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Category : Comic books, strips, etc
Languages : en
Pages : 0
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Author:
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Category : Comic books, strips, etc
Languages : en
Pages : 0
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Publisher: Marvel
ISBN: 9780785185369
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Rarely before and rarely since has comics seen a talent as innovative as Jim Steranko. Blending together influences from Pop Art to Salvador Dali and Will Eisner to Wally Wood, Steranko's boundary-breaking style is an incomparable visual language that continues influence and inspire storytellers decades later. Now, for the first time ever, Marvel is proud to offer the complete Steranko Nick Fury, Agent of S.H.I.E.L.D. in one volume! COLLECTING: STRAN GE TALES (1951) 151-168 & NICK FURY, AGENT OF S.H.I.E.L.D. (1968) 1-3, 5
Author: Steranko
Publisher:
ISBN:
Category : Spy comic books, strips, etc
Languages : en
Pages : 0
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Author: Steranko
Publisher:
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Category : Comic books, strips, etc
Languages : en
Pages :
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Author: Jim Steranko
Publisher: Crown
ISBN: 9780517501887
Category :
Languages : en
Pages : 84
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Author: Jim Steranko
Publisher: Marvel Entertainment
ISBN: 1302520849
Category : Comics & Graphic Novels
Languages : en
Pages : 336
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Collects Strange Tales (1951) #151-168; Nick Fury, Agent of SHIELD (1968) #1-3, 5. Rarely before and rarely since has the comics industry seen a talent as innovative as Steranko. Blending together influences from pop art to Salvador Dali and Will Eisner to Wallace Wood, Steranko’s groundbreaking style is an incomparable visual language. Steranko is…revolutionary! Marvel is proud to present Steranko’s complete tenure on NICK FURY, AGENT OF S.H.I.E.L.D. in a single, massive King-Size edition that showcases all its glory! These are the stories that defined Nick Fury as the premier spymaster operating in the covert shadows of the Marvel Universe. His awesome tech, his steamy romances, his larger-than-life action-adventure — Steranko was behind it all, breaking all the old rules of comics storytelling as he went and creating a few new ones too!
Author: Steranko
Publisher:
ISBN: 9780515040784
Category : Detective and mystery comic books, strips, etc
Languages : en
Pages : 127
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"The digest-sized book combines typeset text with two same-sized illustrations per page, utilizing no word balloons or other traditional comics text conventions. A hard-boiled detective novel in the film noir style, its protagonist is a private detective named Chandler (an homage to author Raymond Chandler) who is hired by a man who claims to have been poisoned by the same people responsible for a notorious gangland slaying. As Chandler tracks down witnesses, each begins to turn up dead." -- Wikipedia
Author: Steranko
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Category : Comic books, strips, etc
Languages : en
Pages : 0
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Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878056743
Category : Architecture
Languages : en
Pages : 268
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The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
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Category : Captain America (Television program : 1979)
Languages : en
Pages : 0
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