The Stained Glass in Durham Cathedral PDF Download
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Author: Roger Norris
Publisher:
ISBN: 9780907078166
Category : Glass painting and staining
Languages : en
Pages : 14
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Book Description
Author: Roger Norris
Publisher:
ISBN: 9780907078166
Category : Glass painting and staining
Languages : en
Pages : 14
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Book Description
Author: Richard Marks
Publisher: Routledge
ISBN: 1134967500
Category : History
Languages : en
Pages : 356
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Book Description
First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
Author: Virginia Chieffo Raguin
Publisher: University of Toronto Press
ISBN: 9780802074775
Category : Architecture
Languages : en
Pages : 370
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Book Description
In this collaborative work seventeen international scholars use contemporary methodologies to address the ways in which we understand Gothic church buildings today. Artistic Integration in Gothic Buildings discusses major monuments that have traditionally stood at the core of medieval art-historical studies: the cathedrals of Durham, Wells, Chartres, Reims, Poitiers, Strasbourg, and Naumburg, the abbey of Saint-Denis, and the Sainte-Chapelle of Paris. The contributors approach the subject from different specialties and methodologies within the field of art history, as well as from the disciplines of history, liturgical studies, and theology. Willibald Sauerl)nder's overview acknowledges that since the early nineteenth century scholars have been confronted with monuments that no longer perform their original functions. The moment of the creation of these great cages of stone, filled with images in metal, paint, glass, stone, and textiles, has passed as surely as Villon's `snows of yesteryear.' Artistic intentions shifted continuously over the centuries as these great buildings were adapted to new situations, historical, cultural, and religious. Once the settings for complex and diversified rituals of religious, social, and political dimensions, the buildings today stand in a completely different time frame and are experienced by a different audience. This volume addresses the hermeneutics of the development of scholarship concerning the Gothic church, reviewing the variable, but largely exclusive, agendas from the early nineteenth century to the present, including those of Viollet-le-Duc, Lef¦vre-Pontalis, M+le, Sedlmayr, Von Simson, Panofsky, Grodecki, and Bony. The conclusion is that there is no way to return to the original Gothic cathedral or the original audience. Artistic Integration in Gothic Buildings reassesses the traditional canon through a new pluralism of approaches and presents the Gothic church as an intricate and complex living monument that has been evolving over eight centuries and more.
Author: Michael Archer
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 56
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 372
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Book Description
"A classified catalogue of papers from Archaeologia aeliana, 1813-1913", is included in the Centenary volume, ser. 3, v. 10, p. 334-376.
Author: Stuart Stotts
Publisher:
ISBN: 9780976537250
Category :
Languages : en
Pages : 44
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Book Description
The Biblical parable of the Good Samaritan as told through the exquisite windows of Chartres Cathedral
Author: Margaret Aston
Publisher: Cambridge University Press
ISBN: 1316060470
Category : History
Languages : en
Pages : 1994
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Book Description
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 914
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Book Description
Author:
Publisher:
ISBN:
Category : Church architecture
Languages : en
Pages : 228
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Book Description
