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Author: Eduardo Obregón Pagán
Publisher: Univ of North Carolina Press
ISBN: 0807862096
Category : Social Science
Languages : en
Pages : 328
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Book Description
The notorious 1942 "Sleepy Lagoon" murder trial in Los Angeles concluded with the conviction of seventeen young Mexican American men for the alleged gang slaying of fellow youth Jose Diaz. Just five months later, the so-called Zoot Suit Riot erupted, as white soldiers in the city attacked minority youths and burned their distinctive zoot suits. Eduardo Obregon Pagan here provides the first comprehensive social history of both the trial and the riot and argues that they resulted from a volatile mix of racial and social tensions that had long been simmering. In reconstructing the lives of the murder victim and those accused of the crime, Pagan contends that neither the convictions (which were based on little hard evidence) nor the ensuing riot arose simply from anti-Mexican sentiment. He demonstrates instead that a variety of pre-existing stresses, including demographic pressures, anxiety about nascent youth culture, and the war effort all contributed to the social tension and the eruption of violence. Moreover, he recovers a multidimensional picture of Los Angeles during World War II that incorporates the complex intersections of music, fashion, violence, race relations, and neighborhood activism. Drawing upon overlooked evidence, Pagan concludes by reconstructing the murder scene and proposes a compelling theory about what really happened the night of the murder.
Author: Eduardo Obregón Pagán
Publisher: Univ of North Carolina Press
ISBN: 0807862096
Category : Social Science
Languages : en
Pages : 328
Get Book Here
Book Description
The notorious 1942 "Sleepy Lagoon" murder trial in Los Angeles concluded with the conviction of seventeen young Mexican American men for the alleged gang slaying of fellow youth Jose Diaz. Just five months later, the so-called Zoot Suit Riot erupted, as white soldiers in the city attacked minority youths and burned their distinctive zoot suits. Eduardo Obregon Pagan here provides the first comprehensive social history of both the trial and the riot and argues that they resulted from a volatile mix of racial and social tensions that had long been simmering. In reconstructing the lives of the murder victim and those accused of the crime, Pagan contends that neither the convictions (which were based on little hard evidence) nor the ensuing riot arose simply from anti-Mexican sentiment. He demonstrates instead that a variety of pre-existing stresses, including demographic pressures, anxiety about nascent youth culture, and the war effort all contributed to the social tension and the eruption of violence. Moreover, he recovers a multidimensional picture of Los Angeles during World War II that incorporates the complex intersections of music, fashion, violence, race relations, and neighborhood activism. Drawing upon overlooked evidence, Pagan concludes by reconstructing the murder scene and proposes a compelling theory about what really happened the night of the murder.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611923414
Category : Drama
Languages : en
Pages : 220
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Book Description
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Author: S. Guy Endore
Publisher:
ISBN:
Category : Los Angeles (Calif.)
Languages : en
Pages : 0
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Book Description
Author: Kevin Hillstrom
Publisher: Omnigraphics Incorporated
ISBN: 9780780812857
Category : Juvenile Nonfiction
Languages : en
Pages : 214
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Book Description
"Surveys the political events, social trends, and racial attitudes that contributed to a week-long outbreak of violence in Los Angeles in 1943 by white servicemen and civilians against young Mexican-American 'zoot suiters.' Includes a narrative overview,biographies, primary sources, chronology, glossary, bibliography, and index"--Provided by publisher.
