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Author: Daniel Biro
Publisher: Oxford University Press
ISBN: 0199936188
Category : Music
Languages : en
Pages : 368
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Book Description
At the centre of Bartók's œuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. This book examines these remarkable works from a range of theoretical and methodological perspectives.
Author: Daniel Biro
Publisher: Oxford University Press
ISBN: 0199936188
Category : Music
Languages : en
Pages : 368
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Book Description
At the centre of Bartók's œuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. This book examines these remarkable works from a range of theoretical and methodological perspectives.
Author: Béla Bartók
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 362
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Book Description
Author: Béla Bartók
Publisher: Courier Corporation
ISBN: 048643799X
Category : Music
Languages : de
Pages : 98
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Book Description
Acclaimed as the most important quartets since Beethoven, the six string quartets of Bela Bartok offer a summation of the composer's compositional style and development, and they constitute one of the great monuments of twentieth-century music. This outstanding new volume unites the first two of Bartok's chamber masterpieces. The stirring first quartet, written in 1908, captures the composer's great stylistic rebirth, as the intense Romanticism of the opening movement gives way to a propulsive finale reflecting the composer's growing interest in Hungarian folk music. The second quartet, written during World War I, finds Bartok's creativity unimpeded by wartime privations. The three-movement work echoes the meditative qualities of the first quartet in its outer movements, but its lively central movement suggests the traditional music of North Africa. A combination of boldly disparate influences, it remains a work of astonishing force and originality."
Author: János Kárpáti
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 288
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Book Description
"Béla Bartók's string quartets are 'key works': in them is reflected the stylistic development not only of his own art but of the music of a whole age, the twentieth century, and also of the string quartet genre itself. Each of the six string quartets represents a milestone in Bartók's creative path. They offer a faithful and comprehensive picture of the various periods in the composer's creative development, each bears the characteristic marks of these periods, showing as they do the direction taken by Bartók's orientations, the various influences and his own individual original methods. János Kárpáti's monograph on the one hand sets these works against the background of the whole history of the string quartet as a genre, thus indicating their position as the direct continuation of the late Beethoven quartets, and on the other hand it presents an exposition of the factors involved in Bartók's art, the trace of the influence of art music and folk music, of predecessors and contemporaries--placing Bartók at the head of the twentieth century masters as the distillation and summary of all that preceded him."--Dust jacket.
Author: Bela Bartok
Publisher: Boosey & Hawkes Incorporated
ISBN: 9781458418685
Category : Music
Languages : en
Pages : 68
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Book Description
(Boosey & Hawkes Scores/Books). HPS 77
Author: Mátyás Seiber
Publisher: London ; Toronto : Boosey and Hawkes
ISBN:
Category : String quartet
Languages : en
Pages : 32
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Book Description
Author: Béla Bartók
Publisher:
ISBN:
Category : String quartets
Languages : en
Pages : 360
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Book Description
Author: Igor Stravinsky
Publisher: Courier Corporation
ISBN: 0486411745
Category : Music
Languages : en
Pages : 178
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Book Description
With this brilliant and uncompromising work perhaps the most famous musical work of the twentieth century Stravinsky changed the course of modern music forever. Discarding conventional harmonies for bizarrely dissonant chords, and uniform metrics for harshly jarring beat patterns, he created a sensational theater piece that, at the work's 1931 premier, caused the music world's most talked-about riot. "Every law of musical syntax, every canon of harmony seems to have been violated, every limit of rhythmic perversity and eccentricity of orchestration exceeded in this tumultuous cataclysm of sound," says "Grove's"; "yet with all its deliberate crudity and violence the 'Rite' is a clearly planned and perfectly controlled and coordinated piece of music [that] has long been accepted universally as a masterpiece and is in the repertory of every large symphony orchestra." Reproduced here from an authoritative edition, the score is ideal for study in the classroom, at home, or in the concert hall. This affordable, durable, and portable volume will be the edition of choice for music students and music lovers alike."
Author: Mara Parker
Publisher: Routledge
ISBN: 1135848351
Category : Music
Languages : en
Pages : 513
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Book Description
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
Author: Harald Krebs
Publisher: New York : Oxford University Press
ISBN: 0195169468
Category : Musical meter and rhythm
Languages : en
Pages : 305
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Book Description
This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.
