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Author: James M. Harding
Publisher: University of Michigan Press
ISBN: 0472122606
Category : Drama
Languages : en
Pages : 409
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Book Description
The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period. The introduction provides a broad overview of the social, political, and cultural contexts of artistic practices in mainstream theater from the mid-fifties to mid-seventies. Readers will find detailed examinations of the mainstream’s surprising attention to craft and innovation; to the rich exchange between European and American theatres; to the rise of regional theaters; and finally, to popular cultural performances that pushed the conceptual boundaries of mainstream institutions. The book looks afresh at productions of Hair, Cabaret, Raisin in the Sun, and Fiddler on the Roof, as well as German theater, and performances outside the Democratic National Convention of 1968.
Author: James M. Harding
Publisher: University of Michigan Press
ISBN: 0472122606
Category : Drama
Languages : en
Pages : 409
Get Book Here
Book Description
The Sixties, Center Stage offers rich insights into the innovative and provocative political underpinnings of mainstream and popular performances in the 1960s. While much critical attention has been focused on experimental and radical theater of the period, the essays confirm that mainstream performances not only merit more scholarly attention than they have received, but through serious examination provide an important key to understanding the 1960s as a period. The introduction provides a broad overview of the social, political, and cultural contexts of artistic practices in mainstream theater from the mid-fifties to mid-seventies. Readers will find detailed examinations of the mainstream’s surprising attention to craft and innovation; to the rich exchange between European and American theatres; to the rise of regional theaters; and finally, to popular cultural performances that pushed the conceptual boundaries of mainstream institutions. The book looks afresh at productions of Hair, Cabaret, Raisin in the Sun, and Fiddler on the Roof, as well as German theater, and performances outside the Democratic National Convention of 1968.
Author: James M. Harding
Publisher: University of Michigan Press
ISBN: 0472053361
Category : Art
Languages : en
Pages : 409
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Book Description
Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental
Author: Michael Kay
Publisher: Simon and Schuster
ISBN: 1982152044
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
For nearly two decades as CenterStage's host, Kay has conducted hourlong conversations with American pop culture's most intriguing personalities. Here he has gathered the conversations that best exemplify the show's distinctive blend of humor, inspiration, and self-revelation. Kay also includes behind-the-scenes stories. -- adapted from jacket
Author: Frank Donner
Publisher: Univ of California Press
ISBN: 9780520080355
Category : Political Science
Languages : en
Pages : 528
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Book Description
This landmark exposé of the dark history of repressive police operations in American cities offers a richly detailed account of police misconduct and violations of protected freedoms over the past century. In an incisive examination of undercover work in Chicago, Los Angeles, New York, and Philadelphia as well as Washington, D.C., Detroit, New Haven, Baltimore, and Birmingham, Donner reveals the underside of American law enforcement.
Author: Laura Kalman
Publisher: Univ of North Carolina Press
ISBN: 0807876887
Category : Law
Languages : en
Pages : 484
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Book Description
The development of the modern Yale Law School is deeply intertwined with the story of a group of students in the 1960s who worked to unlock democratic visions of law and social change that they associated with Yale's past and with the social climate in which they lived. During a charged moment in the history of the United States, activists challenged senior professors, and the resulting clash pitted young against old in a very human story. By demanding changes in admissions, curriculum, grading, and law practice, Laura Kalman argues, these students transformed Yale Law School and the future of American legal education. Inspired by Yale's legal realists of the 1930s, Yale law students between 1967 and 1970 spawned a movement that celebrated participatory democracy, black power, feminism, and the counterculture. After these students left, the repercussions hobbled the school for years. Senior law professors decided against retaining six junior scholars who had witnessed their conflict with the students in the early 1970s, shifted the school's academic focus from sociology to economics, and steered clear of critical legal studies. Ironically, explains Kalman, students of the 1960s helped to create a culture of timidity until an imaginative dean in the 1980s tapped into and domesticated the spirit of the sixties, helping to make Yale's current celebrity possible.
Author: John R. Thelin
Publisher: Johns Hopkins University Press
ISBN: 1421426811
Category : Education
Languages : en
Pages : 221
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Book Description
The 1960s was the most transformative decade in the history of American higher education—but not for the reasons you might think. Picture going to college in the sixties: the protests and marches, the teach-ins and sit-ins, the drugs, sex, and rock 'n' roll—hip, electric, psychedelic. Not so fast, says bestselling historian John R. Thelin. Even at radicalized campuses, volatile student demonstrations coexisted with the "business as usual" of a flagship state university: athletics, fraternities and sororities, and student government. In Going to College in the Sixties, Thelin reinterprets the campus world shaped during one of the most dramatic decades in American history. Reconstructing all phases of the college experience, Thelin explores how students competed for admission, paid for college in an era before Pell Grants, dealt with crowded classes and dormitories, voiced concerns about the curriculum, grappled with new tensions in big-time college sports, and overcame discrimination. Thelin augments his anecdotal experience with a survey of landmark state and federal policies and programs shaping higher education, a chronological look at media coverage of college campuses over the course of the decade, and an account of institutional changes in terms of curricula and administration. Combining student memoirs, campus publications, oral histories, and newsreels, along with archival sources and institutional records, the book goes beyond facile stereotypes about going to school in the sixties. Grounded in social and political history, with a scope that will appeal both to a new generation of scholars and to alumni of the era, this engaging book allows readers to consider "going to college" in both the past and the present.
Author: Mike Vanden Heuvel
Publisher: Bloomsbury Publishing
ISBN: 135005156X
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Across two volumes, Mike Vanden Heuvel and a strong roster of contributors present the history, processes, and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first study considers theatre companies that were working between 1970 and 1995: it traces the rise and eventual diversification of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service, and SITI Company. Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The case studies consider factors such as influence, funding, production, and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies. Contributors provide detailed case studies of the 6 companies from the period and cover: * A chronicle of development and methods * Key productions and projects * Critical reception and legacy * A chronological overview of significant productions From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental, as well as mainstream practice.
Author: David Kaufman
Publisher: UPNE
ISBN: 1611683157
Category : Biography & Autobiography
Languages : en
Pages : 358
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Book Description
A lively look at four major Jewish celebrities of early 1960s America, who together made their mark on both American culture and Jewish identity
Author: Timothy P. Maga
Publisher: Infobase Publishing
ISBN: 143810877X
Category : Nineteen sixties
Languages : en
Pages : 417
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Book Description
Traces the history of the United States during the 1960s through such primary sources as memoirs, letters, contemporary journalism, and official documents.
Author: Richard Lints
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409406433
Category : Religion
Languages : en
Pages : 258
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Book Description
This book explores the surprisingly disruptive role of religion for progressive and conservative ideologies in the tumultuous decade of the 1960s. Conservative movements were far more progressive than the standard religious narrative of the decade alleges and the notoriously progressive ethos of the era was far more conservative than our collective memory has recognized. Lints explores how the themes of protest and retrieval intersect each other in ironic ways in the significant concrete controversies of the 1960s - the Civil Rights Movement, Second Feminist Movement, The Jesus Movements, and the Anti-War Movements - and in the conceptual conflicts of ideas during the era - The Death of God Movement, the end of ideology controversy, and the death of foundationalism. Lints argues that religion and religious ideologies serve both a prophetic function as well as a domesticating one, and that neither conservative nor progressive movements have cornered the market in either direction. In the process Lints helps us better understand the complex role of religion in cultural formation.
