Author: J. D. Connor
Publisher: Stanford University Press
ISBN: 9780804790772
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
The Studios after the Studios
Author: J. D. Connor
Publisher: Stanford University Press
ISBN: 9780804790772
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
Publisher: Stanford University Press
ISBN: 9780804790772
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
Studios Before the System
Author: Brian R. Jacobson
Publisher: Columbia University Press
ISBN: 0231539665
Category : Performing Arts
Languages : en
Pages : 313
Book Description
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
Publisher: Columbia University Press
ISBN: 0231539665
Category : Performing Arts
Languages : en
Pages : 313
Book Description
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
The Studios after the Studios
Author: J. D. Connor
Publisher: Stanford University Press
ISBN: 080479474X
Category : Performing Arts
Languages : en
Pages : 377
Book Description
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
Publisher: Stanford University Press
ISBN: 080479474X
Category : Performing Arts
Languages : en
Pages : 377
Book Description
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
America's Corporate Art
Author: Jerome Christensen
Publisher: Stanford University Press
ISBN: 0804778426
Category : Performing Arts
Languages : en
Pages : 401
Book Description
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
Publisher: Stanford University Press
ISBN: 0804778426
Category : Performing Arts
Languages : en
Pages : 401
Book Description
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
Despite the System
Author: Clinton Heylin
Publisher: Chicago Review Press
ISBN: 1569764220
Category : Biography & Autobiography
Languages : en
Pages : 418
Book Description
Revealing the facts rather than the myths behind Orson Welles's Hollywood career, this groundbreaking history fills in the gaps behind the drama of one of the most well-known American filmmakers.
Publisher: Chicago Review Press
ISBN: 1569764220
Category : Biography & Autobiography
Languages : en
Pages : 418
Book Description
Revealing the facts rather than the myths behind Orson Welles's Hollywood career, this groundbreaking history fills in the gaps behind the drama of one of the most well-known American filmmakers.
When Magoo Flew
Author: Adam Abraham
Publisher: Wesleyan University Press
ISBN: 0819572705
Category : Performing Arts
Languages : en
Pages : 321
Book Description
What do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt Disney Studio and the crash-bang anarchy of Warner Bros. Instead, UPA’s films were innovative and graphically bold—the cartoon equivalent to modern art. When Magoo Flew is the first book-length study to chronicle the complete story of this unique American enterprise. The book features cameo appearances by Aldous Huxley, James Thurber, Orson Welles, Judy Garland, Robert Goulet, Jim Backus, Eddie Albert, and Woody Allen, as well as a select filmography of the best of UPA. Ebook Edition Note: The ebook has three images redacted: figures 1, 2, and 51.
Publisher: Wesleyan University Press
ISBN: 0819572705
Category : Performing Arts
Languages : en
Pages : 321
Book Description
What do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt Disney Studio and the crash-bang anarchy of Warner Bros. Instead, UPA’s films were innovative and graphically bold—the cartoon equivalent to modern art. When Magoo Flew is the first book-length study to chronicle the complete story of this unique American enterprise. The book features cameo appearances by Aldous Huxley, James Thurber, Orson Welles, Judy Garland, Robert Goulet, Jim Backus, Eddie Albert, and Woody Allen, as well as a select filmography of the best of UPA. Ebook Edition Note: The ebook has three images redacted: figures 1, 2, and 51.
The Art of Blue Sky Studios
Author: Jake S. Friedman
Publisher:
ISBN: 9781783293544
Category : Animated films
Languages : en
Pages : 224
Book Description
Enjoy the remarkable tale of Blue Sky's success, from its origins as a live-action vfx company to its reinvention as a driving force in computer-generated animation. With exclusive access to Blue Sky's archives and the exceptional artists who have made characters like Scrat, Manny, and Sid the Sloth household names, this is an in-depth look at one of animation's greatest success stories.
Publisher:
ISBN: 9781783293544
Category : Animated films
Languages : en
Pages : 224
Book Description
Enjoy the remarkable tale of Blue Sky's success, from its origins as a live-action vfx company to its reinvention as a driving force in computer-generated animation. With exclusive access to Blue Sky's archives and the exceptional artists who have made characters like Scrat, Manny, and Sid the Sloth household names, this is an in-depth look at one of animation's greatest success stories.
The Walt Disney Studios
Author: Rebecca Cline
Publisher: Disney Editions
ISBN: 9781368051781
Category : Performing Arts
Languages : en
Pages : 0
Book Description
In 1923, two enterprising brothers named Walt and Roy Disney decided to go into the movie business together, establishing the Disney Brothers Studio in Los Angeles, California. Since then, Walt Disney Studios has released hundreds of groundbreaking and entertaining shorts and full-length feature films in both animation and live-action, garnering countless awards, accolades, and aficionados the world over. But just as Walt was never a man to rest on his laurels, the Disney Studio continues to surpass itself, innovating new technology, pioneering new techniques, and gleaning higher box-office returns with every passing decade. Abundantly illustrated with behind-the-scenes photographs and artwork from the studio's ninety-plus years of productions, The History of the Walt Disney Studio celebrates Walt Disney's dream factory, which has always been and continues to be the heart of the Walt Disney Company. From Pinocchio and Fantasia, World War II propaganda films to the Disneyland TV show, Bedknobs and Broomsticks to Pirates of the Caribbean, some of the company's most monumental and iconic creations have been brought to life at the Studio. So park your car in the Zorro lot, take a stroll down Mickey Avenue, and get ready for an insider tour . . . this is the Walt Disney Studios like it's never been seen before.
