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Author: Eli Bornstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Eli Bornstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Walker Art Center
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 22
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Book Description
Author: Charles Joseph Biederman
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Jan Van der Marck
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: OliverA.I. Botar
Publisher: Routledge
ISBN: 135157373X
Category : Art
Languages : en
Pages : 287
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Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Author: Jonneke Jobse
Publisher: 010 Publishers
ISBN: 9789064505775
Category : Architecture
Languages : en
Pages : 484
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Book Description
From 1958 to 1964 the journal 'Structure' was a major platform for artists reconsidering the design tenets and underlying principles of the Bauhaus, Constructivism and De Stijl. This book explores the artists' body of ideas in meticulous detail.
Author: Charles Biederman
Publisher: Routledge
ISBN: 1134716915
Category : Philosophy
Languages : en
Pages : 285
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Book Description
"It was sheer chance that I encountered David Bohm's writing in 1958 ... I knew nothing about him. What struck me about his work and prompted my initial letter was his underlying effort to seek for some larger sense of reality, which seemed a very humanized search." - Charles Biederman, from the foreword of the book This book marks the beginning of a four thousand page correspondence between Charles Biederman, founder of Constructivism in the 1930s, and David Bohm the prestigious physicist known for his interpretation of quantum theory. Available for the first time, we are given a rare opportunity to read through and engage in a remarkable transatlantic, intellectual discussion on art and science, creativity and theory.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674
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Book Description
International journal of contemporary visual artists.
Author: Paul Levinson
Publisher: Macmillan
ISBN: 1403960410
Category : Social Science
Languages : en
Pages : 240
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Book Description
Although the Internet takes us everywhere in cyberspace, it usually requires us to be seated behind a desk. In contrast, the cellphone lets us walk through the world, fully connected. Cellphone explores the history of mobility in media--from books to cameras to transistor radios to laptops--and examines the unique impact of a device that sits in a pocket or palm, and lets us converse by voice or text. The restricting and liberating edge of accessibility transforms restaurants, public transport, automobiles, romance, literacy, parent-child relationships, war, and indeed all walks of life, trivial and profound. Like an organic cell that moves, evolves, combines with other cells, and generates, the cellphone has become a complex sparkplug of human life.
Author: James Harris
Publisher: UNM Press
ISBN: 0826352014
Category : Architectural design
Languages : en
Pages : 422
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Book Description
Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry--the study of intricate and interesting self- similar mathematical patterns--in the last part of the twentieth century, the quest to replicate nature's creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realized. In Fractal Architecture, architect James Harris presents a definitive, lavishly illustrated guide that explains both the "how" and "why" of incorporating fractal geometry into architectural design.
