Author: Brenda Machosky
Publisher: Fordham Univ Press
ISBN: 0823242846
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.
Seventeenth-Century English Romance
Author: A. Zurcher
Publisher: Springer
ISBN: 0230605133
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Overturning the common characterization of Seventeenth Century English prose romance as an exhausted, imitative genre with little bearing on the evolution of the novel, this book argues that early modern romance was a central forum for exploring the newly pressing moral-philosophical and political problem of self-interest.
Publisher: Springer
ISBN: 0230605133
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Overturning the common characterization of Seventeenth Century English prose romance as an exhausted, imitative genre with little bearing on the evolution of the novel, this book argues that early modern romance was a central forum for exploring the newly pressing moral-philosophical and political problem of self-interest.
Samuel Beckett
Author: Jennifer Birkett
Publisher: Routledge
ISBN: 131788583X
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.
Publisher: Routledge
ISBN: 131788583X
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.
Rhetoric, Language, and Reason
Author: Michel Meyer
Publisher: Penn State Press
ISBN: 9780271039152
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
Contemporary or postmodern thought is based on the lack of foundation. The impossibility of having a principle for philosophy has become a position of principle. As a result, rhetoric has taken over. Content has given way to the priority of form. Michel Meyer's book aims at showing that philosophy as foundational is possible and necessary, and that rhetoric can flourish alongside, but the conception of reason must be changed. Questioning rather than answering must be considered as the guiding principle. What the author calls "problematology" is not only the study of questioning but also the analysis of the reasons why it has been repressed throughout the history of philosophy. Since Socrates, philosophers and scientists have reasoned by asking questions and by trying to solve them. Questioning has been the unthematized foundation of philosophy and thought at large. Philosophers, however, have preferred another norm, granting privilege to the answers and thereby repressing the questions into the realm of the preliminary and unessential. They have not considered their discursive practice as being based upon some question-answer (or problem-solution) complex, but exclusively on the results they call propositions. Meyer argues that propositions ensue from corresponding questions, and not the other way around. Anthropology, ontology, reasoning, and language thus receive a new interpretation in the problematological conception of philosophy, a conception in which questions and problems are thematized afresh. The theory of language in everyday use, in argumentation, or in literary analysis receives a full and decisive treatment here, making Meyer's question-view one of the leading theories in contemporary thought, alongside his rhetoric for which he is already well known.
Publisher: Penn State Press
ISBN: 9780271039152
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
Contemporary or postmodern thought is based on the lack of foundation. The impossibility of having a principle for philosophy has become a position of principle. As a result, rhetoric has taken over. Content has given way to the priority of form. Michel Meyer's book aims at showing that philosophy as foundational is possible and necessary, and that rhetoric can flourish alongside, but the conception of reason must be changed. Questioning rather than answering must be considered as the guiding principle. What the author calls "problematology" is not only the study of questioning but also the analysis of the reasons why it has been repressed throughout the history of philosophy. Since Socrates, philosophers and scientists have reasoned by asking questions and by trying to solve them. Questioning has been the unthematized foundation of philosophy and thought at large. Philosophers, however, have preferred another norm, granting privilege to the answers and thereby repressing the questions into the realm of the preliminary and unessential. They have not considered their discursive practice as being based upon some question-answer (or problem-solution) complex, but exclusively on the results they call propositions. Meyer argues that propositions ensue from corresponding questions, and not the other way around. Anthropology, ontology, reasoning, and language thus receive a new interpretation in the problematological conception of philosophy, a conception in which questions and problems are thematized afresh. The theory of language in everyday use, in argumentation, or in literary analysis receives a full and decisive treatment here, making Meyer's question-view one of the leading theories in contemporary thought, alongside his rhetoric for which he is already well known.
The Tree
Author: Pippa Salonius
Publisher: Brepols Publishers
ISBN: 9782503548395
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
With its vital character - growing, flowering, extending its roots into the ground, and its branches and leaves to the sky - the tree is a polyvalent metaphor, a suggestive symbol, and an allegorical subject. During the Middle Ages, a number of iconographic schemata were based on the image and structure of the tree, including the Tree of Jesse and the Tree of Virtues and Vices. From the late eleventh century onwards such formulae were increasingly used as devices for organizing knowledge and representing theoretical concepts. Despite the abstraction inherent in these schemata, however, the semantic qualities of trees persist in their usage. The analysis of different manifestations of trees in the Middle Ages is highly instructive for visual, intellectual, and cultural history. Essays in this volume concentrate on the formative period for arboreal imagery in the medieval West, that is, the eleventh to fifteenth centuries. Using a range of methodological strategies and examining material from different media, ranging from illuminated manuscripts to wall painting, stained glass windows, and monumental sculpture, the articles in this volume show how different arboreal structures were conceived, employed, and appropriated by their specific contexts, how they functioned in their original framework, and how they were perceived by their audience.