Publisher: Disney Editions
ISBN: 9781368051781
Category : Performing Arts
Languages : en
Pages : 0
Book Description
In 1923, two enterprising brothers named Walt and Roy Disney decided to go into the movie business together, establishing the Disney Brothers Studio in Los Angeles, California. Since then, Walt Disney Studios has released hundreds of groundbreaking and entertaining shorts and full-length feature films in both animation and live-action, garnering countless awards, accolades, and aficionados the world over. But just as Walt was never a man to rest on his laurels, the Disney Studio continues to surpass itself, innovating new technology, pioneering new techniques, and gleaning higher box-office returns with every passing decade. Abundantly illustrated with behind-the-scenes photographs and artwork from the studio's ninety-plus years of productions, The History of the Walt Disney Studio celebrates Walt Disney's dream factory, which has always been and continues to be the heart of the Walt Disney Company. From Pinocchio and Fantasia, World War II propaganda films to the Disneyland TV show, Bedknobs and Broomsticks to Pirates of the Caribbean, some of the company's most monumental and iconic creations have been brought to life at the Studio. So park your car in the Zorro lot, take a stroll down Mickey Avenue, and get ready for an insider tour . . . this is the Walt Disney Studios like it's never been seen before.
Max Ophuls in the Hollywood Studios
Author: Lutz Bacher
Publisher: Rutgers University Press
ISBN: 9780813522913
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Drawing on documents in many archives and on interviews with more than sixty of Ophuls' contemporaries, Bacher traces the European director's struggle to find a niche in the U.S. film industry.
Publisher: Rutgers University Press
ISBN: 9780813522913
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Drawing on documents in many archives and on interviews with more than sixty of Ophuls' contemporaries, Bacher traces the European director's struggle to find a niche in the U.S. film industry.
Hollywood Math and Aftermath
Author: J.D. Connor
Publisher: Bloomsbury Publishing USA
ISBN: 1501362240
Category : Performing Arts
Languages : en
Pages : 330
Book Description
Money is Hollywood's great theme-but money laundered into something else, something more. Money can be given a particular occasion and career, as box office receipts, casino winnings, tax credits, stock prices, lotteries, inheritances. Or money can become number, and numbers can be anything: pixels, batting averages, votes, likes. Through explorations of all these and more, J.D. Connor's Hollywood Math and Aftermath provides a stimulating and original take on “the equation of pictures,” the relationship between Hollywood and economics since the 1970s. Touched off by an engagement with the work of Gilles Deleuze, Connor demonstrates the centrality of the economic image to Hollywood narrative. More than just a thematic study, this is a conceptual history of the industry that stretches from the dawn of the neoclassical era through the Great Recession and beyond. Along the way, Connor explores new concepts for cinema studies: precession and recession, pervasion and staking, ostension and deritualization. Enlivened by a wealth of case studies-from The Big Short and The Wolf of Wall Street to Equity and Blackhat, from Moneyball to 12 Years a Slave, Titanic to Lost, The Exorcist to WALLE, Déjà Vu to Upstream Color, Contagion to The Untouchables, Ferris Bueller to Pacific Rim, The Avengers to The Village-Hollywood Math and Aftermath is a bravura portrait of the industry coming to terms with its own numerical underpinnings.
Publisher: Bloomsbury Publishing USA
ISBN: 1501362240
Category : Performing Arts
Languages : en
Pages : 330
Book Description
Money is Hollywood's great theme-but money laundered into something else, something more. Money can be given a particular occasion and career, as box office receipts, casino winnings, tax credits, stock prices, lotteries, inheritances. Or money can become number, and numbers can be anything: pixels, batting averages, votes, likes. Through explorations of all these and more, J.D. Connor's Hollywood Math and Aftermath provides a stimulating and original take on “the equation of pictures,” the relationship between Hollywood and economics since the 1970s. Touched off by an engagement with the work of Gilles Deleuze, Connor demonstrates the centrality of the economic image to Hollywood narrative. More than just a thematic study, this is a conceptual history of the industry that stretches from the dawn of the neoclassical era through the Great Recession and beyond. Along the way, Connor explores new concepts for cinema studies: precession and recession, pervasion and staking, ostension and deritualization. Enlivened by a wealth of case studies-from The Big Short and The Wolf of Wall Street to Equity and Blackhat, from Moneyball to 12 Years a Slave, Titanic to Lost, The Exorcist to WALLE, Déjà Vu to Upstream Color, Contagion to The Untouchables, Ferris Bueller to Pacific Rim, The Avengers to The Village-Hollywood Math and Aftermath is a bravura portrait of the industry coming to terms with its own numerical underpinnings.