Author: Deborah Valenze
Publisher: Cambridge University Press
ISBN: 0521852420
Category : Business & Economics
Languages : en
Pages : 251
Book Description
A study of how people understood and used money from 1630 to 1800 in England. Deborah Valenze shows how money became involved in relations between people in ways that moved beyond what we understand as its purely economic functions.
The Social Life of Money in the English Past
Author: Deborah Valenze
Publisher: Cambridge University Press
ISBN: 0521852420
Category : Business & Economics
Languages : en
Pages : 251
Book Description
A study of how people understood and used money from 1630 to 1800 in England. Deborah Valenze shows how money became involved in relations between people in ways that moved beyond what we understand as its purely economic functions.
Publisher: Cambridge University Press
ISBN: 0521852420
Category : Business & Economics
Languages : en
Pages : 251
Book Description
A study of how people understood and used money from 1630 to 1800 in England. Deborah Valenze shows how money became involved in relations between people in ways that moved beyond what we understand as its purely economic functions.
The Social Life of Money
Author: Nigel Dodd
Publisher: Princeton University Press
ISBN: 1400880866
Category : Social Science
Languages : en
Pages : 465
Book Description
A reevaluation of what money is—and what it might be Questions about the nature of money have gained a new urgency in the aftermath of the global financial crisis. Even as many people have less of it, there are more forms and systems of money, from local currencies and social lending to mobile money and Bitcoin. Yet our understanding of what money is—and what it might be—hasn't kept pace. In The Social Life of Money, Nigel Dodd, one of today’s leading sociologists of money, reformulates the theory of the subject for a postcrisis world in which new kinds of money are proliferating. What counts as legitimate action by central banks that issue currency and set policy? What underpins the right of nongovernmental actors to create new currencies? And how might new forms of money surpass or subvert government-sanctioned currencies? To answer such questions, The Social Life of Money takes a fresh and wide-ranging look at modern theories of money. One of the book’s central concerns is how money can be wrested from the domination and mismanagement of banks and governments and restored to its fundamental position as the "claim upon society" described by Georg Simmel. But rather than advancing yet another critique of the state-based monetary system, The Social Life of Money draws out the utopian aspects of money and the ways in which its transformation could in turn transform society, politics, and economics. The book also identifies the contributions of thinkers who have not previously been thought of as monetary theorists—including Nietzsche, Benjamin, Bataille, Deleuze and Guattari, Baudrillard, Derrida, and Hardt and Negri. The result provides new ways of thinking about money that seek not only to understand it but to change it.
Publisher: Princeton University Press
ISBN: 1400880866
Category : Social Science
Languages : en
Pages : 465
Book Description
A reevaluation of what money is—and what it might be Questions about the nature of money have gained a new urgency in the aftermath of the global financial crisis. Even as many people have less of it, there are more forms and systems of money, from local currencies and social lending to mobile money and Bitcoin. Yet our understanding of what money is—and what it might be—hasn't kept pace. In The Social Life of Money, Nigel Dodd, one of today’s leading sociologists of money, reformulates the theory of the subject for a postcrisis world in which new kinds of money are proliferating. What counts as legitimate action by central banks that issue currency and set policy? What underpins the right of nongovernmental actors to create new currencies? And how might new forms of money surpass or subvert government-sanctioned currencies? To answer such questions, The Social Life of Money takes a fresh and wide-ranging look at modern theories of money. One of the book’s central concerns is how money can be wrested from the domination and mismanagement of banks and governments and restored to its fundamental position as the "claim upon society" described by Georg Simmel. But rather than advancing yet another critique of the state-based monetary system, The Social Life of Money draws out the utopian aspects of money and the ways in which its transformation could in turn transform society, politics, and economics. The book also identifies the contributions of thinkers who have not previously been thought of as monetary theorists—including Nietzsche, Benjamin, Bataille, Deleuze and Guattari, Baudrillard, Derrida, and Hardt and Negri. The result provides new ways of thinking about money that seek not only to understand it but to change it.
