narrative of the portrait's provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries. Receiving most attention are Thomas Lawrence and Sully, his American counterpart. The author gives the fullest account to date of Sully's career and his relation to English influences and to figures prominent in the early-nineteenth-century American imagination, among them, Washington, Fanny Kemble, Lafayette, Joseph Bonaparte, and Nicholas Biddle. Byron is discussed as an icon of the young American Republic whose Jubilee year coincided with Sully's initial work on the poet's portrait. Later chapters offer a close reading of the portrait, arguing that Sully has given a visual interpretation truly worthy of his celebrated, controversial, and famously handsome subject.