The Sounds of Paris in Verdi's La Traviata PDF Download
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Author: Emilio Sala
Publisher: Cambridge University Press
ISBN: 1107009014
Category : Music
Languages : en
Pages : 223
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Book Description
Emilio Sala uses rare documents and images to re-examine Verdi's La traviata in the cultural context of mid-nineteenth-century Paris.
Author: Emilio Sala
Publisher: Cambridge University Press
ISBN: 1107009014
Category : Music
Languages : en
Pages : 223
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Book Description
Emilio Sala uses rare documents and images to re-examine Verdi's La traviata in the cultural context of mid-nineteenth-century Paris.
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 0977132072
Category : Music
Languages : en
Pages : 112
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Book Description
A comprehensive guide to Verdi's LA TRAVIATA, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 30 music highlight examples."
Author: Giuseppe Verdi
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 38
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Book Description
Author: Caroline Ellsmore
Publisher: Routledge
ISBN: 1351731637
Category : Music
Languages : en
Pages : 431
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Book Description
This investigation offers new perspectives on Giuseppe Verdi’s attitudes to women and the functions which they fulfilled for him. The book explores Verdi’s professional and personal relationship with women who were exceptional within the traditional socio-sexual structure of patria potestà, in the context of women’s changing status in nineteenth-century Italian society. It focusses on two women; the singers Giuseppina Strepponi, who supported and enhanced Verdi’s creativity at the beginning of his professional life and Teresa Stolz, who sustained his sense of self-worth at its end. Each was an essential emotional benefactor without whom Verdi’s career would not have been the same. The subject of the Strepponi-Verdi marriage and the impact of Strepponi’s past deserve further detailed and nuanced discussion. This book demonstrates Verdi’s shifting power-balance with Strepponi as she sought to retain intellectual self-respect while his success and control increased. The negative stereotypes concerning operatic ‘divas’ do not withstand scrutiny when applied either to Strepponi or to Stolz. This book presents a revisionist appraisal of Stolz through close examination of her letters. Revealing Stolz’s value to Verdi, they also provide contemporary operatic criticism and behind-the-scenes comment, some excerpts of which are published here in English for the first time.
Author: René Weis
Publisher: OUP Oxford
ISBN: 0191018163
Category : Music
Languages : en
Pages : 364
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Book Description
The Real Traviata is the rags-to-riches story of a tragic young woman whose life inspired one of the most famous operas of all time, Verdi's masterpiece La traviata, as well as one of the most scandalous and successful French novels of the nineteenth century, La Dame aux Camélias, by Alexandre Dumas fils. The woman at the centre of the story, Marie Duplessis, escaped from her life as an abused teenage girl in provincial Normandy, rising in an amazingly short space of time to the apex of fashionable life in nineteenth century Paris, where she was considered the queen of the Parisian courtesans. Her life was painfully short, but by sheer willpower, intelligence, talent, and stunning looks she attained such prominence in the French capital that ministers of the government and even members of the French royal family fell under her spell. In the 1840s, she commanded the kind of 'paparazzi' attention that today we associate only with major royalty or the biggest Hollywood stars. Aside from the younger Dumas, her conquests included a host of writers and artists, including the greatest pianist of the century, Franz Liszt, with whom she once hoped to elope. When she died Théophile Gautier, one of the most important Parisian writers of the day, penned an obituary fit for a princess. Indeed, he boldly claimed that she had been a princess, notwithstanding her peasant origin and her distinctly demi-monde existence. And although now largely forgotten, in the years immediately after her death, Marie's legend if anything grew in stature, with her immortalization in Verdi's La traviata, an opera in which the great Romantic composer tried to capture her essence in some of the most heart-wrenching and lyrical music ever composed.
Author: Sean M. Parr
Publisher: Oxford University Press
ISBN: 0197542646
Category : Music
Languages : en
Pages : 325
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Book Description
Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.
Author: Matthew Gelbart
Publisher: Oxford University Press
ISBN: 0190646926
Category : History
Languages : en
Pages : 553
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Book Description
European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.
Author: Giuseppi Verdi
Publisher:
ISBN: 9781493664603
Category :
Languages : en
Pages : 26
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Book Description
THE PLOT. In "La Traviata" we have portrayed the life of Violetta Valery, a gay and thoughtless beauty, the admiration of a circle of admirers, among whom is Alfredo Germont, whose passion assumes such intensity and candour that Violetta yields to its influence, and becomes, for a while, imbued with the feelings of a pure love. At the end of the First Act, the scene of which is laid in Violetta's house in Paris, Violetta realises the hollowness of the joy of the life she is leading. In the Second Act, the scene is laid in Violetta's house in the country. Here she and her lover are living in seclusion and contentment until Alfredo learns, by accident, that Violetta, in order now to maintain this establishment, has been disposing of her property. Stung by the dependent position he finds he has been occupying, he leaves hurriedly to obtain the necessary funds to wipe out, as he thinks, the disgrace. During his absence his father makes an appeal to Violetta to save Alfredo from ruin, and his father and sister from disgrace, by renouncing him. Violetta is at first terribly shaken at such a prospect, but her pure affection triumphs, and she consents to sacrifice her own happiness to ensure that of the only being she ever truly loved; she consequently flees to Paris, and resumes her old life among her old acquaintances. Alfredo and Violetta again meet in the rich saloons of a mutual friend in Paris, where he finds Violetta under the protection of Barone Douphol. Alfredo is not aware of the purity of Violetta's motive in leaving him, and, in a paroxysm of unmanly rage, terribly insults her before the assembled guests. In the last Act, we are shown the shocking sequel to the previous ones. Violetta, heart-broken, spirit-crushed, and emaciated, is just winning her way to the realm of hopes and fears. Alfredo's father, struck, perhaps, with remorse at having caused Violetta to promise to leave Alfredo without letting him know the real reason, has informed his son of Violetta's truth and fidelity. Alfredo hurries to the bedside, but only, alas, to snatch a few minutes of blissful return of the love of happier times, when death leaves him desolate.
Author: Filippo Annunziata
Publisher: Springer
ISBN: 3319686496
Category : Law
Languages : en
Pages : 395
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Book Description
This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.
Author: Giuseppe Verdi
Publisher: Legare Street Press
ISBN: 9781022426818
Category :
Languages : en
Pages : 0
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Book Description
This classic opera by Giuseppe Verdi, with libretto by Francesco Maria Piave, tells the tragic story of a Parisian courtesan, Violetta, who falls in love with a young nobleman, Alfredo. Their happiness is short-lived when Alfredo's father convinces Violetta to end the relationship for the sake of the family's reputation. La Traviata is a timeless tale of love, sacrifice, and redemption set to some of Verdi's most beautiful music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