Publisher: Brepols Publishers
ISBN: 9782503548395
Category : Art, Medieval
Languages : en
Pages : 0
Book Description
With its vital character - growing, flowering, extending its roots into the ground, and its branches and leaves to the sky - the tree is a polyvalent metaphor, a suggestive symbol, and an allegorical subject. During the Middle Ages, a number of iconographic schemata were based on the image and structure of the tree, including the Tree of Jesse and the Tree of Virtues and Vices. From the late eleventh century onwards such formulae were increasingly used as devices for organizing knowledge and representing theoretical concepts. Despite the abstraction inherent in these schemata, however, the semantic qualities of trees persist in their usage. The analysis of different manifestations of trees in the Middle Ages is highly instructive for visual, intellectual, and cultural history. Essays in this volume concentrate on the formative period for arboreal imagery in the medieval West, that is, the eleventh to fifteenth centuries. Using a range of methodological strategies and examining material from different media, ranging from illuminated manuscripts to wall painting, stained glass windows, and monumental sculpture, the articles in this volume show how different arboreal structures were conceived, employed, and appropriated by their specific contexts, how they functioned in their original framework, and how they were perceived by their audience.
Fictocritical Strategies
Author: Gerrit Haas
Publisher: transcript Verlag
ISBN: 3839437040
Category : Literary Criticism
Languages : en
Pages : 191
Book Description
Gerrit Haas re-theorises the peculiar textual conduct of ficto/critical writing, which inextricably intersects fictional with critical discourses as well as aesthetics with poetics and ethics. The slash here signals the conjunction between a self-reflexive ficto-critical insight and a wider discursive ficto-critical motivation. In its refined form, this twofold trope shifts perspective from the prevalent generic between onto the meta-generic level of our textual practices. Ultimately, the ficto/critical is thus qualified as an unheard-of interventionist aesthetic of deconstruction directed at the ramifications of our textual cultures.
Publisher: transcript Verlag
ISBN: 3839437040
Category : Literary Criticism
Languages : en
Pages : 191
Book Description
Gerrit Haas re-theorises the peculiar textual conduct of ficto/critical writing, which inextricably intersects fictional with critical discourses as well as aesthetics with poetics and ethics. The slash here signals the conjunction between a self-reflexive ficto-critical insight and a wider discursive ficto-critical motivation. In its refined form, this twofold trope shifts perspective from the prevalent generic between onto the meta-generic level of our textual practices. Ultimately, the ficto/critical is thus qualified as an unheard-of interventionist aesthetic of deconstruction directed at the ramifications of our textual cultures.
Grotesque Figures
Author: Virginia E. Swain
Publisher: JHU Press
ISBN: 1421429233
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
Publisher: JHU Press
ISBN: 1421429233
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
Allegories of Writing
Author: Bruce Clarke
Publisher: SUNY Press
ISBN: 9780791426241
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
This is a theoretical study of human metamorphosis in Western literature.
Publisher: SUNY Press
ISBN: 9780791426241
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
This is a theoretical study of human metamorphosis in Western literature.
Structural Information Theory
Author: Emanuel Leeuwenberg
Publisher: Cambridge University Press
ISBN: 1107029600
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Book Description
A coherent and comprehensive theory of visual pattern classification with quantitative models, verifiable predictions and extensive empirical evidence.
Publisher: Cambridge University Press
ISBN: 1107029600
Category : Language Arts & Disciplines
Languages : en
Pages : 337
Book Description
A coherent and comprehensive theory of visual pattern classification with quantitative models, verifiable predictions and extensive empirical evidence.
The Great Pyramid, Its Divine Message
Author: David Davidson
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
Book Description
The Bellum Grammaticale and the Rise of European Literature
Author: Mr Erik Butler
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476251
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
The now-forgotten genre of the bellum grammaticale flourished in the sixteenth- and seventeenth centuries as a means of satirizing outmoded cultural institutions and promoting new methods of instruction. In light of works written in Renaissance Italy, ancien régime France, and baroque Germany (Andrea Guarna's Bellum Grammaticale [1511], Antoine Furetière's Nouvelle allégorique [1658], and Justus Georg Schottelius' Horrendum Bellum Grammaticale [1673]), this study explores early modern representations of language as war. While often playful in form and intent, the texts examined address serious issues of enduring relevance: the relationship between tradition and innovation, the power of language to divide and unite peoples, and canon-formation. Moreover, the author contends, the "language wars" illuminate the shift from a Latin-based understanding of learning to the acceptance of vernacular erudition and the emergence of national literature.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476251
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
The now-forgotten genre of the bellum grammaticale flourished in the sixteenth- and seventeenth centuries as a means of satirizing outmoded cultural institutions and promoting new methods of instruction. In light of works written in Renaissance Italy, ancien régime France, and baroque Germany (Andrea Guarna's Bellum Grammaticale [1511], Antoine Furetière's Nouvelle allégorique [1658], and Justus Georg Schottelius' Horrendum Bellum Grammaticale [1673]), this study explores early modern representations of language as war. While often playful in form and intent, the texts examined address serious issues of enduring relevance: the relationship between tradition and innovation, the power of language to divide and unite peoples, and canon-formation. Moreover, the author contends, the "language wars" illuminate the shift from a Latin-based understanding of learning to the acceptance of vernacular erudition and the emergence of national literature.