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Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1911239643
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after. Dixon offers fresh insights by focusing on the films themselves many of them only recently available to view while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Author: Bryony Dixon
Publisher: Bloomsbury Publishing
ISBN: 1911239643
Category : Performing Arts
Languages : en
Pages : 194
Get Book Here
Book Description
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after. Dixon offers fresh insights by focusing on the films themselves many of them only recently available to view while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Author: Bryony Dixon
Publisher:
ISBN: 9781911239871
Category : Motion pictures, British
Languages : en
Pages : 192
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Book Description
"This groundbreaking book tells the fascinating story of the very beginnings of film in Britain, from the earliest non-fiction footage of delicate spider webs, rolling waves, bustling streets and parades to fantastical fiction films and magic lantern-style adaptations of books and fairytales that give us a glimpse into the Victorian imagination. Drawing on unique material held in the BFI Archive, Bryony Dixon provides in-depth insights into major filmmakers such as the Lumir̈e Brothers and Mitchell and Kenyon as well as key works like Pelicans at the Zoo (1898) and Kitty Mahone (1900) - a rare example of an early sound film. She traces the invention, business, aesthetics and impact of the brand new medium of film from 1895 to 1901. From 'actual' news footage of the Boer War (shot in Lancashire) to risqu ̌'scn̈es grivoises ' (saucy scenes) including nudity and suggestive scenarios, the films explored in this book challenge any preconceptions we might have about early film, demonstrating its breadth and boldness - as well bringing Victorian people and society vividly to life. The book is richly illustrated and beautifully designed to bring the subject to life."--
Author: Scott Anthony
Publisher: Bloomsbury Publishing
ISBN: 1839021365
Category : Art
Languages : en
Pages : 289
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Book Description
'All art is propaganda,' wrote George Orwell, 'but not all propaganda is art.' Moving from World War I to the 'War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, 'telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations. Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and the meanings of the postwar consensus. In a contemporary moment so preoccupied with misinformation, malinformation and disinformation, Scott Anthony explains why the response to the ubiquity of the propaganda film has often turned out to be the production of ever more propaganda.
Author: Kamilla Elliott
Publisher: Cambridge University Press
ISBN: 9780521818445
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Sample Text
Author: Nora Gilbert
Publisher: Stanford University Press
ISBN: 0804784876
Category : Literary Collections
Languages : en
Pages : 202
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Book Description
Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.
Author: Dave Thompson
Publisher: ECW Press
ISBN: 1554903025
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
Until now, there was no modern history of the pornographic movie available - Black and White and Blue fills that void, with exlusive interviews and confrontational style.
Author: Barry Anthony
Publisher: The Projection Box
ISBN: 9780952394167
Category : Cinematography
Languages : en
Pages : 50
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Book Description
A history of the system, and a newly-compiled illustrated catalogue of Kinora reels.
Author: Abigail Burnham Bloom
Publisher:
ISBN: 9781604977868
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.
Author: Chris Woodyard
Publisher: Kestrel Publications (OH)
ISBN: 9780988192522
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Macabre tales of death and mourning in Victorian America.
Author: Ian Christie
Publisher: University of Chicago Press
ISBN: 022661011X
Category : History
Languages : en
Pages : 355
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Book Description
The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
