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Author: Bruce Cole
Publisher: Simon and Schuster
ISBN: 0671747282
Category : Art
Languages : en
Pages : 374
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Book Description
With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.
Author: Bruce Cole
Publisher: Simon and Schuster
ISBN: 0671747282
Category : Art
Languages : en
Pages : 374
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Book Description
With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262154
Category : Art
Languages : en
Pages : 416
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Book Description
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
Author: William Patten
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 376
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Book Description
Author: Nigel Jonathan Spivey
Publisher: Univ of California Press
ISBN: 9780520230224
Category : Art
Languages : en
Pages : 280
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Book Description
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Author: Derek Molyneux
Publisher: Gill & Macmillan Ltd
ISBN: 1788410343
Category : History
Languages : en
Pages : 377
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Book Description
The 1916 Rising is one of the most documented and analysed episodes in Ireland's turbulent history. Often overlooked, however, is its immediate aftermath. This significant window in the narrative of Irish revolutionary history, which saw the rebirth of the Volunteers and laid the foundations for the War of Independence, is usually covered as a footnote, or from the biographical standpoints of the leaders. Picking up where the authors' acclaimed account of the Rising, When the Clock Struck in 1916, left off, we join the men and women of the Rising in the dark abyss of defeat. The leaders' poignant final hours and violent ends are laid bare, but the perspective of those with the unpalatable task of carrying out the executions is also revealed, rectifying a historic disservice to those who reluctantly formed the firing squads. While the prisoners in Dublin awaited their grisly fates, others were deported in stinking cattle boats to camps in England and Wales. When they returned, it was to a jubilant welcome in a radically changed country. The gruesome death of Thomas Ashe in September 1917, after being force-fed in Mountjoy Prison, became a marshalling point for the republican movement, as his funeral saw Volunteers once again assembled in uniform on Dublin's streets. The next phase of the struggle was born, under new leaders who had 'graduated' from the internment camps known as 'Republican Universities', ready and eager to fill the void left by the executed visionaries. The authors sifted through thousands of first-hand accounts of the suffering endured when ordinary people set out to change history. Their stirring account will transport readers into life as it looked, sounded and even smelt to those taking part in this crucial juncture of our history.
Author: T. J. Clark
Publisher: Univ of California Press
ISBN: 9780520217454
Category : Art
Languages : en
Pages : 214
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Book Description
In this pioneering study, Clark looked at the inextricable links between modern art and history.
Author: William Patten
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 376
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Book Description
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 0226571696
Category : Art
Languages : en
Pages : 541
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Book Description
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
Author:
Publisher:
ISBN:
Category : Mineral industries
Languages : en
Pages : 796
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Book Description
Author: William Patten
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 386
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Book Description
