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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 614
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 614
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Book Description
Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
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Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Book Description
Author: Mrs. Russell Barrington
Publisher:
ISBN:
Category : Art, Victorian
Languages : en
Pages : 642
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Book Description
Author: Isaac Disraeli
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 342
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Book Description
Author: Alexandra Walsham
Publisher: Cambridge University Press
ISBN: 1108829996
Category : History
Languages : en
Pages : 465
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Book Description
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
Author: Andrew Lang
Publisher:
ISBN:
Category : Bibliomania
Languages : en
Pages : 204
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Book Description
Author: Gilbert Abbott À Beckett
Publisher:
ISBN:
Category : England
Languages : en
Pages : 664
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Book Description
A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
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Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Adriano Aymonino
Publisher:
ISBN: 9780957339897
Category : Art, European
Languages : en
Pages : 256
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Book Description
"This catalogue examines one of the most important educational tools and sources of inspiration for Western artists for over five hundred years: drawing after the Antique. From the Renaissance to the 19th century, classical statues offered young artists idealised models from which they could learn to represent the volumes, poses and expressions of the human figure and which, simultaneously, provided perfected examples of anatomy and proportion. For established artists, antique statues and reliefs presented an immense repertory of forms that they could use as inspiration for their own creations. Through a selection of thirty-nine drawings, prints and paintings, covering more than four hundred years and by artists as different as Federico Zuccaro, Hendrick Goltzius, Peter Paul Rubens, Charles-Joseph Natoire, Henry Fuseli and Joseph Mallord William Turner, this catalogue provides the first overview of a phenomenon crucial for the understanding and appreciation of European art."--Page 2 of cover.
