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Author: Charles Phelps Taft
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Author: South Kensington Museum
Publisher:
ISBN:
Category : Embroidery
Languages : en
Pages : 448
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Author: South Kensington Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 796
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Author: Owen Jones
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 384
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Book Description
Added title page in colors, with ornamental border.
Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 888
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Author: Victoria and Albert Museum (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Author: Christopher Whitehead
Publisher: Routledge
ISBN: 1351883429
Category : History
Languages : en
Pages : 317
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Book Description
During the mid-nineteenth century a debate arose over the form and functions of the public art museum in Britain. Various occurrences caused new debates in Parliament and in the press about the purposes of the public museum which checked the relative complacency with which London's national collections had hitherto been run. This book examines these debates and their influence on the development of professionalism within the museum, trends in collecting and tendencies in museum architecture and decoration. In so doing it accounts for the general development of the London museums between 1850 and 1880, with particular reference to the National Gallery. This involves analysis of art display and its relations with art historiography, alongside institutional and architectural developments at the British Museum, the South Kensington Museum and the National Gallery. It is argued that the underpinning factor in all of these developments was a reformulation of the public museum's mission, which was in turn related to the electoral reform movement. In a potential situation of mass enfranchisement, the 'masses' should be well educated; the museum was openly identified as a useful institution in this sense. This consideration also influenced approaches to collecting and arranging artworks and to configuring their architectural setting within the museum, allowing for displays to be instructive in specific ways. Dissatisfaction with the British Museum and National Gallery buildings and their locations led to proposals to move the national collections, possibly merging and redefining them. Again the socio-political usefulness of the museum was key in determining where the national collections should be housed and in what form of building. This rich debate is analysed with full references to the various forums in and out of Parliament. Part one covers these issues in a thematic structure, examining all of the national collections, their interrelationships and their gradual development of discrete (yet sometimes arbitrary) museological territories. Part two focuses on the individual case of the National Gallery, observing how museological debate was brought to bear on the development of a specific institution. Every architectural development and redisplay is closely analysed in order to gauge the extent to which the products of debate were carried through into practice, and to comprehend the reasons why no museological grand project emerged in London.
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Author: Victoria and Albert Museum
Publisher: Victoria & Albert Museum
ISBN: 9781851776665
Category : Art
Languages : de
Pages : 0
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Book Description
This beautifully illustrated study places Prince Albert at the helm of the South Kensington project, the man whose vision and ambition gave us the V+A, the flagship of 'Albertopolis', London's cultural quarter for art, science and education.
Author: Victoria and Albert Museum
Publisher: Taylor & Francis
ISBN: 9781884964954
Category : Architecture
Languages : en
Pages : 844
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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ray Desmond
Publisher:
ISBN:
Category : History
Languages : en
Pages : 240
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Book Description
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