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Author: Mary Finley Leonard
Publisher:
ISBN:
Category : Opticians
Languages : en
Pages : 282
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Book Description
Author: Mary Finley Leonard
Publisher:
ISBN:
Category : Opticians
Languages : en
Pages : 282
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Author: Gamal Abdel-Shehid
Publisher: Canadian Scholars’ Press
ISBN: 1551302616
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
This book offers a highly original approach to Black masculinities and sport in Canada. The book will be especially exciting for those interested in decolonisation, culture, and the intersection of identity, sport, and politics. Who Da Man attempts to account for the ways that Black Diasporic identifications intersect with the dominant misogyny and homophobia in contemporary men's sporting cultures. Abdel-Shehid suggests that thinking about Diaspora in the making of contemporary Black sporting cultures provides a more comprehensive framework than that which looks at sport solely within the framework of nations and nationalism. He further argues that Canadian hegemonic ideas and practices typically marginalise blackness and Black peoples. Thus, the author suggests, Black masculinities in sport are often connected to Diasporic locations. These connections can be either empowering or disempowering, requiring careful analysis to achieve full understanding of how things are being perceived, projected, and therefore implemented. "Who Da Man" offers a feminist and queer reading of Black masculinity, and suggests that thinking about Black sporting masculinities means paying attention to the ways that these larger discourses of racism, exclusion, and Diaspora shape Black masculinities. Moreover, the book asks to what extent homophobia and misogyny within men's sporting cultures influence contemporary understandings of Black masculinity.
Author: Marco Briziarelli
Publisher: University of Westminster Press
ISBN: 1911534459
Category : Social Science
Languages : en
Pages : 253
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Book Description
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.
Author: Thomas Alan King
Publisher: Univ of Wisconsin Press
ISBN: 9780299197841
Category : History
Languages : en
Pages : 388
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Book Description
"The queer man's mode of embodiment--his gestural and vocal style, his posture and gait, his occupation of space--remembers a political history. To gesture with the elbow held close to the body, to affect a courtly lisp, or to set an arm akimbo with the hand turned back on the hip is to cite a history in which the sovereign body became the effeminate and sodomitical and, finally, the homosexual body. In Queer Articulations, Thomas A. King argues that the Anglo-American queer body publicizes a history of resistance to the gendered terms whereby liberal subjectivities were secured in early modern England. Arguing that queer agency preceded and enabled the formulation of queer subjectivities, Queer Articulations investigates theatricality and sodomy as performance practices foreclosed in the formation of gendered privacy and consequently available for resistant uses by male-bodied persons who have been positioned, or who have located themselves, outside the universalized public sphere of citizen-subjects. By defining queerness as the lack or failure of private pleasures, rather than an alternative pleasure or substance in its own right, eighteenth-century discourses reconfigured publicness as the mark of difference from the naturalized, private bodies of liberal subjects. Inviting a performance-centered, interdisciplinary approach to queer/male identities, King develops a model of queerness as processual activity, situated in time and place but irreducible to the individual subject's identifications, desires, and motivations."--Pub. desc. (v.2).
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 904
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Author: Steve Cohan
Publisher: Indiana University Press
ISBN: 9780253115874
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
Author: Lin Foxhall
Publisher: Psychology Press
ISBN: 9780415146357
Category : Arts, Classical
Languages : en
Pages : 252
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Book Description
Thinking Men explores artistic and intellectual expression in the classical world as the self representation of man. It starts from the premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re-creation and iteration of that male self as presented in language, poetry, drama, philosophical and scientific thought and art: man constructing himself as subject in classical antiquity and beyond. This beautifully illustrated volume, which contains a preface by Nathalie Kampen, provides a thought-provoking and stimulating insight into the representations of men in Classical culture.
Author: John Dudley
Publisher: University of Alabama Press
ISBN: 0817313478
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Demonstrates how concepts of masculinity shaped the aesthetic foundations of literary naturalism A Man’s Game explores the development of American literary naturalism as it relates to definitions of manhood in many of the movement’s key texts and the aesthetic goals of writers such as Stephen Crane, Jack London, Frank Norris, Edith Wharton, Charles Chestnutt, and James Weldon Johnson. John Dudley argues that in the climate of the late 19th century, when these authors were penning their major works, literary endeavors were widely viewed as frivolous, the work of ladies for ladies, who comprised the vast majority of the dependable reading public. Male writers such as Crane and Norris defined themselves and their work in contrast to this perception of literature. Women like Wharton, on the other hand, wrote out of a skeptical or hostile reaction to the expectations of them as woman writers. Dudley explores a number of social, historical, and cultural developments that catalyzed the masculine impulse underlying literary naturalism: the rise of spectator sports and masculine athleticism; the professional role of the journalist, adopted by many male writers, allowing them to camouflage their primary role as artist; and post-Darwinian interest in the sexual component of natural selection. A Man’s Game also explores the surprising adoption of a masculine literary naturalism by African American writers at the beginning of the 20th century, a strategy, despite naturalism's emphasis on heredity and genetic determinism, that helped define the black struggle for racial equality
Author: Martin McQuillan
Publisher: Edinburgh University Press
ISBN: 0748665625
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Re-reads a major theorist in terms of the current crisis in sovereignty and global capital. Taking de Man's recently published manuscript Textual Allegories as a point of departure, 13 experts, themselves significant voices in contemporary literary theory, revisit de Man's account of Rousseau and what he calls a 'Theotropic Allegory' (the second to last step before 'Political Allegory', on the road toward a general theory of Textual Allegory). They frame de Man's readings of Rousseau in a 'post-theoretical' landscape concerned with political theology, occupied with the transformation of the western model of sovereignty, and faced with the apparent collapse of the capitalist global contract. The volume is framed by an introduction by leading de Man scholar, Martin McQuillan, and concludes with an original and previously unpublished text by Paul de Man.
Author: John William Miller
Publisher: W. W. Norton & Company
ISBN: 9780393015799
Category : Philosophy
Languages : en
Pages : 200
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Book Description
Miller uses argument, aphorism, and plays on words to make points. . . . [A] fascinating . . . book. --Library Journal