The Social Life of Money in the English Past
Author: Deborah Valenze
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Forging Nations
Author: David Blaazer
Publisher: Oxford University Press
ISBN: 0192887025
Category : Business & Economics
Languages : en
Pages : 346
Book Description
In Forging Nations, Blaazer studies the relationships between money, power, and nationality in England, Scotland, and Ireland from the first attempts to unify their currencies following the Union of the Crowns in 1603 to the aftermath of the Global Financial Crisis. Through successive crises spanning four centuries, Forging Nations examines critical struggles over monetary power between the state and its creditors, and within and between nations during the long, multifaceted process of creating the United Kingdom as a monetary as well as a political union. It shows how and why centuries of monetary dysfunction and conflict eventually gave way to the era of the sterling gold standard, when elite and popular beliefs about money converged around a set of almost unassailable monetary dogmas that transcended differences of nationality, party, and class. Sustained by a mixture of historical myths and imperial hubris, this consensus effortlessly reinforced the authority and served the interests of the monetary elite, even after its economic foundations had collapsed under the pressure of war and international competition. The book concludes by showing how the end of the UK's global hegemony and the prospect of Scottish independence have resuscitated historical differences between England, Ireland, and Scotland in attitudes to currency's role in defining national identity, while the Global Financial Crisis has revived forgotten debates over the nature of money and monetary power.
Publisher: Oxford University Press
ISBN: 0192887025
Category : Business & Economics
Languages : en
Pages : 346
Book Description
In Forging Nations, Blaazer studies the relationships between money, power, and nationality in England, Scotland, and Ireland from the first attempts to unify their currencies following the Union of the Crowns in 1603 to the aftermath of the Global Financial Crisis. Through successive crises spanning four centuries, Forging Nations examines critical struggles over monetary power between the state and its creditors, and within and between nations during the long, multifaceted process of creating the United Kingdom as a monetary as well as a political union. It shows how and why centuries of monetary dysfunction and conflict eventually gave way to the era of the sterling gold standard, when elite and popular beliefs about money converged around a set of almost unassailable monetary dogmas that transcended differences of nationality, party, and class. Sustained by a mixture of historical myths and imperial hubris, this consensus effortlessly reinforced the authority and served the interests of the monetary elite, even after its economic foundations had collapsed under the pressure of war and international competition. The book concludes by showing how the end of the UK's global hegemony and the prospect of Scottish independence have resuscitated historical differences between England, Ireland, and Scotland in attitudes to currency's role in defining national identity, while the Global Financial Crisis has revived forgotten debates over the nature of money and monetary power.
Social Dramas
Author: David A. Postles
Publisher: New Acdemia+ORM
ISBN: 1955835225
Category : Drama
Languages : en
Pages : 201
Book Description
How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use. Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh
Publisher: New Acdemia+ORM
ISBN: 1955835225
Category : Drama
Languages : en
Pages : 201
Book Description
How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use. Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh
A New Companion to Renaissance Drama
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 1118823982
Category : Literary Criticism
Languages : en
Pages : 660
Book Description
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
Publisher: John Wiley & Sons
ISBN: 1118823982
Category : Literary Criticism
Languages : en
Pages : 660
Book Description
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
Shakespeare's Letters
Author: Alan Stewart
Publisher: OUP Oxford
ISBN: 0191563560
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
Shakespeare's plays are stuffed with letters - 111 appear on stage in all but five of his dramas. But for modern actors, directors, and critics they are frequently an awkward embarrassment. Alan Stewart shows how and why Shakespeare put letters on stage in virtually all of his plays. By reconstructing the very different uses to which letters were put in Shakespeare's time, and recapturing what it meant to write, send, receive, read, and archive a letter, it throws new light on some of his most familiar dramas. Early modern letters were not private missives sent through an anonymous postal system, but a vital - sometimes the only - means of maintaining contact and sending news between distant locations. Penning a letter was a serious business in a period when writers made their own pen and ink; letter-writing protocols were strict; letters were dispatched by personal messengers or carriers, often received and read in public - and Shakespeare exploited all these features to dramatic effect. Surveying the vast range of letters in Shakespeare's oeuvre, the book also features sustained new readings of Hamlet, King Lear, Antony and Cleopatra, The Merchant of Venice and Henry IV Part One.
Publisher: OUP Oxford
ISBN: 0191563560
Category : Literary Criticism
Languages : en
Pages : 423
Book Description
Shakespeare's plays are stuffed with letters - 111 appear on stage in all but five of his dramas. But for modern actors, directors, and critics they are frequently an awkward embarrassment. Alan Stewart shows how and why Shakespeare put letters on stage in virtually all of his plays. By reconstructing the very different uses to which letters were put in Shakespeare's time, and recapturing what it meant to write, send, receive, read, and archive a letter, it throws new light on some of his most familiar dramas. Early modern letters were not private missives sent through an anonymous postal system, but a vital - sometimes the only - means of maintaining contact and sending news between distant locations. Penning a letter was a serious business in a period when writers made their own pen and ink; letter-writing protocols were strict; letters were dispatched by personal messengers or carriers, often received and read in public - and Shakespeare exploited all these features to dramatic effect. Surveying the vast range of letters in Shakespeare's oeuvre, the book also features sustained new readings of Hamlet, King Lear, Antony and Cleopatra, The Merchant of Venice and Henry IV Part One.
