Author: Leo Weinstein
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This work relates selected examples of "protest" literature to the bewildering series of social and political events in France from 1721 to 1971. Beginning with Montesquieu's Lettre persanes and ranging across the French Revolution, two Napoleonic empires, five republics, and two world wars, to the student revolt of 1968, the author uses some two dozen literary selections as protest commentary upon events with which such writings were contemporaneous.
The Subversive Tradition in French Literature: 1870-1971
Author: Leo Weinstein
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This work relates selected examples of "protest" literature to the bewildering series of social and political events in France from 1721 to 1971. Beginning with Montesquieu's Lettre persanes and ranging across the French Revolution, two Napoleonic empires, five republics, and two world wars, to the student revolt of 1968, the author uses some two dozen literary selections as protest commentary upon events with which such writings were contemporaneous.
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
This work relates selected examples of "protest" literature to the bewildering series of social and political events in France from 1721 to 1971. Beginning with Montesquieu's Lettre persanes and ranging across the French Revolution, two Napoleonic empires, five republics, and two world wars, to the student revolt of 1968, the author uses some two dozen literary selections as protest commentary upon events with which such writings were contemporaneous.
The Subversive Tradition in French Literature: 1721-1870
Author: Leo Weinstein
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This work relates selected examples of "protest" literature to the bewildering series of social and political events in France from 1721 to 1971. Beginning with Montesquieu's Lettre persanes and ranging across the French Revolution, two Napoleonic empires, five republics, and two world wars, to the student revolt of 1968, the author uses some two dozen literary selections as protest commentary upon events with which such writings were contemporaneous.
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This work relates selected examples of "protest" literature to the bewildering series of social and political events in France from 1721 to 1971. Beginning with Montesquieu's Lettre persanes and ranging across the French Revolution, two Napoleonic empires, five republics, and two world wars, to the student revolt of 1968, the author uses some two dozen literary selections as protest commentary upon events with which such writings were contemporaneous.
The Subversive Tradition in Spanish Renaissance Writing
Author: Antonio Pérez-Romero
Publisher: Bucknell University Press
ISBN: 9780838755891
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
"The seven texts in this cross-section of fiction and nonfiction reveal a nation at the brink of modernity, embracing revolutionary ideas and reeling in their explosive impact. The opening chapters establish the theoretical framework for Perez-Romero's analysis, describing the intellectual and social environments of medieval Spain and tracing the developments in Spanish historical and literary scholarship that point to the existence of a new path of investigation."--Jacket.
Publisher: Bucknell University Press
ISBN: 9780838755891
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
"The seven texts in this cross-section of fiction and nonfiction reveal a nation at the brink of modernity, embracing revolutionary ideas and reeling in their explosive impact. The opening chapters establish the theoretical framework for Perez-Romero's analysis, describing the intellectual and social environments of medieval Spain and tracing the developments in Spanish historical and literary scholarship that point to the existence of a new path of investigation."--Jacket.
A Tradition of Subversion
Author: Margueritte S. Murphy
Publisher: Univ of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other". At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.
Publisher: Univ of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other". At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.
Don Quixote and the Subversive Tradition of Golden Age Spain
Author: R. K. Britton
Publisher: Liverpool University Press
ISBN: 1782844929
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
This study offers a reading of Don Quixote, with comparative material from Golden Age history and Cervantes life, to argue that his greatest work was not just the hilariously comic entertainment that most of his contemporaries took it to be. Rather, it belongs to a subversive tradition of writing that grew up in sixteenth-century Spain and which constantly questioned the aims and standards of the imperial nation state that Counter-reformation Spain had become from the point of view of Renaissance humanism. Prime consideration needs to be given to the system of Spanish censorship at the time, run largely by the Inquisition albeit officially an institution of the crown, and its effect on the cultural life of the country. In response, writers of poetry and prose fiction -- strenuously attacked on moral grounds by sections of the clergy and the laity -- became adept at camouflaging heterodox ideas through rhetoric and imaginative invention. Ironically, Cervantes success in avoiding the attention of the censor by concealing his criticisms beneath irony and humour was so effective that even some twentieth-century scholars have maintained Don Quixote is a brilliantly funny book but no more. Bob Britton draws on recent critical and historical scholarship -- including ideas on cultural authority and studies on the way Cervantes addresses history, truth, writing, law and gender in Don Quixote -- and engages with the intellectual and moral issues that this much-loved writer engaged with. The summation and appraisal of these elements within the context of Golden Age censorship and the literary politics of the time make it essential reading for all those who are interested in or study the Spanish language and its literature.
