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Author: Paul J. Polgar
Publisher: UNC Press Books
ISBN: 146965394X
Category : History
Languages : en
Pages : 353
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Book Description
Paul Polgar recovers the racially inclusive vision of America's first abolition movement. In showcasing the activities of the Pennsylvania Abolition Society, the New York Manumission Society, and their African American allies during the post-Revolutionary and early national eras, he unearths this coalition's comprehensive agenda for black freedom and equality. By guarding and expanding the rights of people of African descent and demonstrating that black Americans could become virtuous citizens of the new Republic, these activists, whom Polgar names "first movement abolitionists," sought to end white prejudice and eliminate racial inequality. Beginning in the 1820s, however, colonization threatened to eclipse this racially inclusive movement. Colonizationists claimed that what they saw as permanent black inferiority and unconquerable white prejudice meant that slavery could end only if those freed were exiled from the United States. In pulling many reformers into their orbit, this radically different antislavery movement marginalized the activism of America's first abolitionists and obscured the racially progressive origins of American abolitionism that Polgar now recaptures. By reinterpreting the early history of American antislavery, Polgar illustrates that the late eighteenth and early nineteenth centuries are as integral to histories of race, rights, and reform in the United States as the mid-nineteenth century.
Author: Paul J. Polgar
Publisher: UNC Press Books
ISBN: 146965394X
Category : History
Languages : en
Pages : 353
Get Book Here
Book Description
Paul Polgar recovers the racially inclusive vision of America's first abolition movement. In showcasing the activities of the Pennsylvania Abolition Society, the New York Manumission Society, and their African American allies during the post-Revolutionary and early national eras, he unearths this coalition's comprehensive agenda for black freedom and equality. By guarding and expanding the rights of people of African descent and demonstrating that black Americans could become virtuous citizens of the new Republic, these activists, whom Polgar names "first movement abolitionists," sought to end white prejudice and eliminate racial inequality. Beginning in the 1820s, however, colonization threatened to eclipse this racially inclusive movement. Colonizationists claimed that what they saw as permanent black inferiority and unconquerable white prejudice meant that slavery could end only if those freed were exiled from the United States. In pulling many reformers into their orbit, this radically different antislavery movement marginalized the activism of America's first abolitionists and obscured the racially progressive origins of American abolitionism that Polgar now recaptures. By reinterpreting the early history of American antislavery, Polgar illustrates that the late eighteenth and early nineteenth centuries are as integral to histories of race, rights, and reform in the United States as the mid-nineteenth century.
Author: Raffaele D’Amato
Publisher: Bloomsbury Publishing
ISBN: 1472836502
Category : History
Languages : en
Pages : 134
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Book Description
The Late Roman Empire was a period of significant change in the designs of standards and in the costumes of standard-bearers. During the middle decades of the chaotic 3rd century, evidence confirms the continued use of the old legionary eagle and the signa of the old cohorts and centuries, alongside flags and Imperial images. The two major trends over the later generations were the adoption of Christian symbols on standards (e.g. Constantine the Great's Chi-Rho), and the proliferation of different types of flags. This had begun in the late 2nd century with the adoption of the 'barbarian' dragon standard, the windsock-shaped draco, which continued to be displayed alongside various other flags in the Greek-speaking Eastern Empire, whose influence increased greatly. Meanwhile, the growing employment of foreign units was such that by the 5th century we have evidence of the use of Hunnic symbolism among a Roman general's suite of standards. The costumes of standard-bearers also evolved as 'Persian' styles spread from Constantinople. This title explores all these changes in depth, charting the development of various costumes and designs and the waxing and waning influence of various cultures and religious considerations. The text is supported by specially commissioned illustrations and artist's reconstructions of the standards and their bearers.
Author: Adeline Borot De Battisti
Publisher: IIED
ISBN: 1843697106
Category : Exports
Languages : en
Pages : 177
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Book Description
Private standards are set by the food producing industry and retailers, mainly to assure food safety and good agricultural practice. This title presents research and analysis to explore the issues surrounding smallholders, private standards, and exports from Africa.
Author: Raffaele D’Amato
Publisher: Bloomsbury Publishing
ISBN: 1472821815
Category : History
Languages : en
Pages : 65
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Book Description
Roman unit standards played a important role, both ceremonially and on the battlefield. With the armies of the late Roman Republic and early Empire continually engaged on the frontiers, the soldiers selected for the dangerous honour of carrying them were figures of particular renown and splendour. Standard-bearers wore special armour, with the heads and pelts of animals such as bears, wolves, or even lions draped over their helmets and shoulders. The standards themselves varied greatly, from the legion's Eagle and imperial portrait image to various cohort signa, flags (vexilla) and even dragon 'windsocks' (dracones) copied from barbarian enemies and allies. This first volume of a two-part series by Roman army expert, Rafaele D'Amato uses detailed colour plates and the latest research to examine these vital cogs in the Roman army machine that drove its soldiers to conquer the known world.
Author: Dustin W. Benge
Publisher: Reformation Heritage Books
ISBN: 160178774X
Category : Religion
Languages : en
Pages : 224
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Book Description
In The American Puritans , Dustin Benge and Nate Pickowicz tell the story of the first hundred years of Reformed Protestantism in New England through the lives of nine key figures: William Bradford, John Winthrop, John Cotton, Thomas Hooker, Thomas Shepard, Anne Bradstreet, John Eliot, Samuel Willard, and Cotton Mather. Here is sympathetic yet informed history, a book that corrects many myths and half-truths told about the American Puritans while inspiring a current generation of Christians to let their light shine before men. Table of Contents: Introduction: Who Are the American Puritans? 1. William Bradford 2. John Winthrop 3. John Cotton 4. Thomas Hooker 5. Thomas Shepard 6. Anne Bradstreet 7. John Eliot 8. Samuel Willard 9. Cotton Mather
Author: Neal A. Maxwell
Publisher: Bookcraft, Incorporated
ISBN: 9781570082337
Category : Religion
Languages : en
Pages : 155
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Book Description
Author: Jean Marie Lutes
Publisher: Cornell University Press
ISBN: 150172830X
Category : History
Languages : en
Pages : 242
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Book Description
The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.
Author: Kevin Geoffrey
Publisher: Perfect Word Messianic Publishing
ISBN: 9780983726326
Category : Religion
Languages : en
Pages : 182
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Book Description
Messianic Jewish author Kevin Geoffrey has drawn a line in the sand: the Scriptures are either defective and deficient, or sufficient and supreme which side do you choose? For too many in the Body of Messiah, the Word of God is a mere consultant with no authority. We refuse to permit Scripture alone to establish our priorities, determine our beliefs, and tell us how to live daily for the Master. In Bearing the Standard: A Rallying Cry to Uphold the Scriptures, Kevin reveals how we have collectively lost sight of God s Standard how we are thoroughly oblivious to the influences that lead us to misplace and compromise God s perfect Word: the Scriptures. Bearing the Standard is a practical, prophetic, and foundational word to all of Messiah s disciples, calling us to boldly raise the banner of Scripture as the only sufficient and supreme standard for our lives. The world is waiting for a generation of Standard Bearers who will stand firm on the unchangeable Word of God, no matter the cost are you willing to join the cause?
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
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Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Author: A. G. Smith
Publisher: Courier Corporation
ISBN: 0486249875
Category : Juvenile Nonfiction
Languages : en
Pages : 18
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Book Description
Meticulously rendered toy soldier collection in paper form includes easy-to-assemble, free-standing Union and Confederate soldiers, cannons, tents, flags, more — all in full color. 16 color plates. Introduction.
