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Author: Charles Pettit
Publisher: New York : Boni & Liveright
ISBN:
Category : China
Languages : en
Pages : 274
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Book Description
The adventures of a young man who chose love and marriage in preference to emasculation. [Among the many celebrated works of the composer Richard Rodgers was the musical "Chee-Chee," based on this novel . At one point in the show, preparations are being made for the dreaded operation. As the hero is led away to his presumed fate, the score wickedly quotes a few well-known bars from Tchaikovsky's "Nutcracker Suite."].
Author: Charles Pettit
Publisher: New York : Boni & Liveright
ISBN:
Category : China
Languages : en
Pages : 274
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Book Description
The adventures of a young man who chose love and marriage in preference to emasculation. [Among the many celebrated works of the composer Richard Rodgers was the musical "Chee-Chee," based on this novel . At one point in the show, preparations are being made for the dreaded operation. As the hero is led away to his presumed fate, the score wickedly quotes a few well-known bars from Tchaikovsky's "Nutcracker Suite."].
Author: Charles Pettit
Publisher:
ISBN:
Category : Eunuchs
Languages : en
Pages : 157
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Book Description
Author: Charles PETTIT (Novelist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
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Book Description
Author: David M. Robinson
Publisher: University of Hawaii Press
ISBN: 082486154X
Category : History
Languages : en
Pages : 298
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Book Description
On a spring afternoon in 1509 a local bandit found himself in the emperor's private quarters deep within the Forbidden City and in the presence of the Son of Heaven himself. This bizarre meeting was the doing of the eunuch Zhang Zhong, the emperor's personal servant and companion. In time court intrigue between competing palace eunuchs would lead to the death of this bandit-turned-rebel, setting off a massive uprising that resulted in China's largest rebellion of the sixteenth century. To understand how this extraordinary meeting came about requires a consideration of the economy of violence during the Ming Dynasty (1368-1644). Here, for the first time in any language, is a detailed look at the role of illicit violence during the Ming. Drawing on court annals, imperial law codes, administrative regulations, private writings, and local gazetteers, David Robinson recreates in vivid detail a world where heavily armed highwaymen and bandits raided the boulevards in and around the Ming capital, Beijing. He then convincingly traces the roots of this systemic mayhem to economic, ethnic, social, and institutional factors at work in local society.
Author: Thomas S. Hischak
Publisher: Bloomsbury Publishing USA
ISBN: 1567206840
Category : Performing Arts
Languages : en
Pages : 462
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Book Description
Still the most influential and popular songwriting team in the history of the American Musical Theatre, Richard Rodgers and Oscar Hammerstein represent Broadway musicals at their finest. The team revolutionized the musical play with Oklahoma! in 1943 and then went on to explore territory never put on the musical stage before in such beloved shows as Carousel, South Pacific, The King and I and The Sound of Music. The team also worked in film, as with State Fair, and in the new medium of television, with Cinderella. For the first time, the lives, careers, works, songs, and themes of Rodgers and Hammerstein have been gathered together in an encyclopedia that covers the many talents of these men. In addition to their plays and films together, every work that each man did with other collaborators is also discussed. Hundreds of their songs are described, and there are entries on the many actors, directors, and other creative artists who they worked with. A complete list of awards, recordings, and books about the team are included, as well as a chronology of everything either man wrote. But The Rodgers and Hammerstein Encyclopedia is not just about facts. It explains their work, explores themes in their musicals, and illustrates why they remain a driving force in the American Theatre. This is the first encyclpoedia to look specifically at the careers and works of Rodgers and Hammerstein, covering all their musicals together for stage, screen and televsion, but also everything they wrote with others. The purpose is to create a comprehensive guide to the American Musical Theatres foremost collaboration. The encyclopedia is (1) comprehensve, describing the works, the people involved in those works, and many of their famous songs; ( 2) up-to-date, including the most recent revivals of their works and new recordings of their scores; and (3) easy to use, being alphabetically arranged with cross-reference listings, chronological lists, lists of awards and recordings, and bibliographic information for further reading.
Author: Dominic Symonds
Publisher: Oxford University Press
ISBN: 0190216883
Category : Music
Languages : en
Pages : 355
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Book Description
Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined. We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative. We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.
Author: Gary Marmorstein
Publisher: Simon and Schuster
ISBN: 1416594264
Category : Biography & Autobiography
Languages : en
Pages : 545
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Book Description
Lorenz Hart, together with Richard Rodgers, created some of the most beautiful and witty songs ever written. Here is the story of the strikingly unromantic life of this songwriting genius. His lyrics spin with brilliance and sophistication, yet at their core is an unmistakable wistfulness. Rodgers and Hart, who wrote approximately thirty Broadway musicals and dozens of songs for Hollywood films, were an odd couple. Rodgers was precise, punctual, heterosexual, handsome, and eager to be accepted by society. Hart was barely five feet tall, alcoholic, homosexual, and more comfortable in a bar or restaurant than anywhere else. His lyrics are all the more remarkable considering that he never sustained a romantic relationship, living his entire life with his mother, who died only months before his own death at 48. Biographer Marmorstein superbly portrays the life of this exuberant yet troubled artist.--From publisher description.
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 1234
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Book Description
Author: Geoffrey Block
Publisher: Oxford University Press, USA
ISBN: 9780195313437
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews. For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights.
Author: Shih-shan Henry Tsai
Publisher: SUNY Press
ISBN: 9780791426876
Category : History
Languages : en
Pages : 306
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Book Description
This book is the first on Chinese eunuchs in English and presents a comprehensive picture of the role that they played in the Ming dynasty, 1368-1644. Extracted from a wide range of primary and secondary source material, the author provides significant and interesting information about court politics, espionage and internal security, military and foreign affairs, tax and tribute collection, the operation of imperial monopolies, judiciary review, the layout of the palace complex, the Grand Canal, and much more. The eunuchs are shown to be not just a minor adjunct to a government of civil servants and military officers, but a fully developed third branch of the Ming administration that participated in all of the most essential matters of the dynasty. The veil of condemnation and jealousy imposed on eunuchs by the compilers of official history is pulled away to reveal a richly textured tapestry. Eunuchs are portrayed in a balanced manner that gives due consideration to able and faithful service along with the inept, the lurid, and the iniquitous.
