The Solesmes Method PDF Download
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Author: Joseph Gajard
Publisher: Collegeville, Minn. : Liturgical Press
ISBN:
Category : Music
Languages : en
Pages : 102
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Book Description
Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.
Author: Joseph Gajard
Publisher: Collegeville, Minn. : Liturgical Press
ISBN:
Category : Music
Languages : en
Pages : 102
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Book Description
Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.
Author: Eugène Cardine
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 266
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Book Description
Author: Pierre Combe
Publisher: CUA Press
ISBN: 9780813202006
Category : Education
Languages : en
Pages : 432
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Book Description
Dom Combe presents the reader a sharply focused profile of a dedicated and extraordinary woman of the 20th century, Henry James'sister-in-law, independent in spirit and passionately devoted for more than 60 years to the cause of Gregorian Chant and its liturgical implementation. Drawing on her voluminous correspondence, he traces the main events of her life following her conversion in 1904 to the Catholic Church. From these letters emerges the clear image of a fiercely strong-willed and gracious woman who pursued her ideals with relentless zeal.
Author: Suitbertus Birkle
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 158
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Book Description
Author: Theodore Marier
Publisher: Catholic University of America Press
ISBN:
Category : Music
Languages : en
Pages : 102
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Book Description
Author: Pierre Combe
Publisher: CUA Press
ISBN: 081321548X
Category : History
Languages : en
Pages : 487
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Book Description
Gregorian chant, the Catholic Church's very own music, is proper to the Roman liturgy, but during the course of its long history it has experienced periods of ascendancy and decline. A century ago, Pope Pius X called for a restoration of the sacred melodies, and the result was the Vatican Edition. This book presents for the first time in English the fully documented history of the Gregorian chant restoration. The original French edition was published by the Abbey of Solesmes in 1969.This book describes in careful, vivid detail the strenuous efforts of personalities like Dom Joseph Pothier, Dom Andre Mocquereau, Fr. Angelo de Santi, and Peter Wagner to carry out the wishes of the pope. The attentive reader will not fail to note that many of the questions so fervidly debated long ago are still current and topical today. Robert A. Skeris' introduction to this edition illuminates the current discussion with documentation, including the Preface to the Vatican Gradual and the Last Will and Testament written by Dom Eugene Cardine.
Author: Katherine Bergeron
Publisher: Univ of California Press
ISBN: 0520919610
Category : Music
Languages : en
Pages : 366
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Book Description
The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration." Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
Author: Saint Benedict
Publisher: Wyatt North Publishing, LLC
ISBN: 1621541851
Category : Religion
Languages : en
Pages : 83
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Book Description
Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
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Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1316299678
Category : Music
Languages : en
Pages : 251
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Book Description
Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.