Publisher: Liverpool University Press
ISBN: 1782844929
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
This study offers a reading of Don Quixote, with comparative material from Golden Age history and Cervantes life, to argue that his greatest work was not just the hilariously comic entertainment that most of his contemporaries took it to be. Rather, it belongs to a subversive tradition of writing that grew up in sixteenth-century Spain and which constantly questioned the aims and standards of the imperial nation state that Counter-reformation Spain had become from the point of view of Renaissance humanism. Prime consideration needs to be given to the system of Spanish censorship at the time, run largely by the Inquisition albeit officially an institution of the crown, and its effect on the cultural life of the country. In response, writers of poetry and prose fiction -- strenuously attacked on moral grounds by sections of the clergy and the laity -- became adept at camouflaging heterodox ideas through rhetoric and imaginative invention. Ironically, Cervantes success in avoiding the attention of the censor by concealing his criticisms beneath irony and humour was so effective that even some twentieth-century scholars have maintained Don Quixote is a brilliantly funny book but no more. Bob Britton draws on recent critical and historical scholarship -- including ideas on cultural authority and studies on the way Cervantes addresses history, truth, writing, law and gender in Don Quixote -- and engages with the intellectual and moral issues that this much-loved writer engaged with. The summation and appraisal of these elements within the context of Golden Age censorship and the literary politics of the time make it essential reading for all those who are interested in or study the Spanish language and its literature.
French Twentieth Bibliography
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636687
Category : Foreign Language Study
Languages : en
Pages : 554
Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Publisher: Susquehanna University Press
ISBN: 9780945636687
Category : Foreign Language Study
Languages : en
Pages : 554
Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Subversive Traditions
Author: Jonathon Repinecz
Publisher: MSU Press
ISBN: 1628953764
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
How can traditions be subversive? The kinship between African traditions and novels has been under debate for the better part of a century, but the conversation has stagnated because of a slowness to question the terms on which it is based: orality vs. writing, tradition vs. modernity, epic vs. novel. These rigid binaries were, in fact, invented by colonialism and cemented by postcolonial identity politics. Thanks to this entrenched paradigm, far too much ink has been poured into the so-called Great Divide between oral and writing societies, and to the long-lamented decline of the ways of old. Given advances in social science and humanities research—studies in folklore, performance, invented traditions, colonial and postcolonial ethnography, history, and pop culture—the moment is right to rewrite this calcified literary history. This book is not another story of subverted traditions, but of subversive ones. West African epics like Sunjata, Samori, and Lat-Dior offer a space from which to think about, and criticize, the issues of today, just as novels in European languages do. Through readings of documented performances and major writers like Yambo Ouologuem and Amadou Hampâté Bâ of Mali, Ahmadou Kourouma of Ivory Coast, and Aminata Sow Fall and Boubacar Boris Diop of Senegal, this book conducts an entirely new analysis of West African oral epic and its relevance to contemporary world literature.
Publisher: MSU Press
ISBN: 1628953764
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
How can traditions be subversive? The kinship between African traditions and novels has been under debate for the better part of a century, but the conversation has stagnated because of a slowness to question the terms on which it is based: orality vs. writing, tradition vs. modernity, epic vs. novel. These rigid binaries were, in fact, invented by colonialism and cemented by postcolonial identity politics. Thanks to this entrenched paradigm, far too much ink has been poured into the so-called Great Divide between oral and writing societies, and to the long-lamented decline of the ways of old. Given advances in social science and humanities research—studies in folklore, performance, invented traditions, colonial and postcolonial ethnography, history, and pop culture—the moment is right to rewrite this calcified literary history. This book is not another story of subverted traditions, but of subversive ones. West African epics like Sunjata, Samori, and Lat-Dior offer a space from which to think about, and criticize, the issues of today, just as novels in European languages do. Through readings of documented performances and major writers like Yambo Ouologuem and Amadou Hampâté Bâ of Mali, Ahmadou Kourouma of Ivory Coast, and Aminata Sow Fall and Boubacar Boris Diop of Senegal, this book conducts an entirely new analysis of West African oral epic and its relevance to contemporary world literature.
France From 1851 to the Present
Author: R. Célestin
Publisher: Springer
ISBN: 1137073225
Category : History
Languages : en
Pages : 424
Book Description
Bringing together history, literature, and popular culture, this book provides a cultural history of France from a period of dominance in the mid-19th century to one of decline or crisis in the first few years of the third millennium. Contains both chronological narrative and a selection of primary documents in translation.
Publisher: Springer
ISBN: 1137073225
Category : History
Languages : en
Pages : 424
Book Description
Bringing together history, literature, and popular culture, this book provides a cultural history of France from a period of dominance in the mid-19th century to one of decline or crisis in the first few years of the third millennium. Contains both chronological narrative and a selection of primary documents in translation.
French Global
Author: Christie McDonald
Publisher: Columbia University Press
ISBN: 0231147414
Category : Education
Languages : en
Pages : 572
Book Description
Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.
Publisher: Columbia University Press
ISBN: 0231147414
Category : Education
Languages : en
Pages : 572
Book Description
Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.
Women Writing Wonder
Author: Julie L.. J. Koehler
Publisher: Wayne State University Press
ISBN: 0814345026
Category : Fiction
Languages : en
Pages : 483
Book Description
Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.
Publisher: Wayne State University Press
ISBN: 0814345026
Category : Fiction
Languages : en
Pages : 483
Book Description
Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.