The Temporality of Taste in Eighteenth-Century British Writing
Author: James Noggle
Publisher: Oxford University Press, USA
ISBN: 0199642435
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This book discusses the disruptive power of the concept of taste in the works of a number of important British writers, including poets such as Alexander Pope and Joseph Warton, philosophical historians such as David Hume and Anna Barbauld, and novelists such as Frances Burney and William Beckford.
Publisher: Oxford University Press, USA
ISBN: 0199642435
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
This book discusses the disruptive power of the concept of taste in the works of a number of important British writers, including poets such as Alexander Pope and Joseph Warton, philosophical historians such as David Hume and Anna Barbauld, and novelists such as Frances Burney and William Beckford.
Making Money
Author: Christine Desan
Publisher: OUP Oxford
ISBN: 0191025399
Category : Law
Languages : en
Pages : 534
Book Description
Money travels the modern world in disguise. It looks like a convention of human exchange - a commodity like gold or a medium like language. But its history reveals that money is a very different matter. It is an institution engineered by political communities to mark and mobilize resources. As societies change the way they create money, they change the market itself - along with the rules that structure it, the politics and ideas that shape it, and the benefits that flow from it. One particularly dramatic transformation in money's design brought capitalism to England. For centuries, the English government monopolized money's creation. The Crown sold people coin for a fee in exchange for silver and gold. 'Commodity money' was a fragile and difficult medium; the first half of the book considers the kinds of exchange and credit it invited, as well as the politics it engendered. Capitalism arrived when the English reinvented money at the end of the 17th century. When it established the Bank of England, the government shared its monopoly over money creation for the first time with private investors, institutionalizing their self-interest as the pump that would produce the money supply. The second half of the book considers the monetary revolution that brought unprecedented possibilities and problems. The invention of circulating public debt, the breakdown of commodity money, the rise of commercial bank currency, and the coalescence of ideological commitments that came to be identified with the Gold Standard - all contributed to the abundant and unstable medium that is modern money. All flowed as well from a collision between the individual incentives and public claims at the heart of the system. The drama had constitutional dimension: money, as its history reveals, is a mode of governance in a material world. That character undermines claims in economics about money's neutrality. The monetary design innovated in England would later spread, producing the global architecture of modern money.
Publisher: OUP Oxford
ISBN: 0191025399
Category : Law
Languages : en
Pages : 534
Book Description
Money travels the modern world in disguise. It looks like a convention of human exchange - a commodity like gold or a medium like language. But its history reveals that money is a very different matter. It is an institution engineered by political communities to mark and mobilize resources. As societies change the way they create money, they change the market itself - along with the rules that structure it, the politics and ideas that shape it, and the benefits that flow from it. One particularly dramatic transformation in money's design brought capitalism to England. For centuries, the English government monopolized money's creation. The Crown sold people coin for a fee in exchange for silver and gold. 'Commodity money' was a fragile and difficult medium; the first half of the book considers the kinds of exchange and credit it invited, as well as the politics it engendered. Capitalism arrived when the English reinvented money at the end of the 17th century. When it established the Bank of England, the government shared its monopoly over money creation for the first time with private investors, institutionalizing their self-interest as the pump that would produce the money supply. The second half of the book considers the monetary revolution that brought unprecedented possibilities and problems. The invention of circulating public debt, the breakdown of commodity money, the rise of commercial bank currency, and the coalescence of ideological commitments that came to be identified with the Gold Standard - all contributed to the abundant and unstable medium that is modern money. All flowed as well from a collision between the individual incentives and public claims at the heart of the system. The drama had constitutional dimension: money, as its history reveals, is a mode of governance in a material world. That character undermines claims in economics about money's neutrality. The monetary design innovated in England would later spread, producing the global architecture of modern money.
The Palgrave Handbook of Philosophy and Money
Author: Joseph J. Tinguely
Publisher: Springer Nature
ISBN: 3031541405
Category :
Languages : en
Pages : 767
Book Description
Publisher: Springer Nature
ISBN: 3031541405
Category :
Languages : en
Pages : 767
Book Description