Author: Marco Finnegan
Publisher: Graphic Universe
ISBN: 1541591135
Category : Young Adult Fiction
Languages : en
Pages : 147
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Book Description
Los Angeles, 1943. It's the era of the Zoot Suit Riots, and Flaca and Cuata have a problem. It's bigger than being grounded by their strict mother. It's bigger than tensions with the soldiers stationed nearby. And it's shaped like a five-foot-tall lizard. When a lost member of an unknown underground species needs help, the sisters must scramble to keep their new friend away from a corrupt military scientist—but they'll do it in style. Cartoonist Marco Finnegan presents Lizard in a Zoot Suit, an outrageous, historical, sci-fi graphic novel. "[Lizard in a Zoot Suit] is both a politically charged drama and a pulpy sci-fi story all in one, and an ideal graphic novel for Young Adults."—Comicon.com "A new YA graphic novel [that] takes a moment in real world history and turns it into the basis for a thrilling adventure that is never anything less than stylish."—The Hollywood Reporter
Author: Yasuhide Kawashima
Publisher: University Press of Kansas
ISBN: 0700619054
Category : Law
Languages : en
Pages : 206
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Book Description
Iva Ikuku Toguri (1916-2006) was an American citizen, born on the 4th of July. Her parents, first-generation Japanese Americans, embraced their new nation and raised Iva to think, talk, and act like a patriotic American. But, despite her allegiance to the United States, she was forced to spend most of her adult life denying that she was a traitor or that she was World War II's infamous Tokyo Rose. When the Japanese attacked Pearl Harbor, Iva was nursing an ailing aunt in Japan. Prevented from returning to home, she was viewed with suspicion by the Japanese authorities. They hounded her to renounce her American citizenship, which she adamantly refused to do. Pressured to find employment, she joined Radio Tokyo. Known as Orphan Ann, she did nothing more than emcee brief music segments on "The Zero Hour" during the war's last two years. She was never called "Tokyo Rose" by anyone and was but one of only a dozen or so English-speaking females heard on Japanese airwaves. In need of money to return home after the war, she made the mistake of allowing herself to be interviewed by two ambitious journalists who were certain that she was the Tokyo Rose, even though she denied it. The published story brought Iva to the attention of American authorities who tried and convicted Iva for treason, despite the lack of evidence and a reluctant jury. She was then stripped of her citizenship and sent to prison. Yasuhide Kawashima's account of Toguri's trials are deeply rooted in Japanese language sources, American legal archives, and the cultures of both nations. He identifies heroes and villains in both the United States and Japan and also highlights broader concerns: the internment of thousands of loyal Japanese Americans, the meaning of citizenship, the nation's commitment to the idea of fair trial, the impact of tabloid journalism, and the very concept of treason. Iva was eventually pardoned in 1977 by President Gerald Ford—she was the first person in U.S. history to be pardoned for treason—and had her citizenship restored. Yet when she died in 2006, obituaries continued to identify her as Tokyo Rose. Kafkaesque in its telling, Kawashima's tale provides a harsh reminder that the law does not always render justice.
Author: S. Guy Endore
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 58
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Book Description
Author: Catherine S. Ramírez
Publisher: Duke University Press
ISBN: 0822388642
Category : Social Science
Languages : en
Pages : 258
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Book Description
The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities.
Author: Sarah M.A. Gualtieri
Publisher: Stanford University Press
ISBN: 1503610861
Category : Social Science
Languages : en
Pages : 236
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Book Description
“This ingenious study . . . will transform how we conceptualize immigration, race, gender, and the histories and boundaries of Arab and Latin America” (Nadine Naber, author of Arab America). Los Angeles is home to the largest population of people of Middle Eastern origin and descent in the United States. Since the late nineteenth century, Syrian and Lebanese migration to Southern California has been intimately connected to and through Latin America. Arab Routes uncovers the stories of this Syrian American community, one both Arabized and Latinized, to reveal important cross-border and multiethnic solidarities in Syrian California. Sarah M. A. Gualtieri reconstructs the early Syrian connections through California, Texas, Mexico, and Lebanon. She reveals the Syrian interests in the defense of the Mexican American teens charged in the 1942 Sleepy Lagoon murder, in actor Danny Thomas's rise to prominence in LA’s Syrian cultural festivals, and in more recent activities of the grandchildren of immigrants to reclaim a sense of Arabness. Gualtieri reinscribes Syrians into Southern California history through her examination of powerful images and texts, augmented with interviews with descendants of immigrants. Telling the story of how Syrians helped forge a global Los Angeles, Arab Routes counters a long-held stereotype of Arabs as outsiders and underscores their longstanding place in American culture and in interethnic coalitions, past and present.
Author: Mauricio Mazón
Publisher: University of Texas Press
ISBN: 0292788215
Category : Social Science
Languages : en
Pages : 214
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Book Description
“The most incisive analytic study yet produced by a Chicano scholar . . . Mazón looks at the bloody incidents that erupted in Los Angeles during June, 1943.” —California History Los Angeles, the summer of 1943. For ten days in June, Anglo servicemen and civilians clashed in the streets of the city with young Mexican Americans whose fingertip coats and pegged, draped trousers announced their rebellion. At their height, the riots involved several thousand men and women, fighting with fists, rocks, sticks, and sometimes knives. In the end none were killed, few were seriously injured, and property damage was slight and yet, even today, the zoot-suit riots are remembered and hold emotional and symbolic significance for Mexican Americans and Anglos alike. The causes of the rioting were complex, as Mazón demonstrates in this illuminating analysis of their psychodynamics. Based in part on previously undisclosed FBI and military records, this engrossing study goes beyond sensational headlines and biased memories to provide an understanding of the zoot-suit riots in the context of both Mexican American and Anglo social history. “The latest scholarly work to probe the significance of the brawls that erupted in Los Angeles between uniformed servicemen and young Mexican-Americans in June, 1943 . . . Mazon’s contribution is a psychohistory of the riots in which he concludes that they were not as dangerous, or even riotous, as often portrayed.” —Los Angeles Times “In the nascent field of Chicano history psychohistorical studies are not abundant. Thus Mazón makes an immense contribution to the study of the Mexican American.” —American Historical Review
