Author: Eli Bornstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
The Structurist
Author: Eli Bornstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
Charles Biedermen: a Retrospective Exhibition with Especial Emphasis on the Structurist Works of 1936-69
Author: Charles Joseph Biederman
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Charles Biederman: the Structurist Relief, 1935-1964
Author: Walker Art Center
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 22
Book Description
Charles Biederman and the Structurist Direction in Art
Author: Jan Van der Marck
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Biocentrism and Modernism
Author: OliverA.I. Botar
Publisher: Routledge
ISBN: 135157373X
Category : Art
Languages : en
Pages : 287
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Publisher: Routledge
ISBN: 135157373X
Category : Art
Languages : en
Pages : 287
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
De Stijl Continued
Author: Jonneke Jobse
Publisher: 010 Publishers
ISBN: 9789064505775
Category : Architecture
Languages : en
Pages : 484
Book Description
From 1958 to 1964 the journal 'Structure' was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. This book explores the artists' body of ideas in meticulous detail.
Publisher: 010 Publishers
ISBN: 9789064505775
Category : Architecture
Languages : en
Pages : 484
Book Description
From 1958 to 1964 the journal 'Structure' was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. This book explores the artists' body of ideas in meticulous detail.
The Allied Arts
Author: Sandra Alfoldy
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586822
Category : Architecture
Languages : en
Pages : 252
Book Description
During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586822
Category : Architecture
Languages : en
Pages : 252
Book Description
During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.
Fractal Architecture
Author: James Harris
Publisher: UNM Press
ISBN: 0826352014
Category : Architectural design
Languages : en
Pages : 422
Book Description
Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry--the study of intricate and interesting self- similar mathematical patterns--in the last part of the twentieth century, the quest to replicate nature's creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realized. In Fractal Architecture, architect James Harris presents a definitive, lavishly illustrated guide that explains both the "how" and "why" of incorporating fractal geometry into architectural design.
Publisher: UNM Press
ISBN: 0826352014
Category : Architectural design
Languages : en
Pages : 422
Book Description
Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry--the study of intricate and interesting self- similar mathematical patterns--in the last part of the twentieth century, the quest to replicate nature's creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realized. In Fractal Architecture, architect James Harris presents a definitive, lavishly illustrated guide that explains both the "how" and "why" of incorporating fractal geometry into architectural design.
Community (Volume 2 of 2) (EasyRead Super Large 24pt Edition)
Author:
Publisher: ReadHowYouWant.com
ISBN: 1442965193
Category :
Languages : en
Pages : 390
Book Description
Publisher: ReadHowYouWant.com
ISBN: 1442965193
Category :
Languages : en
Pages : 390
Book Description
Bohm-Biederman Correspondence
Author: Charles Biederman
Publisher: Routledge
ISBN: 1134716907
Category : Philosophy
Languages : en
Pages : 279
Book Description
"It was sheer chance that I encountered David Bohm's writing in 1958 ... I knew nothing about him. What struck me about his work and prompted my initial letter was his underlying effort to seek for some larger sense of reality, which seemed a very humanized search." - Charles Biederman, from the foreword of the book This book marks the beginning of a four thousand page correspondence between Charles Biederman, founder of Constructivism in the 1930s, and David Bohm the prestigious physicist known for his interpretation of quantum theory. Available for the first time, we are given a rare opportunity to read through and engage in a remarkable transatlantic, intellectual discussion on art and science, creativity and theory.
Publisher: Routledge
ISBN: 1134716907
Category : Philosophy
Languages : en
Pages : 279
Book Description
"It was sheer chance that I encountered David Bohm's writing in 1958 ... I knew nothing about him. What struck me about his work and prompted my initial letter was his underlying effort to seek for some larger sense of reality, which seemed a very humanized search." - Charles Biederman, from the foreword of the book This book marks the beginning of a four thousand page correspondence between Charles Biederman, founder of Constructivism in the 1930s, and David Bohm the prestigious physicist known for his interpretation of quantum theory. Available for the first time, we are given a rare opportunity to read through and engage in a remarkable transatlantic, intellectual discussion on art and science, creativity and theory.