Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
The Surviving Image
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Images in Spite of All
Author: Georges Didi-Huberman
Publisher: University of Chicago Press
ISBN: 0226148165
Category : History
Languages : en
Pages : 250
Book Description
Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.
Publisher: University of Chicago Press
ISBN: 0226148165
Category : History
Languages : en
Pages : 250
Book Description
Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.
Confronting Images
Author: Georges Didi-Huberman
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Invention of Hysteria
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Bark
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262036843
Category : Biography & Autobiography
Languages : en
Pages : 132
Book Description
A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Publisher: MIT Press
ISBN: 0262036843
Category : Biography & Autobiography
Languages : en
Pages : 132
Book Description
A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.
Surviving Me
Author: Jo Johnson
Publisher: Unbound Publishing
ISBN: 1789650623
Category : Fiction
Languages : en
Pages : 281
Book Description
Tom has decided he doesn't want to live. Adam wishes he had a choice. Tom's lost his job and now he's been labelled 'spermless'. He doesn't exactly feel like a modern man, although his double life helps. Yet when his secret identity threatens to unravel, he starts to lose the plot and comes perilously close to the edge. All the while Adam has his own duplicity, albeit for very different reasons, reasons which will blow the family's future out of the water. If they can't be honest with themselves, and everyone else, then things are going to get a whole lot more complicated.
Publisher: Unbound Publishing
ISBN: 1789650623
Category : Fiction
Languages : en
Pages : 281
Book Description
Tom has decided he doesn't want to live. Adam wishes he had a choice. Tom's lost his job and now he's been labelled 'spermless'. He doesn't exactly feel like a modern man, although his double life helps. Yet when his secret identity threatens to unravel, he starts to lose the plot and comes perilously close to the edge. All the while Adam has his own duplicity, albeit for very different reasons, reasons which will blow the family's future out of the water. If they can't be honest with themselves, and everyone else, then things are going to get a whole lot more complicated.
Surviving American History
Author: Max Howard
Publisher: Enslow Publishing, LLC
ISBN: 1978595506
Category : Young Adult Fiction
Languages : en
Pages : 202
Book Description
Gabi is furious about her parents divorcing and moving her away from her hometown, her friends, and her school. But on the day she moves away, a shooter opens fire on Gabi's old school, killing her American History classmates. She knows she should have been in that classroom. Now Gabi has to navigate a new school and new social circles, while dealing with a looming dark cloud of grief, survivor's guilt, and fear. She meets impulsive troublemaker Lennon, who might just understand her dark side, or may pull her deeper into it.
Publisher: Enslow Publishing, LLC
ISBN: 1978595506
Category : Young Adult Fiction
Languages : en
Pages : 202
Book Description
Gabi is furious about her parents divorcing and moving her away from her hometown, her friends, and her school. But on the day she moves away, a shooter opens fire on Gabi's old school, killing her American History classmates. She knows she should have been in that classroom. Now Gabi has to navigate a new school and new social circles, while dealing with a looming dark cloud of grief, survivor's guilt, and fear. She meets impulsive troublemaker Lennon, who might just understand her dark side, or may pull her deeper into it.
Aby Warburg: Bilderatlas Mnemosyne
Author: Aby Warburg
Publisher: Hatje Cantz
ISBN: 9783775746939
Category :
Languages : en
Pages : 176
Book Description
From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy-something that researchers have long considered impossible.
Publisher: Hatje Cantz
ISBN: 9783775746939
Category :
Languages : en
Pages : 176
Book Description
From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy-something that researchers have long considered impossible.
The Surviving Image
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072081
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Publisher: Penn State University Press
ISBN: 9780271072081
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
The Surviving Trace
Author: Calia Read
Publisher:
ISBN: 9781718698451
Category :
Languages : en
Pages : 462
Book Description
Will is my fiancé. The shy man I met years ago in college. The person I'm supposed to spend the rest of my life with.This is the life I've always wanted until finding a picture of four men changes everything...Étienne says he's my husband and the year is 1912. He can't stand the sight of me, but I don't know why.Oh, and he's one of the men from the picture.I've done the impossible and have become trapped in time and I know Étienne is my key to going home.The more time I spend with Étienne, the further I fall for him until I'm questioning which time I belong in and if the life I left behind is the one I truly desire.All I know for certain is I need to survive time.I need to survive love.And I need to make it out on the other side alive."The Surviving Trace was twisty, decadent, heart racing, must read perfection." -Carey Heywood, NYT Bestselling Author "This book, y'all ... this book. It's smart and romantic, twisty and mysterious, and I couldn't put it down. If I could give it ten stars, I would in a heartbeat."-Emily Snow, NYT & USA Bestselling Author "I savored every single poetically crafted word and became obsessed with this breathtaking romance. Calia Read is a true mastermind and I'm sure it's safe to say that The Surviving Trace is a masterpiece and my favorite read of 2018."-Shanora Williams, NYT & USA Bestselling Author
Publisher:
ISBN: 9781718698451
Category :
Languages : en
Pages : 462
Book Description
Will is my fiancé. The shy man I met years ago in college. The person I'm supposed to spend the rest of my life with.This is the life I've always wanted until finding a picture of four men changes everything...Étienne says he's my husband and the year is 1912. He can't stand the sight of me, but I don't know why.Oh, and he's one of the men from the picture.I've done the impossible and have become trapped in time and I know Étienne is my key to going home.The more time I spend with Étienne, the further I fall for him until I'm questioning which time I belong in and if the life I left behind is the one I truly desire.All I know for certain is I need to survive time.I need to survive love.And I need to make it out on the other side alive."The Surviving Trace was twisty, decadent, heart racing, must read perfection." -Carey Heywood, NYT Bestselling Author "This book, y'all ... this book. It's smart and romantic, twisty and mysterious, and I couldn't put it down. If I could give it ten stars, I would in a heartbeat."-Emily Snow, NYT & USA Bestselling Author "I savored every single poetically crafted word and became obsessed with this breathtaking romance. Calia Read is a true mastermind and I'm sure it's safe to say that The Surviving Trace is a masterpiece and my favorite read of 2018."-Shanora Williams, NYT & USA Bestselling Author